This experimental interactive short by filmmaker Ru Howe is one of the first films crafted with trailblazing technology from Bristol based start up stornaway.io which lets filmmakers create story game experiences easily and creatively without coding. Released at Immersive Encounters this week, you can watch it here.
Part funny vlog, part game, the viewer gets to follow Wolfie all over Bristol, on multiple paths through the city – encountering and re-encountering memorable characters across two timelines.
Behind Howe’s signature jump cut editing and Wolfie’s wide eyed vlogging are layered some wonderfully meditative moments and conversations.
Life Moves Pretty Fast was made hand in hand with the creation of Stornaway.io itself. Originally mapped out on Howe’s kitchen wall with pieces of paper, he and producer Kate Dimbleby used the creative production process to design and prototype an authoring tool which would put the creative process at the heart of stornaway.io‘s revolutionary drag and drop vision.
The film was shot in 2 days with a cast and crew of professional friends on a minimal budget.
Life Moves Pretty Fast is designed to be watched and replayed multiple times – there are over 40 minutes of gameplay (if you find all the secret paths!) but allow yourself 15-20 minutes to take Wolfie through 2-3 different journeys of discovery.
If you are a filmmaker or business interested in making your own interactive content, please contact [email protected] or go to the website and sign up for a free 30 day trial and discounted licenses
https://www.lifemovesprettyfast.io
We are pleased to announce the acquisition of Microserve, a Bristol-based Drupal development company specializing in cutting-edge website design-and-build projects, UX, strategy and website support and maintenance.
The acquisition of Microserve further bolsters Investis Digital’s ability to deliver on the company’s proprietary Connected Content™ approach, which relies on building and running intelligent websites and digital experiences that are rapidly deployed and strategically measured, all of which is underpinned by its secure Connect.ID technology.
Don Scales, Global CEO of Investis Digital, said, “As we continue to see an unprecedented rate of engagement online, embracing a digital-first world is paramount to driving business performance. This acquisition reflects our commitment to our clients to deliver against our 24/7 service model and to help them communicate the messages that matter most”.
Microserve is composed of 24 employees and has developed an exceptional reputation for developing robust digital solutions. Its team of accredited Drupal developers is one of the biggest in the U.K.
“We are so pleased to be joining the Investis Digital family, especially during a great period of growth”, said Dan McNamara, Managing Director, Microserve. “The opportunity to work alongside great talent, access a wider client base and use our technical skills to accelerate the Investis Digital vision makes this partnership the right choice. We’re also looking forward to offering our existing clients a greater breadth of services and strengthening our key relationships”
Like Investis Digital, Microserve has a strong client base, ranging from global blue-chip companies to charities, NGOs, local government and more. This portfolio of clients will add to Investis Digital’s own roster of ambitious clients, including ASOS, Anglo American, Rolls-Royce, Ocado, Heineken, Vodafone and more.
Following the transaction, the Microserve team will serve as an additional footprint in the U.K. and will continue to be based in Bristol. Dan McNamara, current Managing Director of Microserve, will take on a Business Director role leading the integration of Microserve into the Investis Digital business. He will be reporting into Adrian Goodliffe, Senior Managing Director, Europe.
Financial details of the transaction were not disclosed.
In the short video below, we share an example of a virtual underground station designed to replicate a real-world experience. As you will see, the possibilities are almost limitless. We can design a fully immersive virtual experience, unique to your brand.
Within the tour, multiple features are shown that allow your brand to communicate core messages and keep your attendees engaged throughout their virtual journey.
If you would like to explore the full tour, amongst other virtual experiences, please contact [email protected] to request an interactive demonstration.
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We anticipate the future to be a hybrid model offering both physical in-person exhibits and events, as well as virtual versions. These dual online and in-person meetings require having a platform that can complement both.
Intelligent design is at the heart of everything we do. We balance strategy with creativity to create beautiful branded environments & communications. It simply means the thinking comes before the doing, every time.
Phoenix Wharf, the Bristol-based interior design and branding agency specialising in hospitality and retail, has announced the completion of a new scheme for innovative bakery business The Bristol Loaf, who, together with other local artisanal partners, has launched a new community foodie hub in Bedminster, in the south of the city.
The Bristol Loaf was initially set up in 2017 by entrepreneur Gary Derham, whose background includes working for local hospitality operator The Assemblies. The Bristol Loaf ‘s first outlet was a single-unit bakery and café in the Redfield area, before expanding into a second unit and becoming a successful, high-end, artisanal bakery products supplier to many other local businesses, with a retail and wholesale product range that includes sourdough bread and great-looking pastries. ‘The first bite is with the eyes’ remains a founding credo of the business. The retail arm of The Bristol Loaf also built a reputation for serving outstanding coffee.
The ongoing success of the Redfield site led to the expansion into additional premises, taking the opportunity to re-locate the business’s baking operations at the same time, with the original Redfield site remaining open as a café. The new venue will also host an expanded food and drink offer, sourced not only from The Bristol Loaf, but from a number of other specialist operators, effectively creating a mini foodie hub for Bristol. Located on Bedminster Parade, the café-store sits within Engine House Developments, a boutique, mixed-use development, taking up the entirety of the site’s ground floor, with 240 sq m front-of-house space and 90 sq m back-of-house.
‘The vision for the new undertaking’ Phoenix Wharf Associate Creative Director Emma Carter commented, ‘is an ethical supermarket that is accessible to all, where customers feel very welcome to spend time and relax.’
The Bristol Loaf will be retailing its own takeaway bakery produce in the space, as well as offering café customers a menu that includes coffee and pastries and a deli offer encompassing soups and sandwiches, quiches and salads, plus drinks such as smoothies and kombucha. All the produce will be locally-sourced and all dishes made from scratch on-site. Local operator Hugo’s Greengrocer is taking a 25 sq m space within the offer and there will be two other specialist producers present: The Bristol Loaf’s new sister brand, wine specialist The Bristol Vine, and local cheesemonger Two Belly.
Design Brief
The brief for the new site was to create a community foodie hub that widened The Bristol Loaf’s offer but was still visibly linked to the original venue. The business’s commitment to sustainability meant initiatives such as using heat generated by the kitchen ovens to heat the whole space, with the smell of freshly-baked bread also filling the air. A fully-digitised order system will prevent any paper wastage, whilst the timber from former baker’s tables from The Bristol Loaf’s first premises has also been sanded back to minimise signs of wear and tear before being re-constructed as tables for the new venue’s café.
‘For the interior look and feel, the client asked for planting to be a really stand-out, nature-inspired element, building on the presence of plants in the original Redfield site’, Emma Carter commented. ‘The materials palette is both rustic and tactile and includes white tiling and the extensive use of solid ash timber for shelving, corridors and even ceiling panels, alongside brick and raw, exposed concrete, ensuring the overall aesthetic is the antithesis of a slick, super-polished look.’
The café area includes 58 covers in total: 44 at the tables and 14 at perch/bar seating along the scheme’s full-height storefront glazing, with a wooden ledge counter and upcycled stools. The tables are in a variety of 2- and 4-seater arrangements, coming together easily to cater for larger groups. Bi-folding windows along the glazed wall enable the site to have evening opening presence onto the street front, whilst signage and branding is mostly hand-scripted and low key, allowing the company’s products to do the talking.
Visitor Journey
As visitors enter, they’re greeted by a floor-to-ceiling bread display, so that the bakery offer is clearly communicated. The entrance area is glazed and open with plenty of room for buggy-parking. The planting is visually-dominant from the get-go. ‘We blacked out the 4.1m high ceiling’, Emma Carter explained, ‘and created troughs almost a metre down, clad in ash timber slats and travelling the whole ceiling perimeter, housing a number of large, trailing plants. The troughs also conceal the electrical cabling, whilst criss-cross wiring creates structural support for the irrigation system.’
Immediately to the left is the Hugo’s Greengrocer store, followed by the main café counter service area, with the café itself taking up the rest of the open space. The two additional offers are The Bristol Vine, which includes a wine-tasting station, featuring all colours of wine, along with expert reviews and guidance and cheesemonger Two Belly, offering a curated selection of cheeses and suggested beers to accompany them, both of which are located against the rear wall.
The bakery area includes a takeaway sales area; a central freestanding bread display behind the counter; a pastries area for customers to help themselves en route to the till; a chiller for the display of the deli café food offer; a hot-food area under heat lamps; a 3.5m coffee station with ample space around it for collecting drinks and the till area. Care has been taken to avoid pinch points for kitchen staff, waiting staff and customers collecting coffee, whilst at the same time separately zoning out the kitchen, counter and bakers’ spaces.
Lighting over the café seating area features clustered paper lanterns to create a soft and homely feel, whilst feature lighting over the counters is in the form of reconditioned factory pendants, offering a soft, lower level glow above the service and coffee counter areas. Flooring is an existing concrete-look tiling, which, where damaged, has been additionally concrete-screeded to ensure a safe overall level. All the counters are clad in white tiling apart from the rear counter, which is made up of wooden slats.
The back of house area includes large-scale fridges, loaders, ovens, mixing areas and shaping tables and is out of sight of customers, although some areas of prep are visible front of house to provide an element of theatre, for bread shaping, for example and lunch prep.
‘The whole design process has been a joy’, Gary Derham commented. ‘Emma from Phoenix Wharf really understood our company’s ethos and has been able to turn our ideas and vision for the space into something practical and very beautiful.’
Photography credit: Franklin & Franklin
Lawless and Inspired have combined to bring together the UK’s best emerging street-artists and their influencer networks, allowing agencies and brands to tap into visual culture. Artists include Jody Thomas who created the 15m high Greta Thunberg wall mura, which highlighted issues of climate change and was featured on the BBC, across national press and went viral on social media.
The Lawless Inspired partnership aims to harness the power of today’s creative pioneers, to deliver physical/digital projects that excite and inspire. Alex Kopfli, Director at Inspired notes ‘by joining forces, we essentially offer agencies and brands a turn key solution, delivering creativity through artistic talent, brought to life by impactful real-life productions merged with digital creativity. The concepts are then distributed to an authentic and sizable audience online through our network.’
Since Lawless launched during the Covid Pandemic, the niche influencer agency has started working with brands to deliver artist-led creative solutions, adding a stamp of cool and credibility to brand campaigns and executions. Lawless Studio has already built up an impressive roster of artists, with the likes of Jody Thomas, Jack Watts, Nerone, Bond Truluv and Shay Casanova, reaching a significantly growing audience of 760k followers as a combined network, quality audiences loyal to each artist they follow, and trend setters in their own right.
Josh Moore of Lawless Studio calls out Inspired’s ‘exceptional track record in delivering first-class brand experiences for the likes of Wavemaker, Mediacom, M&C Saatchi and Fuse’ is the missing piece to the puzzle of delivering stand out creative solutions.
‘We now have the production capacity and logistical know-how to give brands access to creative pioneers and allow them to create amazing content, to give credibility and authenticity to brands through their output, and also reach huge dedicated followings through their social channels.’
Bristol’s hospitals charity Above & Beyond has appointed AgencyUK for its latest campaign.
Following a competitive pitch process, the Bath-based agency will be delivering a creative, integrated campaign for the charity, focussing on cancer services in Bristol’s hospitals.
Julie Worrall, director of fundraising and development for Above & Beyond, said: “This is a really exciting time for Above & Beyond as we look to increase our support of Bristol’s hospitals and health services in Bristol.
“We believe that every patient receiving cancer treatment in Bristol deserves the best possible care and through this campaign we’ll be investing in services that ensure they receive it.
“AgencyUK has been crucial in the design concept of the campaign and we look forward to rolling this out across Bristol.”
Amy Stobie, director of AgencyUK, said: “It became clear early on that Above & Beyond is a vital enabler for furthering cancer care and treatment for patients in Bristol.
“As its work is so focused in the region, it means a lot of our AgencyUK people have had first-hand experience dealing with friends and family who are treated in these hospitals.
You can find out more here: https://tinyurl.com/BristolAgainstCancer
Jo Johnson and Steve Stanley appointed following investment
Access Creative College, an independent college for the creative industries, which launched a new state-of-the-art campus in Bristol in 2019, has made two senior appointments. The move signals its continued commitment to education and learning within the creative industries in the city.
The announcement follows a significant year for Armstrong Learning group*, the owners of the College, during which it secured investment from Apiary Capital, announced its new Bristol facilities and welcomed the National College for the Creative Industries (NCCI) to its portfolio.
Jo Johnson has been appointed by Access Creative College as Chair. The former Minister of State for Universities brings a wealth of knowledge and experience in education, technology and the creative sectors. Jo will provide leadership and guidance to the College, helping the team to navigate the educational environment in which it operates during a period of growth.
Steve Stanley has been appointed as Director of Evaluation and Impact. He has worked in education for 33 years. Around half of which, was as an inspector at Ofsted and the Adult Learning Inspectorate. As a former inspector, he brings an aptitude for assessing the impact of the curriculum on learning. As an educator, he has expertise in how education can make a positive difference to the futures of young people and adults.
Jason Beaumont, Chief Executive at Access Creative College, comments,
“Welcoming Jo and Steve to the team is big news for us. They will help us to have a voice on a national scale and deliver education and learning that students want and industry desires.
“The creative industries will be a very different place post Covid and we are aware of the challenges ahead. But, with the creative industries sector having grown at a rate more than twice that of the total UK economy over the last decade, we are confident that it will bounce back.
“By adapting to change, bringing in the right expertise and listening to the needs of our students and the wider industry, we’ll be in the best position to provide meaningful education for the new creative economy and continue our track record of high student achievement and progression.
“There are exciting times to come. As we approach our 30th academic year, we are focused on growth at our existing sites and in new cities. We are adapting our curriculum to support the increasingly digital market and we are extending our commitment to support BAME learners, staff and minority communities within the College network.
“Our passion to help young people from a diversity of backgrounds prosper in the creative industries remains constant, and at the heart of what we do.”
*The Armstrong Learning Group owns Access Creative College and Coaching Connexions and delivers creative industry apprenticeships under licence to NCCI Ltd. as part of a partnership with South Essex College and DfE.
Strange have launched a competition for their client Animal, the lifestyle clothing brand. The campaign, supported by PR and digital marketing, aims to inspire creatives to enter designs inspired by the competition theme of ‘Coastal’.
The lucky winner will have their design printed on an Animal T-Shirt and retailed on line and in store alongside Animal’s 2019 Spring Summer collection, plus £1,000 of Animal clothes. The competition is open to creatives that work in any medium they choose, whether that be digital, photographic, a painting, graphic, illustration or typography.
“We’re lucky to live and work in such a great location and this area is full of creative talent” explains Laurence Hall, Managing Director of Animal. “We want to offer one lucky person the opportunity to showcase their creative skills and add an amazing piece of work to their portfolios.”
Open to UK residents over 18, entries close on April 7th. Shortlisted entries will be showcased in South Coast Roast, Bournemouth’s much-loved independent coffee shop. South Coast Roast will also be hosting the awards night on April 27th where the following prizes will be awarded;
• 1st Prize – winner’s design printed on an Animal T-Shirt and sold in store and online + £1,000 worth of Animal products
• 2nd Prize – £500 worth of Animal products
• 3rd Prize – £250 worth of Animal products
The theme of the competition is ‘Coastal’, celebrating Animal’s close relationship with the sea and their heritage as one of the leading lifestyle brands.
Further details about the competition can be found at https://www.animal.co.uk/design-a-tee
After 15 years of supporting and promoting Bristol’s creative sector, Bristol Media has undergone a make-over. Designed to better reflect the breadth and depth of the city’s creative community, we’d like to introduce Bristol Creative Industries.
Since launching Bristol Media in 2005, the creative sector and city profile has changed significantly. Bristol today is home to one of the UK’s largest, most diverse and creative communities. From world-leading animation, film, TV, AR and VR to brilliantly creative advertising, PR, social and digital agencies and freelancers, event production and more, Bristol is a hotbed of innovative thinkers, creative dynamos and world-class talent. Given this breadth, our new name, look and feel is designed to embrace all our creative talents and ambitions.
Bristol Creative Industries will continue the good work of Bristol Media – supporting the creative sector to learn, grow and connect. A myriad of open-to-all and member-only learning and sharing events, workshops and training sessions will continue to enable Bristol’s creative community to develop valuable skills and make important new connections. Recent keynote events and workshops have seen the likes of Rory Sutherland, Ann Hiatt, Bruce Daisley and Margaret Heffernan all come to Bristol to share insights and inspire new thinking. Whether online and virtual or up close and personal, we’ll continue to bring the experts and innovators in creative thinking, business development and skills expansion to share their experience and inspire us all with their passion.
And of course, we’ll be supporting members as much as possible. Our new-look website offers members an enhanced, highly engaging platform to showcase work and share thought leadership. The Member Directory and Project Gallery offers the opportunity to promote specialist skills and offers, enabling the creative community to seek out talent and members to boost career opportunities, offer their services and build new business-generating connections and collaborations. Whether looking for a new role or seeking out new talent, members will continue to benefit from our acclaimed Jobs Board which enables roles to be posted at a fraction of the cost of other recruitment routes. With over 750 jobs posted in 2019 it’s an active and accessible route to talent recruitment for the creative sector.
Everyone involved in Bristol Creative Industries passionately believes in the brilliance of creative Bristol. Alongside our website providing a valuable introduction to the city’s talent for the many companies seeking out creative services, our Board of Directors will continue to act as ambassadors for the city and the sector, telling our collective story and working to attract further support for our initiatives and collective ambitions. With a hard–working Operations Team making everything happen, plus a voluntary Executive Board including BAFTA winners, tech trailblazers and creative pioneers providing support and guidance, we’re also expanding our Advisory Group to help build our offer and support the sector still further. We’re actively recruiting so take a look at the roles on offer if you’re interested in supporting us.
“Bristol may be known for Banksy, Gromit and Brunel, but in between the cider, boats and balloons we nurture a hugely diverse network of creative talent that is ever-expanding in scale of offer and of ambition”, says Chris Thurling, Chair of Bristol Creative Industries. “Since 2005 Bristol Media has done a great job supporting the sector, but the name simply didn’t reflect the offer. With an ambition to embrace and support the full breadth of the city’s creative talent, we wanted a name to match. Bristol Creative Industries does just that.
“The collaborative, connected nature of Bristol’s creative community is quite unique in the UK and a great, untapped strength. Individually all our creative businesses and individuals have great skill, and when we combine our talents we can do even greater things. By engaging with Bristol Creative Industries, whether attending an event, joining a training session, sharing thought leadership, creating a showcase or simply posting a new role, the opportunity to grow and prosper expands. And that, I have absolutely no doubt, is a very good thing for everyone.”
Lis Anderson, Director at Bristol Creative Industries, agrees: “Sharing our achievements inspires talented people to work here, attracts more customers and bolsters growth for all. With Bristol’s long-standing reputation for innovation, the enhanced digital platform created for Bristol Creative Industries gives Bristol’s creative community the voice it deserves. I would urge everyone in the creative community to get involved – the more noise we make, the more business we’ll attract, it really is that simple.”
If you would like to find out more about supporting Bristol Creative Industries or becoming a member, get in touch.
The iconic ‘Cheers Drive’ sign, one of nine light installations which featured in this year’s inaugural Bristol Light Festival has been permanently installed at the city’s bus station in Marlborough Street as a symbol of gratitude to the many thousands of frontline workers.
The neon sign was installed late last night and will be officially switched on by tomorrow Friday 21 August as a permanent feature for visitors and Bristol residents to enjoy.
As organisers focus on their plans to bring the Bristol Light Festival back to the city next February, they are asking Bristolians to nominate their preferred local phrase to be turned into a light display. The Overheard in Bristol installation which this year featured the ‘Cheers Drive’ saying will light up a new well-known Bristol phrase for 2021. With a wealth of ‘Brizzle’ phrases to choose from ‘gert lush’ and ‘alright me luvver’ to ‘where’s it to?’, people can nominate a phrase for next year by tweeting @bristol_light their ideas.
Supported by Bristol City Centre BID (Business Improvement District) alongside Bristol-based creative directors Katherine Jewkes and Vashti Waite, this year’s highly popular event was the first in a three-year series planned for the city.
Expressions of interest are also now open for artists keen to be involved in the 2021 event. The creative team are keen to hear from artists and makers of any discipline, interested in working with light as a creative medium in Bristol City Centre.
Vicky Lee, Bristol City Centre BID’s lead for the Festival added: “We’re excited to be giving Cheers Drive a permanent home in our city and it’s fitting that it is going to be displayed in a location which every day welcomes residents, workers and visitors alike into the heart of the Bristol.
“It’s great that so many people are already returning as we continue to work with local businesses and organisations to safely reopen the city following lockdown, as part of the Bristol Together initiative.”
James Freeman, Managing Director, First West of England commented:
“As we get the region moving safely again this new eye-catching addition to the city’s bus station from the Bristol Light Festival is right on cue. The ‘Cheers Drive’ sign gives us a highly visual, creative way to show our gratitude to the thousands of keyworkers – including our First staff – in true Bristol fashion now and for years to come.”
Katherine Jewkes, co-creative director for the Bristol Light Festival:
“The last few months have been difficult for everyone, but as always Bristol has come together with its own sense of community spirit and care, which we think is summed up in this artwork. We’re glad to see it reinstalled in the city centre as a gift to everyone who has kept the city going through such uncertain and turbulent times.
We are moving forward with plans to stage Bristol Light Festival again in 2021, bringing light and joy to the city centre at a traditionally dark time of year. We are currently open for expressions of interest from any kind of creative talent in the city who have an idea they would like to make happen, or an installation which has never been seen in Bristol before, we’d love to hear from you.”
In addition to the giant ‘Cheers Drive’ sign as part of the Overheard in Bristol installation which was originally located by Watershed, the 2020 event included eight other installations for the city to enjoy, such as the transformation of Castle Bridge by Tine Bech with Pink Enchantment, immersing those who walked across it in an ethereal pink light. While Queen Square hosted Wave-Field Variation Q, eight, giant illuminated see saws by Lateral Office and CS Design with Soundscape by Mitchell Akiyams, and Neighbours, which saw four Bristol-based Graffiti artists and illustrators to show us what they think the neighbours are up to next door to Banky’s famous Well-Hung Lover on Park Street. Neighbours is a celebration of Bristol’s residents and how we interact with each other as a diverse community.
The Bristol City Centre BID (Business Improvement District) has continued to deliver many initiatives throughout the pandemic to ensure the city and its businesses can safely reopen. These projects include additional overnight security, street cleansing and disinfecting high-contact locations in the city centre to help minimize the spread of Covid-19 and most recently the city-wide marketing campaign, Bristol Together to support local businesses as they safely reopen in partnership with Visit Bristol and Broadmead BID.
For more information about the Bristol Light Festival and Bristol City Centre BID please visit https://bristolcitycentrebid.co.uk/ and follow the Bristol City Centre BID on Twitter @BrisCentreBID #Bristollight.