Specialist CRM agency Flourish has strengthened its commitment to putting the customer experience at the heart of everything it does with the appointment of former TSB and Bank of Ireland marketing head Emma Stacey as a non-executive director.
The move follows a recent management restructure at Flourish that has seen Ian Reeves appointed Managing Director. The new senior management team will maintain Flourish’s pragmatic approach to CRM, whilst expanding the use of data available through search and social to continually improve the relevance of customer led journeys.
Stacey will advise Flourish as the team look to consolidate their position and move into the next stage of their growth plan. Flourish will draw on Stacey’s vast experience, gained in the financial sector, of putting customers at the centre of every marketing experience, whilst achieving financial objectives.
Managing Director Ian Reeves said: “I am absolutely delighted to welcome Emma to the Flourish family. Our whole team and our clients will benefit from Emma’s wealth of knowledge. The ‘money confidence’ TSB campaign demonstrated the importance of data driven communications, something Flourish champion with all of our clients and I’m looking forward to Emma helping us as we onboard new clients in the future.”
Work is underway on the expansion of The Bottle Yard Studios into a neighbouring South Bristol industrial site, which is undergoing a £12m redevelopment backed by West of England Combined Authority investment that will add three new stages to the Studios’ portfolio.
Planned for completion this Summer, the expansion will increase the number of stages on offer at The Bottle Yard Studios from eight to 11 and is intended to maintain and grow film and TV production in Bristol and the West of England.
Titles recently filmed at the facility, the largest of its kind in the region, include upcoming BBC/Amazon psychological thriller Chloe (premiering Sunday 6 February), series one and two of Stephen Merchant’s BBC/Amazon series The Outlaws and BBC One legal drama Showtrial.
Global construction specialists ISG have been contracted by Bristol City Council to convert the industrial property at Hawkfield Business Park, less than half a mile from the main Bottle Yard site, into three new sound stages. Measuring 20,000 sq ft, 16,000 sq ft and 7,000 sq ft, the filming spaces will be accompanied by ancillary spaces including production offices, prop stores, costume/makeup areas and break out areas, amounting to approximately 82,000 sq ft (7,600m²) of converted floor space in total.
Operations at The Bottle Yard’s main site have also been boosted by a further £1.6m investment by Bristol City Council in renewal and repair works that will make the Studios’ existing buildings fit for purpose for the facility’s 10-year business plan.
Overall, the investment in the current site and new studio provision at Hawkfield Business Park is expected to create 135 jobs during the refurbishment with a further 863 jobs created over the next 10 years through an accompanying Workforce Development Programme focused on high-end TV skills and targeting development of new talent in South Bristol.
Dan Norris, mayor of the West of England, said:
“I’m incredibly proud of the investment that the West of England Combined Authority I lead is making here. It’s a fantastic space and the progress in getting it ready is remarkable. The expansion of The Bottle Yard studios sends a strong message that our amazing creative sector here in the West of England is thriving. So many talented people are helping put our region on the national and international map as a go-to location for the film and TV industry. Three new stages will mean even more of our favourite shows like The Outlaws, Poldark and Showtrial can be filmed here. This vote of confidence in the West of England will create a thousand high skilled jobs and should help us to attract even more production companies. I look forward to watching lots of new shows hit our screens, and I’ll enjoy them even more knowing they are made in the West of England.”
Marvin Rees, mayor of Bristol, said:
“It is great to see the expansion work starting at The Bottle Yard Studios. Our £1.6m investment in the current site, coupled with the additional capacity at the Hawkfield site, once developed, will bring confidence to the city’s film and TV production sector and harness growth as the demand for on-screen content grows worldwide. The expansion will also create jobs, skills and training opportunities, support the local supply chain and be a major boost to our wider regeneration plans for south Bristol, bringing growth and opportunity into the area.”
Laura Aviles, senior film manager for Bristol City Council which is responsible for The Bottle Yard Studios & Bristol Film Office, said:
“This expansion is big news for Bristol’s film and TV sector. Upping The Bottle Yard’s stage count from eight to 11 at a time when space for filming is at a premium, means we can welcome more of the productions we know are keen to film in Bristol, a city that saw a 225% increase in filming in the first quarter of the current financial year. We’re making sure Bristol seizes the opportunities presented by the UK production boom with both hands, so that local crew, companies and new generations of talent can reap the benefits in employment, business and skills development.”
Richard Skone, regional director for ISG, said:
“This highly significant creative arts scheme for Bristol is yet another example of smart and efficient procurement practice – fast-tracking the project to site through the use of the high-performing Southern Construction Framework (SCF). The sustainable Bottle Yard Studios development will prove transformative to the capacity and capability of the region’s media sector and, during the construction phase, will prioritise positive social value outcomes for local residents and the wider community. As the UK continues to benefit from a renaissance in investment in the creative arts sector, ISG brings significant expertise to this high-profile and ambitious project.”
Technical specifications for the new stages have been designed to a premium quality, with sound insulation between stages meeting cinema facility standards, impressive internal noise ratings (NR25 db) and reverberation levels of below 2 seconds. Stages will be clear span build spaces with maximum heights of 34ft, providing productions with adaptable studio accommodation of scale, ideal for meeting the needs of large-scale productions filming in and around Bristol.
Sustainability has been placed at the centre of the design and build process of the expansion site. Energy supply for the converted buildings will be supported by a large photovoltaic (PV) array, improved insulation and a sophisticated building management system designed to enable energy conservation. Transport around the Studios’ expanded footprint will be carbon neutral, with electric vehicle (EV) points and ample cycling provision supporting low carbon movement.
The expansion programme will also bring added benefits to local people through a series of training, skills and employability activities, apprenticeship opportunities and community project support co-ordinated by ISG as part of their contract.
Piers Tincknell, co-founder of WordPress and WooCommerce specialists Atomic Smash, is one of Bristol Creative Industries’ longest standing members. He joined in 2010 when his business was him and his co-founder David Darke. The company is now a team of 17.
Dan Martin spoke to Piers about his business journey and how BCI has played a key role in his success.
“My business partner David and I graduated from university with a digital arts degree. We had an assignment to come up with a hypothetical business that we might be able to run. Our idea was a podcasting network. We found that we worked really well together and when we graduated, we decided to set up our own actual business. We gave it three months. If we didn’t get any work or ran out of money, we’d get a proper job!
“We moved to Bristol but had no clients. We rented some desk space in Spike Island and immediately picked up work from other business people there. We were the only people in the space doing any form of web service so it was a rich source of collaboration. We did logo design, built websites, video editing, sound editing and 3D modelling. We did anything digital that people wanted us to do. We really got stuck in!
“A few years in we met someone who suggested we build our websites on WordPress as it was up and coming. We tried a few content management systems and decided WordPress was the one to use after a business adviser said that we needed to settle on a niche to be successful. It was also then that we hired our first employee.
“We posted a job ad on the Bristol Creative Industries job board. We received some applications and made a choice from those we interviewed. That person is still with us today.
“When you’re running a small business, it’s easy to hire the wrong person. Either you’re not going to pay enough money so you get somebody who’s too hard to manage and you need to upskill them so you can’t spend time on the high value work or you end up with somebody who’s not the right cultural fit.
“My advice around is to not panic hire. Don’t wait until you desperately need somebody to start the process of finding the right person. The longer the interview process and the more time you get to spend with somebody, the more likely you’re going to gel and find the right person. It will feel like a gamble because it’s a new fixed overhead, but if you need to think if the business is going in the right direction and you are going to have enough money in, say, six months time, let’s start the process as soon as possible.
“Doing it through Bristol Creative Industries is good too because you can keep recruitment costs down and I think it’s a more natural way of hiring. I totally see the room for recruiters when you’re a scale-up, but when you’re in your early stages and you’re all about building a good relationship with somebody, then doing it yourself can be so much better.”
“We never overtly set out our culture, but the culture we’ve ended up with is definitely a reflection of me and David as we are closely aligned. Our values are the same and that has been amplified into the business.
“Part of our company culture is learning and self development. We weren’t afraid to take on lots of different tasks at the beginning as we just wanted to learn and get stuck in. That has stuck with us and it’s something we encourage everyone in the business to do. Working in technology, you can’t sit still. You need to keep learning. That’s something we got from our university course. There was some software we studied in our first year that was obsolete by the final year!
“As your business grows, it’s really hard to hold onto your culture. I think at the beginning you just attract people who are similar to you. As you are working so closely together, often in the same room, you have to be really aligned to move forwards. When there’s 20 of you, it’s easy for everyone’s values to not quite align but you muddle through. Once you get to a certain size, the business owner needs to be much more overt about communicating their values internally and that messaging needs to be consistent.”
“We got lots of advice from other people at the start of our business journey. The top three tips were get some business insurance, find a mentor and join Bristol Creative Industries to meet new people.
“I’ve met loads of people through Bristol Creative Industries. In the early days, it was a way to get talking to a new contact if we were both members of BCI. It’s a great icebreaker. I’ve also been to lots of networking events over the years and attended programmes and other training.
“At the start when we didn’t have much money, membership was more of a commitment but we still saw the value in it. We enjoyed being able to connect with other business owners and realised Bristol Creative Industries was the best way to do that. As we’ve got bigger and we’ve become more self propelling, we want to give back. The money you give to BCI is about building Bristol as a community and promoting Bristol. We like that BCI is investing in the creative industries. It is so important for us so we want to do as much as we can to help promote it.”
“I think it’s more competitive than ever in the digital agency space. That’s a really big challenge.
“Talent is another one. It’s great that Bristol is growing in popularity and there are lots of big technology companies coming here, but they are hoovering up lots of good developers and designers. As a small business, we can’t compete on salary so we try and compete on other things that are important to people.
“It’s nice having such a great spread of clients because people often come to work for us to be able to get access to those clients. [Atomic Smash’s clients including Spike Island, Bristol Ideas and Bristol Pride]. That wasn’t an intentional, strategic thinking thing, it was just just a natural thing that happened.
“We also communicate the flexibility that we offer and let people know that if they come and work for us, their destiny is in their own hands. We encourage self-starters and if they’ve got ideas, they can run with them. If people are motivated and they want to take on a side project or they want to get a bit more involved in a particular area, they can.
“We also understand that employees are humans with complex lives. We’re flexible around things like taking 30 minutes in the middle of the afternoon to do the school run. My business partner and I have just got down to four days a week. I’ve got a son now so I’m balancing working and parenting. That is open to everyone. Our working week is a shorter than many other businesses as we contract people for 35 hours a week. If they want to condense it into four days, they are more than welcome to do so.”
“The best thing is the collaboration. That has enabled us to grow. We’ve done projects where we’ve worked directly with another agency. They’ve done some design work, and then we’ve done the implementation or vice versa. That has been of been one of the keys to our success.
“Bristol does collaboration really well, which is shown by the amount of people I’ve met through Bristol Creative Industries.
“The Bristol business culture is laid back. That’s great but it does mean that businesses are not always as good as those in other cities at self-promotion. If you look at it from the outside, it can seem like Bristol is not as hungry as cities like Manchester and London.”
“If we had set the business up in 2010 in our bedrooms and not in a workspace, there’s no way we would have met the people who gave us work at the start. Try and set up your new business in a hub or a workspace where there’s other people on the same journey and you’ve got mentors and advisers on hand.
“Find the best people if you’re going to take on staff. If they cost you a bit more, then it’s definitely worth it, and once they’re on board, look after them.
“Finally, I say enjoy the journey! It’s pretty up and down and it doesn’t end, so you’ve got to enjoy it as you go.”
Fancy joining Piers Tincknell as a Bristol Creative Industries member? Benefit from industry expertise, training, leads, curated news, kudos and more. Sign up here.
Michelin starred, restaurant quality pasta, delivered straight to your door. That’s the idea behind new recipe box venture, Otto. And as the fledgling service prepares to outgrow London town, they’ve turned to Bristol agency Flourish to lead the way to plates further afield.
Since launching in May last year, Otto has ramped up service – going from servicing just four London postcodes, to delivering right across the capital. And now, with big plans to expand outside of London, Flourish has been appointed the agency to help take exceptional pasta to the masses. And boy is there an appetite…
In 2020, the UK spent a huge £190m on fresh pasta and noodles (YouGov). And pasta accounted for just under 12% of evening meals (kitchen cooking index).
The popularity of recipe boxes has skyrocketed in the last few years, too. A Cardylicks study found of the 22 million UK bank accounts they analysed, 11 million purchased recipe boxes. It’s a market that was worth $10.6 billion globally in 2020, and it continues to grow.
But with growth comes competition. Otto will be going toe-to-toe with the likes of Pasta Evangelists and all kinds of other recipe box cuisines, so demonstrating value and quality will be top of the agenda.
Otto was founded by entrepreneur and Pots & Co founder Julian Dyer, and long-time collaborator and friend Phil Howard, Chef-Patron of Michelin-starred London restaurant Elystan Street.
Julian said of the recent partnership between Otto and Flourish: “We’re really excited about working with Flourish on taking Otto onto the next step of our journey.”
He added, “We have exciting plans for the retail side of Otto as well as the restaurant, working with Flourish will help us produce inspiring marketing campaigns to bring the brand to life and help us grow the business.”
Flourish has been a long-time supporter of challenger brands like Otto, albeit on a different scale – Samsung, ebay and Huawei to name a few big-hitters. And Flourish’s Managing Director Ian Reeves can’t wait to get stuck in:
“As a customer journey agency, the acquisition of new customers plays an important role for all of our clients, and especially for brands ready to expand, like Otto.”
He added, “We’re absolutely delighted to be working with Julian, Phil and the rest of the Otto team – their passion is infectious, and their pasta is unbelievably good.”
To find out more about our work with challenger brands, big and small, please get in touch.
First event: 10th February 1.30pm – 2.15pm
Bristol-based web design and development agency, Unfold has just launched a brand-new events series, Below the Fold. The series centres successful business people, giving them a platform to share learnings from their journeys. Hosted by Unfold’s founder, Harry Cobbold, these events aim to educate and inform attendees with insider knowledge and tips for success.
What it takes to get your business acquired
The first episode in the series will see Gapsquare’s Zara Nanu taking the guest seat, with Harry interviewing her on Gapsquare’s recent acquisition and what it takes to build and acquirable business.
You can catch the event on 10th February 2022 from 1.30pm – 2.15pm. All events in the series will be held virtually via Zoom for the foreseeable future. If you can’t make the date, you can register in any case and you will be sent the session recording following the event.
Register for the event here.
We would like to invite you to promote your business or organisation to post-16 students at our Next Steps Career Fair taking place on Tuesday 8th March between 4:30-6:30pm. The event is part of National Careers Week.
This is a great opportunity to get in front of creative new talent in your region to talk about what you do and of potential careers within your business or organisation. We have students studying a range of subjects across the creative sector, from music and media to games and esports – we also have a new T Level in software development.
You can bring a trade stand and we are also interested in any practical activities, talks or workshops you may like to offer.
Please use this Google Form to register your interest in attending. Set up time is from 3pm and snacks and refreshments will be provided.
For more info, please contact [email protected]
But what appears to be a shiny new toy for some marketers has actually been the mainstay for specialist CRM agencies like Flourish for years. Since its inception in 2003 Flourish has used data to drive customer journeys that help brands to be more relevant with their messaging.
At the back of 2021 Flourish delivered a personalised end-of-year round up campaign for Twitch, the global streaming site. Over 45 million Twitch users, viewers and creators received the email campaign which was translated into 28 languages.
These uber-personalised comms didn’t simply include the customer’s name or what they just bought. We’re talking whole-email personalisation; with eight different creative variants, based on a contact’s level of platform engagement, each in-turn sharing cool and interesting personal stats based on their year with Twitch. The decision to allocate individual users to different creative variants was driven by real world data insights that identified the type of user they were, the relationship they had with Twitch and their future potential.
Every email was personalised to the recipient, reflecting their year with Twitch. Users and viewers could see the creators and channels they’d watched most, what they’d supported with subs and follows and even what their favourite emote was. Creators could see how many hours they’d streamed, how many viewers they’d picked up, how they interacted with them and who their biggest fans were.
The roundup was a big hit with recipients and saw 500K+ shares on social media. As the campaign landed Twitch saw a 67% increase in traffic to the site as users and viewers reconnected with their favourite content. So much so that there was a 971% incremental increase in the number of hours watched.
Rich James, Managing Partner at Flourish and Twitch client lead said: “We’re always striving to help Twitch be as relevant to their audience of users and viewers as possible. But we’re also conscious for the need to support the content creators that do so much to make Twitch what it is. The end-of-year campaign did both perfectly. Presenting a summary that hyped creators, helped them understand their impact and achievements, whilst viewers were given a timely reminder of everything they’ve loved on Twitch. The campaign was the perfect example of how every member of the Flourish team lives and breathes personalisation in everything they do. The project was led by the amazing Sanni Haltunnen (Senior Account Manager) and Glenn Carver (Technical Campaign Manager) with the wider support of the agency. We’re really proud of what they and the team have delivered for Twitch”
If you’d like help to take your communications beyond personalisation and into relevance, you can get in touch with Rich James. Alternatively, you can take a closer look at Flourish.
Mental health issues do not discriminate. They can affect anyone at any time, and reflecting on the last two years, it comes as no surprise it is being experienced by more and more people.
In the UK alone, 1 in 4 will be affected by a mental health problem of some kind each year. Leaving more and more people searching for support from charities, the NHS and healthcare providers.
For the second year in a row, we have decided to raise awareness and help fundraise for a chosen charity by donating our Christmas Card video.
We did lots of research into which charity we wanted to raise money for, and the decision wasn’t easy. There are so many organisations fighting for important causes, and that’s just in Bristol and South Gloucestershire alone.
The chosen one
We finally came to an agreement on OTR, a mental health movement for young people in the region.
Their mission?
To defend, promote and support the mental health of people between the ages of 11-25. This incredible organisation focuses on breaking the stigma around mental health and their aim is to get people talking about it.
Their approach?
OTR runs a number of workshops, 1:1 therapy sessions, support projects and much more.
They run Resilience Lab workshops, helping young people develop the tools to manage stress.
And host Acts of Activism sessions, where young people can go to socialise, express their frustrations about inequality and come together to encourage small and big acts of activism.
They also hold a 6-8 week Nature Works project, which teaches young people the importance of nature for their mental health, and how connecting with it can be a very beneficial tool for stress-relief.
And their work doesn’t stop there.
OTR works tirelessly to make mental health an aspect of life that people can talk about without any feelings of shame. They believe in the power of partnerships and collaboration and that the world around us, also impacts our wellbeing.
Ultimately, they provide a help and support network so that young people can develop tools to cope with day-to-day life and the challenges that may come their way.
The OTR fundraising video
We worked closely with OTR to develop a video that represents their personality, demonstrates their mission, and spurs people to get talking (and donating).
And once you’ve watched the video, we hope you can help. With your donation, you can help a young person gather the tools they need to shape their own futures. You can help change the game.
A wellbeing pack is just £5. But the self-esteem it brings is priceless. Please donate what you can here.
After almost a year of a basic holding page, Noughts & Ones have launched a new low-impact website as they look to further establish themselves as the go-to Shopify agency for planet-friendly ecommerce brands in 2022.
“2021 was all about laying the foundations for growth and it’s great to see it all come together on our new website. We’ve got some really exciting plans in place as we look to continue working for real change by helping planet-conscious brands to sell their products in the right way.” – Tom, Creative Director
The new website was born of their own Conscious Development™ framework, which guides (and will constantly evolve) all aspects of the Shopify stores and JAMstack websites they deliver.
Further to case studies on projects for incredible conscious brands such as fussy, OceanSaver and Hunter & Gather, the new Noughts & Ones website also serves as a platform to educate and spark conversation around the very real concern of digital sustainability.
Putting their website into “Super-Eco Mode” not only switches the site into even-more-efficient design mode, but also showcases tips on reducing the environmental impact and carbon footprint of websites.
As we approach a new year, Bristol Creative Industries editor Dan Martin looks back at 2021.
It has been another very challenging year for business. We started 2021 with the pandemic continuing to take hold and we sadly end it with COVID-19 still very much dominating the headlines.
As restrictions eased over the summer and we saw a welcome return to in-person meetings and events, we were hopeful of a return to business as usual in 2022. However, Omicron looks set to have put paid to that with new restrictions very much on the cards in the new year, if not sooner.
But if there’s one thing we know about creative industries businesses in our region, it’s your resilience and creativity!
We’ve seen so much innovation over the past 12 months and we are delighted to see increases across all our membership categories as businesses looked to the network to boost knowledge and form new collaborations.
Our total membership is up 50% over the year with business membership seeing a 26% increase. In addition, individual membership has risen 20% and our student membership has grown by 123%.
Chris Thurling, chair of Bristol Creative Industries, said: “Despite the immense challenges of the pandemic, the year at Bristol Creative Industries has included many positives.
“The situation has encouraged more businesses to see the value of connecting, networking and collaborating. It’s great to see an increase in our membership, our events remaining very popular and the growth of many member businesses. At times throughout the year, our jobs board has featured more jobs than ever before!
“The prognosis for the creative industries in the region is a healthy one. In many ways, lockdown has liberated the creative industries from the south east. Many have realised that to build a successful business, you don’t need to be in the centre of London.
“People still want to be near a strong ecosystem and Bristol and Bath have got the combination of factors needed to be competing as alternative locations for creatives.”
The year kicked off with a big announcement as we revealed the new BCI board of directors. They are Julz Davis, Marissa Lewis-Peart, Heather Wright, Gail Caig and Dr. Susan McMillan.
As we said in January: “The diversity of Bristol’s creative industries is something we are immensely proud of, but we also recognised the need for our board to better reflect that diversity. We need individuals who can bring different perspectives and experiences and help us widen our reach across the city. That will help us to future proof the organisation and better support our members.
“We are extremely grateful to the stellar line-up of individuals who have joined our board. With their incredible expertise, they will help us build stronger connections with creative businesses, government organisations and individuals in all corners of the city.”
Talent and diversity remained a strong theme throughout the year and a focus of our efforts to support our members.
It’s a subject we discussed with Heather Wright, the BCI board director who spent 22 years at Aardman, during an in-depth interview in July.
She said: “You get a better quality of idea when you have lots of different windows on the world in front of you. Everybody comes with a different window and a different viewpoint. The more ideas you have in the room from different places the better.
“That’s the problem with the Westminster bubble; they talk to people like themselves all the time. The only way to break out of the bubble is to go further and have a greater diversity of ideas. That comes from a greater diversity of people including ethnic diversity as well as age, people who are less able bodied etc. It’s all about having people with something different to bring which is not the usual employing people in your image which is often the worst thing you can do.”
In September, we launched The Talent Network which gives 17 to 21 year-olds the opportunity to network with creative employers in Bristol and Bath.
The first event allowed young people to find out what skills creative employers are looking for – now and in the future – and to ask the questions they’ve always wanted to ask such as ‘how do I get a job in TV?’, ‘What skills should I focus on?’ and ‘How can I turn gaming into a career?’.
Chris Thurling, BCI chair, said: “A common challenge for our members is the struggle to hire a workforce with the right skills. There are, however, lots of young people with the skills needed but they don’t know the pathways in.
“BCI is there to do the things agencies can’t do on their own and by adding our unique capabilities, we can help tackle the challenge of connecting talent to businesses. We have already started with initiatives like the Talent Network but it is just the start of many things to come.”
We had a busy events programme this year including our monthly virtual members’ lunches where we love catching up with lots of you.
We’ve also had many workshops and keynote events. Big thanks to all the experts for sharing their expertise.
January:
BCI board member Marissa Lewis-Peart led a student networking event and Kit Altin led an online workshop on writing the perfect creative brief.
February:
David C. Baker, described by the New York Times as “the expert’s expert”, joined us from the US for a brilliant keynote event covering how creative businesses can write the perfect positioning statement. We’ve summarised his tips here.
March:
Social media expert Drew Benvie told us all about the app that everyone was talking about, Clubhouse. Read a summary of his tips here.
Digital agency mentor Janusz Stabik began a series of three workshops explaining the strategy needed to run an efficient and effective agency. Read Janusz’s blog post on how to attract better quality agency clients in three easy steps and download his free strategic growth planner for digital agencies.
Lawyer Rebecca Steer from Steer & Co delivered a Brexit and Covid-19 legal update. Find the latest legal news and advice on Rebecca’s blog.
Katie Scotland began a series of four workshops to help attendees use their strengths to feel more confident, have more impact, build better relationships & create more inspiring ways of working with others.
April:
Paul Feldwick worked at the legendary creative agency Boase Massimi Pollitt for over 30 years. His latest book, Why Does the Pedlar Sing?, examines what creativity really means in advertising. He joined us to share some of his insights. Read a summary here.
May:
The team at Tonic Creative Business Partners shared perspectives on what makes great content.
June:
Kit Altin returned for a workshop on how to be more persuasive, and Tom Evans, co-founder of strategy, design and communication agency BEHAVIOUR, shared advice on presenting creative work.
August:
We held our first in-person event for many months as a group of BCI members joined us to discuss funding for creative businesses. Attendees said it would be useful if we could provide regular updates on the finance schemes that are available for creative companies in the south west and beyond. As a response, we published this post and we’re keeping it updated.
September:
We ran a networking event with a difference as a group of members donned their walking boots to explore the beautiful Mendips. The feedback was very positive and we are planning to run another Walk & Talk event with Outside next spring.
Andy Nairn, who has been named the UK’s number one brand strategist for the past three years, joined us for a fascinating and entertaining event. In his new book, he explains how the history of marketing and advertising is full of brands that stumbled across great ideas by accident or turned misfortunes into huge successes. During the event, Andy highlighted examples and outlined the lessons for creative companies. We summarised his insights here.
Consultant Mette Davis-Garratt and Morag Ofili from Kiltered began a brilliant five-part series to help people make sense of what diversity and inclusion means for their business, why it matters, and how to turn the conversation into action.
October:
With the aim of giving 17 to 21 year-olds the opportunity to network with creative employers in Bristol, we launched a new collaborative initiative called The Talent Network. We teamed up with education provider boomsatsuma for the first event and gave young people the chance to find out what skills creative employers are looking for and to ask the questions they’ve always wanted to ask.
If you’re a creative industries employer and would like to get involved in The Talent Network, please contact [email protected].
Anne Thistleton, who has spent over 20 years as a marketing practitioner in the field of mind science, joined us from South Africa for an online event where she shared fascinating insights about how understanding the way the human mind works can help creatives build more effective campaigns. Here’s a summary of her brilliant advice.
One of the benefits of Bristol Creative Industries membership is publishing your own content on our website. We love reading your news!
BCI members have won plenty of awards this year including Unfold, Mr B & Friends and Launch.
Other reasons to celebrate included Atomic Smash becoming a WordPress VIP Silver Agency Partner, the opening of Gather Round’s second co-working space in Bristol and Gravitywell being named among the top app developers in Bristol.
Congratulations to you all!
We’ve seen some fabulous innovation by BCI members for great causes in 2021. Here are some examples:
We love behind the scenes peeks at our members’ businesses and this post is one of our favourites. It’s the story of how digital designer Mayumi Kurosawa has overcome incredible odds to get to where she is today – a much-loved member of the Proctor + Stevenson team.
Bristol is home to some of the best arts organisations in the UK and we were delighted to welcome two of them – art gallery Royal West of England Academy and concert hall St George’s Bristol – as members in 2021.
BCI members have also shared some brilliant business advice in 2021. Here are the 20 most popular posts.
You can read all the news, advice and updates from BCI members here.
Looking at wider happenings for the creative industries in Bristol and Bath, 2021 has been a huge year for film and TV production in the region.
In a very popular article, The Guardian said: “TV crews are falling over each other to film drama in ‘Bristolywood'”, with a 225% rise in production on pre-pandemic levels. There were four major drama productions under way in Bristol in 2019/20. That grew to 13 during the first quarter of 2020/21 and since January this year, 15 high-end TV dramas have been filmed in the city.
Among the high profile shows calling Bristol their home are The Outlaws, the comedy thriller from local boy Stephen Merchant, and BBC legal drama Showtrial.
Forget James Bond, here’s the red carpet event of the year. Premiere of my new show The Outlaws last night – and proud to hold it in my hometown of Bristol. #theoutlaws pic.twitter.com/YCmlFWhF3d
— Stephen Merchant (@StephenMerchant) October 5, 2021
Bath has also been popular with production companies including being transformed into a winter wonderland in the middle of autumn for the new Willy Wonka movie with Timothée Chalamet.
Animation is a big deal in the region too, thanks to the likes of Bristol Creative Industries member Aardman, which has recently launched Robin Robin on Netflix.
Speaking of Netflix, the streaming giant organised a special event in Bath’s Assembly Rooms in November to celebrate the success of its productions made in the South West. The location for the event is featured in global hit Bridgerton.
As the film below shows, the UK economy has been boosted by over £132m over the last two years as a result of Netflix productions created in the South West of England.
In other broadcast events this year, Channel 4, which opened a creative base in Bristol in 2020, delivered its evening news programme from Bristol Beacon on 10 September. It was part of the Black to Front project, a day of programming featuring Black presenters, actors, writers and experts, contributors, and programme-makers. The one hour news broadcast featured a wide-ranging discussion on contested heritage, Black Lives Matter and Bristol mayor Marvin Rees on what has happened since the toppling of the Edward Colston statue.
Publishing its “blueprint for the future”, the BBC said it will expand its BBC Studios base in Bristol. BCI chair Chris Thurling said: “Spreading investment more evenly across the UK is the right thing to do, and I welcome the BBC’s explicit commitment to Bristol.”
The creative industries education sector continued to grow in 2021 with the breadth of courses on offer to the next generation demonstrated by this guide we published in October to further and higher education in Bristol and Bath.
BCI member bootsatsuma has done some great things this year including an innovative street poster exhibition showcasing the work of some of its brilliant students.
Access Creative College resurrected Bristol’s iconic Bierkeller as an events and education space. The venue previously welcomed some of the biggest names in music to its stage, including Nirvana, The Stone Roses and Arctic Monkeys.
Despite what has been another hugely challenging year for the arts, you could still get your cultural fix in Bristol and Bath with artists and others adapting to the need for safe and outdoor events.
Street art festival Upfest was cancelled again but more than 75 murals were created on the walls of south Bristol for locals and visitors to explore during their own personal walking tours.
Bristol artist Luke Jerram, who has achieved international success, brought his stunning In Memoriam installation to the city’s College Green in October. It was created from over 100 flags, made from NHS hospital bed sheets as a memorial to losses during the COVID-19 pandemic and in tribute to the NHS, health and social care staff and volunteers who have given so much to so many.
Luke Jerram’s spectacular Museum of the Moon, a suspended model of the moon measuring seven metres in diameter, went on show in Bristol Cathedral in August and is displayed in Bath Abbey until Christmas Eve.
As the COP26 conference took place in October, an art piece was installed in Pulteney Weir in Bath to highlight the climate change emergency. Sinking House is a red 5.5m by 3.5m house semi-submerged in the water.
The brilliant Love Bristol campaign continued with the painting of socially distanced hearts which were perfect for sitting with your household or group of six to enjoy takeaways from nearby businesses in the spring sunshine.
The festive edition of the campaign is Christmas Adventures, a trail of illuminated lyrics from classic Christmas songs.
Royal West of England Academy launched a multi-million pound renovation project with pop-up exhibitions in other venues around the city so people can still enjoy the art.
We end the year with uncertainty. As a new variant of coronavirus takes hold, it’s possible we will see in the new year with more restrictions. It may not be a full lockdown but we’re likely to return to Zoom calls, takeaway eating and quieter streets.
There is much to look forward to though. We have been so impressed by the continued resilience and innovation of our region’s creative businesses in 2021 which stands us in good stead for the future.
BCI is here to support and we urge you to take part in our super important survey so we can shape our future support and advocate to the government what the region’s creative economy needs.
As we wish you all a fabulous Christmas and brilliant new year, we’ll close with the words of Alli, our membership manager, from her interview in September:
“We help members to learn, grow, and connect. It’s through connecting that people learn and grow. We are a community of people who have a common interest of working in or being interested in the creative industries in Bristol and the surrounding area. We’re the central hub that brings everyone together.”
