How to Prepare and File Your 2024/25 Tax Return as Early as April!
Most business owners and self-employed professionals leave their tax returns until the last minute, facing unnecessary stress and pressure. But what if you could flip the script and have your 2024/25 tax return done as early as April? And be the COOL KID in the room
Imagine the relief of knowing it’s sorted, giving you clarity and control over your finances for the rest of the year!
1. Get Your Books in Order
Ensure all transactions, invoices, and expenses for the 2024/25 tax year are accurately recorded. If you use accounting software, reconcile your accounts so everything is up to date.
2. Gather Necessary Documents
Prepare bank statements, receipts, invoices, and payroll records. If you’re unsure what’s needed, make a checklist based on last year’s return.
3. Review Allowable Expenses & Deductions
Maximise your tax efficiency by claiming all allowable expenses, from office supplies to home office costs. Check for new tax reliefs and allowances that apply to your business.
4. Check for Any Outstanding Payments
Make sure all invoices are settled and that you’re clear on any outstanding taxes owed.
5. Consult Your Accountant (If Needed)
If you use an accountant, schedule an early consultation. They’ll help ensure accuracy and advise on ways to reduce your tax bill.
6. File Online Through HMRC
Once everything is prepared, file your return via HMRC’s online system and keep a copy for your records.
By tackling your tax return early, you eliminate unnecessary stress and free up valuable time to plan ahead. Instead of worrying about deadlines in January, you can be strategizing for the next phase of your business.
So why wait? Start prepping in April, and by the time others are just beginning to think about their taxes, you’ll already be done!
The photo above shows the Bristol WordPress team at WordCamp Bristol in 2019 – a moment when the community was thriving. By less than a year later the World had changed and, despite best efforts, Bristol WordPress People had ceased to operate. There has been a void in the city’s WordPress community since.
The exciting news is that a small group of us have been meeting to discuss how we can reignite this once-thriving group. I’m happy to announce that Janice Tye, one of the original organisers of Bristol WordPress People has re-instated the official Meetup and scheduled some networking events at the King William Alehouse, 20 King St, Bristol BS1 4EF. Whether you’re an old friend or a new face, you’re invited to join us:
Tuesday, February 4th – 6:30 PM to 8:30 PM
Thursday, March 6th – 6:30 PM to 8:30 PM
Tuesday, April 6th – 6:30 PM to 8:30 PM
At its peak, Bristol WordPress People was a hub of inspiration – hosting expert talks, lively networking sessions, and delicious food thanks to sponsors like Atomic Smash and 34SP. This was more than just a meetup; it was a friendly, creative community where people shared knowledge, learned new skills, and helped each other thrive.
Whether you’re a seasoned WordPress pro, someone curious to learn, a website owner in search of advice, or someone with tips and stories to share, we need your help to revive our once-loved group.
Let’s rebuild this community together. Join us at the King William Alehouse and help shape the future of Bristol WordPress People.
See you soon!
The West of England is one of the government’s 11 priority areas for the creative industries, culture secretary Lisa Nandy announced today.
The other areas, unveiled during an economic growth summit in Gateshead, are the North East, Greater Manchester, Liverpool City Region, West Yorkshire, West Midlands, Greater London, South Wales, Glasgow, Edinburgh-Dundee corridor, and Belfast.
The West of England is also one of six mayoral combined authorities that will receive additional funding, to be agreed as part of the government’s spending review. The others are the North East, Greater Manchester, Liverpool City Region, West Yorkshire, and West Midlands.
The government also announced £40m in funding over the next financial year for the following creative industries funding schemes:
Another announcement is that four cultural projects, including one in the West of England, have received £16.2m from the Cultural Development Fund.
The Tropicana in Weston-super-Mare, North Somerset has been awarded £2.7m to complete the final development phase of the Grade II listed seafront complex into a flagship cultural centre.
Councillor Mike Solomon, North Somerset Council’s executive member for culture and leisure, said:
“The much-loved Tropicana is a key destination at the heart of Weston-super-Mare’s seafront. I’m delighted that our bid for £2.7m from Arts Council England’s Cultural Development Fund has been approved by the UK government.
“This now enables us to carry out additional work to the building including finishing, fit out and providing increased accessibility so that more people can enjoy cultural activities and entertainment there. Reinventing this iconic landmark building will create new jobs, support local businesses, and deliver a year-round experience-led economy for the future.”
The other priojects that have received funding are:
A total of £3.6m in grants from the Creative Growth Programme has been provided to 127 creative businesses in 12 regions across England.
Recipients include these local businesses:
As announced in the industrial strategy green paper, the government is working on a full plan for the creative industries which will be published later this year. It will cover areas including funding and skills.
Feeding into the sector plan is the recently announced Creative Industries Taskforce, led by Baroness Shriti Vadera and Sir Peter Bazalgette. Sir Peter, the former chairman of Endemol UK and creative director of Endemol Group Worldwide, was last year appointed as chancellor of UWE Bristol. Read our interview with him here. In that interview, he said:
“Private investment is currently not good enough. The British Business Bank, which encourages investment in small and medium sized enterprises, is not really attuned to the way the creative industries run, the way small creative businesses work, and the criteria by which they have to be judged and invested in. We need to make progress on public and private investment.
“We also need to make progress on research and development tax credit definitions. The UK has a narrow definition of R&D, which is different to the one in other countries in Europe which includes the creative industries so creative businesses can claim tax credits for the innovation that they carry out.
“We need a more flexible apprenticeship scheme because small companies find it difficult to use the apprenticeship levy.”
Another member of the taskforce is Lynn Barlow, UWE Bristol’s assistant vice-chancellor for creative and cultural industries engagement.
In announcements ahead of the sector plan, the government says the British Business Bank, which supports £17.4bn of finance to smaller businesses, will increase its support for creative companies, and UK Research and Innovation (UKRI), which has an annual budget of £9bn, will strengthen its support for the creative industries.
The culture secretary will also announce that shorter apprenticeships will be be available from August 2025, which the government says “recognises the particular needs of the creative industries, as one of our first steps towards a more flexible growth and skills levy”.
Culture secretary Lisa Nandy said:
“From film and fashion to music and advertising, our creative industries are truly world-class and play a critical role in helping us deliver on this government’s mission to drive economic growth in all parts of the UK.
“Our £60m funding boost will support creative and cultural organisations across the UK to turbocharge growth by transforming local venues, creating jobs, supporting businesses and spreading opportunity across the country.
“But this is by no means the limit of our ambitions, which is why the creative industries are at the heart of the forthcoming industrial strategy and will continue to play a key part in this government’s plan for change.”
Bristol-based strategic design agency Rhombus have launched their refreshed brand to better align their visual language with their evolving purpose. Known for their work in crafting transformative brands, websites, and campaigns, the studio has repositioned itself to emphasise collaboration, creativity and strategic problem-solving.
For Rhombus, design is about finding the right balance between strategy and creativity to solve problems, inspire audiences, and drive meaningful change. As their work has grown, so has their purpose – partnering with progressive organisations and people who are on a mission to do things differently.
Despite the visual overhaul, Rhombus maintains its strategic approach to projects, which the studio describes as a balance between insight-driven strategy and creative execution. This involves viewing each project through a lens of problem-solving and potential, whether in the context of branding, web development, or campaign creation. From crafting distinctive visual identities to building engaging websites and powerful campaigns, their work is designed to spark change, grow audiences and connect brands with the people who matter most.
While the studio’s external identity has evolved, its core values and processes remain the same, providing clients with the same thoughtful, collaborative approach they have come to expect.
Each change is intended to communicate Rhombus’ values more effectively:
The Rampersand: The new logo integrates an ‘R’ with an ampersand, symbolising the studio’s focus on people and process. It’s about collaboration between their team and partners, and the transformation that creates for organisations and individuals alike.
Basel Grotesk: The introduction of Basel Grotesk as the primary typeface reflects a blend of modern aesthetics and historical design influences. Inspired by modernist typography, it is bold, flexible and designed to elevate the studio’s visual language.
A new colour palette: The updated palette features a range of colour, each with a specific purpose: Process, Optimism, Transformation, Play, and Rigour. This deliberate selection reflects both the diversity of Rhombus’ work and the intentionality they bring to every project.
From raves to rebrands, Rhombus’ journey to becoming an agency has been anything but traditional. It began in Bristol’s vibrant DIY music scene, where they learned to build brands through a hands-on approach. Designing rave posters provided their first design experience, with their signature brand colours paying homage to the day-glo stock they once plastered across the city.
This transformation is not about change for the sake of it, but a deliberate step forward to align who Rhombus is with what they stand for. Their work is about finding the perfect balance – creativity and process, imagination and rigour, people and purpose.
They remain the same studio, but with a renewed purpose to shape brands that don’t just look great but move all of us forward.
Explore Rhombus’ new site here
One of the big benefits of Bristol Creative Industries membership is the ability to self-publish content on our website. We’ve seen lots of great content published in 2024 including some brilliant business advice.
Here are the 30 most popular advice posts of the year. The list includes some posts from 2022 and 2023 that have continued to attract views thanks to their great tips.
Want to publish business advice on our website and make it into the top 30 most popular content in 2025? Become a member of Bristol Creative Industries.
Written by Moxie and Mettle
Click below or read the article here.
Written by Imagineerium
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Written by Halo
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Written by Varn
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Written by Varn
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Written by Moxie and Mettle
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Posted by Carnsight Communications
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Written by Carnsight Communications
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Written by David Sheppard
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Written by Carnsight Communications
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Written by Imagineerium
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Written by Varn
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Written by OggaDoon
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Written by Bopgun
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The challenges of crafting a brand story & how to overcome them
Written by Superb Digital
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Leveraging Machine Learning Algorithms in a Cookieless Future
Written by Rich Roberts
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Written by Vid Communications
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Written by Imagineerium
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5 Ways AI can enhance creativity and engagement in experiential design
Written by Vid Communications
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Written by Gather Round
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Written by Ambitious
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Written by OggaDoon
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Greenwashing – Walking the Line Between Authenticity and Deception
Written by BrisTechTonic
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SEO for Beginners: Unravelling the Mysteries of SEO+ for Up-and-Coming Businesses
Written by BrisTechTonic
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Written by Blog Write
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Written by SIM7
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Written by Carnsight Communications
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Written by Blog Write
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Written by The Discourse
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Written by South West Film
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Want to publish business advice on our website and make it into the top 30 in 2025? Become a member of Bristol Creative Industries.
Halo has launched it’s event series – Halo Revelations.
Hosted by Nick Clarkson, the first Halo Revelations event, “Putting AI to Work,” was eye-opening to the many possibilities Artificial Intelligence brings to branding and marketing. The event promised to reshape approaches to these crucial aspects of business, and it did not disappoint.
Kicking off the talks, Kerry Harrison, shared insights into the groundbreaking tools shaping the future. From creating the world’s first AI gin to utilising tools like ChatGPT Bard, Bing, and Claude Co-Pilot for writing, Kerry emphasised the role of AI in saving time on research and planning. AI, according to Kerry, is a powerful ally that generates ideas and information quickly, allowing for the creation of first drafts and structures.
One key takeaway was the importance of understanding what AI can and cannot do. Kerry stressed that while AI is a valuable tool, human intelligence is essential for strategy, creative thinking, and research. The message was clear:
“AI is a Collaborator, not a Successor.” – Kerry Harrison
Neil Collard delved into the adoption of AI, citing Moore’s Law and Martec’s Law as foundations for understanding the rapid evolution of technology. His presentation centered on the AI Maturity Model, emphasising the importance of alignment, commitment, and ambition.
Neil urged businesses to be ahead of the curve, stating that delays in adopting AI could result in being left behind. He presented a thought-provoking idea: the alignment-adoption-ambition framework, encouraging businesses to sacrifice the sacrosanct and be open to change for success.
During her talk, Tanya Sharma focused on the transformation of customer experience through AI. She emphasised the importance of the client and customer relationship:
“Customer is King.” – Tanya Sharma
AI, when used, introduces new opportunities in customer experience, offering personalised interactions at scale, enhancing customer support through chatbots, and optimising marketing strategies through data analysis and predictive modelling.
Stepping in for Nick Ellis, Hannah Strickland, and Paul Bailey demystified the hype around AI integration. They revealed that Halo has seamlessly integrated AI into their workflow. During the talk, they gave a case study on a recent branding project they completed for a client, in which they used AI-generated images for the brand. The pair emphasised how AI can provide longevity and quick delivery for a client when on-brand images are created, through the use of AI and specific image prompts
AI can be used in agencies for numerous areas from social content to strategy planning. In practice image prompts can be used as a distinctive asset for a brand. ChatGPT was praised as a valuable collaborator, a partner in ideation that provides a fresh perspective.
“Think of AI as the other person in the room you are bouncing ideas off.” – Paul Bailey
Both Hannah and Paul encouraged a simplified approach, suggesting that AI is like having a parent with infinite patience, allowing strategists to think freely.
From content creation to customer experience, the event showcased AI as a catalyst for unlocking success. The key takeaway was clear: AI is not here to replace but to empower, and adopting it responsibly is the key to staying ahead in the ever-evolving landscape of business and creativity. Don’t be left behind – It is time to Integrate and experiment with AI.
Article was written by Kayjay McDonald-Ferguson (ex-intern at Halo)
Find original article here
Happy Global Entrepreneurship Week!
The UK’s creative industries are jam-packed with small businesses and self-employed individuals.
Government data shows 95% of the sector’s companies are micro-businesses, while self-employment accounts for 32% of employment, compared to 16% for the economy more broadly.
With that in mind, Dan Martin asked individual and startup members of Bristol Creative Industries to share their tips for running a successful freelance or small business. We received some brilliant responses which we’ve highlighted below.
Become an individual and startup member of Bristol Creative Industries for only £4.95 a month or £49+VAT a year and enjoy many business-boosting benefits. Sign up here.
Bristol Creative Industries members share their tips below. Click their BCI profile links to find out more about them and to see if there are opportunities for collaboration. We love to see members working together!
Build a network
Working for yourself can be a solitary pursuit and the idea of networking can be intimidating. But it starts with making friendly connections. That can create the basis for future partnerships, referrals and support.
We’re lucky to be spoilt for choice with a wonderful community in Bristol and the South West and Bristol Creative Industries is at the heart of that. I’ve enjoyed every minute of making like-minded connections and friends in the process.
Sell yourself with confidence
Don’t be shy. Remind people of your experience and expertise – don’t assume they know that already. Make it an easy choice for them to buy your services. If you keep it authentic and make a personal connection, selling doesn’t have to feel awkward.
Take time to contract with a clear brief
Over the years I have been eager to make it as easy as possible to get started on a scope of work by writing a proposal from a loose verbal brief. That means doing a lot of the scoping myself which, as well as a lot of time and effort unpicking the client’s needs, can leave room for (mis)interpretation. I find the most successful partnerships involve the client putting an equal amount of work in up front to shape a really clear brief.
Having a good support network is key. In my experience, this goes beyond family and friends. Of course, you need people around who love you unconditionally. You also need those people who, being self-employed, just get it. People who understand the ups, as well as the downs, and who can give you a boost with some sage words of advice. You never know when you might need to call on those freelance friends – whether it’s celebrating a big win or simply asking, ‘How do I do that thing on Mailchimp, again?!’ Don’t go it alone, you’ll travel farther with trusted, supportive people at your side.
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The freelance life is full of many highs and lows, and it can be easy to focus on the negative, worries and stresses. When things have felt stressful or a bit bleak, which I know it has done for the freelance community over the last 6 months or so (everyone is feeling it, it’s not just you!), then put the work in, get your head down, send out the emails, chase the leads, get back in touch with previous clients and trust the process. It works. Work comes in, clients get back in touch, and those invoices (finally!) come through.
Being part of a community of likeminded freelancers and solo workers really helps. I created a Slack community for freelance and solo workers in the South West, which has been a great place for us to share briefs, get advice. We also share the wins. It feels great to celebrate your milestones with others as they know the importance of them too!
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Work out who you are before you offer services
The creative industry is becoming more and more specialised, so we (as companies or individuals) need to move with that trend ourselves. It’s good to have multiple offerings and skills but you open yourself up to more competition. So when it comes to marketing yourself, it’s better to be amazing at a couple of things than being ‘just good’ at too many things. Maybe you focus on editorial design or you might be an illustrator in the sports sector. This doesn’t mean turning away work that doesn’t suit your marketing; it’s just simply good to have a focus. This makes branding your company far less complicated and helps with consistency.
Create a content strategy
It’s important to show up to work. If you don’t, you get fired. The same thing happens if you’re freelance or a small business but instead, the clients forget about you. Building a consistent content strategy keeps you at the forefront of your audiences’ minds. Write short blogs about your sector, interact with your audience by having competitions or you could even do peer shout-outs. Just make it relevant and consistent.
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Invest in your own brand
There are so many businesses out there doing the same or similar to you, so make sure you are really clear about who you are. Not just your services, but really what makes you tick, what makes your business individual and why clients should come to you. Look at what you are incredibly skilled at, knowledgeable about, understand and enjoy. Then build on it.
Keep moving forward
Stay relevant, understand the market, keep talking to people to learn more. Just don’t get caught up in the jargon and hype. Your customers and clients won’t understand it, or care.
Be inspired by your own creativity
It’s your business so you should be excited by it. If you’re not then you’re probably on the wrong path. Look for the type of work you want to do and reflect it in your work. Talk to businesses that hold similar values. Follow people, brands and businesses on social media that give you fire in your belly.
Care about what you do
Actually give a damn. Care if you get back to someone, care if it is right, care if you think it could be better. Care about what you do and others will too.
Face reality
Running your own show isn’t easy. Always be ready to change the plan, surround yourself with people that are genuinely on your side and want you to succeed. Above all, have the right mindset, stay positive and believe in your own ability. Then just when you’re about to give up, that’s when you need to push even harder.
Give back
It may be a portfolio review, your time, your advice, your energy, but give back when you can and do it genuinely and generously.
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Find yourself an accountability partner. When you’re running your own small business it’s important to have someone to talk to. When you don’t have a team of your own, find someone that understand’s the highs and lows of running a similar business. I have a weekly Friday afternoon Zoom call with another marketing consultant and we use it to share what we’ve been working on, what we’ve seen on social media and what we’re planning to work on next. Setting this up during Covid lockdowns, and continuing it since, has been one of the most valuable things I’ve ever done for my business and me personally.
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Actively and regularly seek out your ideal clients
Sometimes money can overrule your decisions, whether on a practical basis of needing more of it, a big project that sounds too good to be true or it doesn’t quite feel like the right fit with your values and expertise. Working when you feel any kind of conflict (internally) can be really hard work for all involved. Don’t underestimate the strength of a long-term client that you align with and have trust and respect on both sides. Working with the career mentoring charity Ablaze for five years has been my biggest reward in terms of the value of the work they do and I support them with, and in being so consistent long-term.
Be alive to all opportunities
You never know what opportunities are behind someone’s ask for help on social media such as LinkedIn. I stepped in to some really interesting research work with Projects by IF through answering a last minute call for help when a team member got Covid. Plus chatting to a client via an introduction (thanks Constance Fleuriot!) at the Data Science Conference last year turned out they wanted help with a project researching the mental health ecosystem for their mental health app. Keep exploring and don’t miss opportunities on your own doorstep.
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Climate/environment: Often an overlooked part of the business, it is important for you and your team to know where you stand. We are not talking about addressing global climate change, but rather what approach your business takes. Using something like the UN Global Sustainable Goals (SDGs) can be a useful tool to measure and monitor on-going improvement. Delegate this to one of your team who is passionate about climate and the environment.
Finance: Keep a close eye on financial health. Are you equipmed to do this yourself or should you delegate this and get someone to oversee this for you? Regularly analyse cash flow, manage expenses, and invest wisely to maintain stability and fuel growth.
IT/tech/web: Embrace technology to improve productivity and customer experience. An effective online presence and streamlined IT systems can enhance efficiency. Again, this can often be delegated to specialist that will advise, set up and keep your system safe. Don’t wait for the headache, scam, fraud, breach to hit you – anticipate and get an expert in to set you up.
Marketing: Develop a targeted marketing strategy to reach your ideal customers. Will you do this? Will one of your team? You know your business best, but are you best equipped to deliver this? Focus on cost-effective digital marketing channels that yield a high return on investment and consider whether you should do this internally or delegate it.
Mindset/culture/vision: This is so important and your team (and partners/freelancers) should be fully briefed on this. Keep an eye on it and cultivate a growth mindset and a clear vision for the business to share across your business, peers and clients.
Sales: Nurture a strong sales team and develop effective sales strategies. Consistent revenue generation is vital for business sustainability and expansion, and, a with ops and delivery, this is key to business growth. But should you be doing sales, or one of your team or outsource this? Only you can decide.
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Be true to yourself, and be authentic. Take small steps if needed, celebrate all your successes, and try not to compare yourself to others. Set realistic goals, build a support network, and consider finding an accountability partner – someone who will listen impartially, remind you of your goals, and help you stay on track.
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The key to doing what I love and building great creative relationships is forging a true connection at a personal level – getting as close as possible is where I do my best work because then I’m fully invested in both head and heart.
Time and time again it’s over a coffee or a wine that the no holds barred honesty chats happen and reveal the truth of what is on the table and why you are the best person to help bring it to life. People love to talk so offering them the opportunity to be heard is where the magic happens. I’ve often thought I should list in my proposals: two, three, four hour coffee chats as a key stage in the creative process.
As human beings we love to find connections and then tell a story about how that relates to us – and as designers that’s how we create beautiful solutions by listening, understanding and simplifying the story to make it easier to understand.
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Always deliver on time or slightly early.
Be clear and proactive with the client, especially about what they said they would do/by when. If their lateness impacts you, say so right away – in writing.
Always assume there will be some fallow months. Take out money that you need not what you want!
Build a nest egg – the bigger the better.
If buying in services, such as print, get payment from the client upfront. Always mark up such services.
Keep personal drawings and money separate from business revenue – they are not the same.
Always keep money in the business account for a rainy day – cash flow is king/queen and the tax authorities will need paying!
Consider a limited company but understand the differences versus self employed.
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If you come up with a great name for your creative business, you must do due diligence to make sure it’s available. Check on Google, check domain names, check Companies House and, most importantly, check at the Intellectual Property Office as a trademarked name trumps a limited company name. If it is available, trademark it.
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Become an individual and startup member of Bristol Creative Industries from only £4.95 a month and enjoy many business-boosting benefits. Sign up here.
We are really proud to share that Varn has been recognised with a Highly Commended Award in The Small Business of the Year Award, at the prestigious Lloyds Bank British Business Excellence Awards 2024. This highly competitive category was open to organisations with up to £5 million turnover in their last financial year. It celebrates companies that demonstrate strong growth & resilience, plans for sustained growth and innovation, as well as customer/staff engagement, an ethical approach to business and strong business results.
The Lloyds Bank British Business Excellence Awards are the UK’s largest awards programme celebrating the best of British business. These awards welcome and celebrate businesses of all sizes, from entrepreneurial start-ups and SMEs to well-established key industry players in the FTSE 100.
Our award submission included the story of our growth as we’ve scaled from a small team of specialists to a team of 28 experts, in a challenging market. We also explored in our entry how we have innovated across our search expertise, developed our VarnFest events and reimagined the workspace with our woodland office. We were also proud to highlight to the BBEA our intentional approach to diversity and inclusion, giving back to our community and clients.
Tom Vaughton, CEO of Varn proudly shares that, “Being recognised in The Small Business of the Year category at the Lloyds Bank British Business Excellence Awards 2024, is a proud moment for me and the team. The process of compiling our award entry, made me reflect on the last few years, how Varn has grown, how fortunate we are with our team and how much I’m personally enjoying the journey. I now realise, this is really quite something after running Varn for over 14 years.”
If you would like to find out more about the Lloyds Bank British Business Excellence Awards or have any questions for our team, please get in touch and you can contact us here.
The UK has experienced profound economic change over recent years which has brought challenges and new opportunities to the creative sector. As a result, many individuals have set out on the freelance and small business path for the first time.
Reasons include the natural result of redundancies due to the pandemic, new working relationships with employers following Covid-19 and a desire to achieve a better work/life balance.
Whatever the reason to go it alone, Bristol Creative Industries (BCI) is here to give freelancers, startups and small businesses the perfect platform to share skills and build connections.
There are many benefits of a Bristol Creative Industries freelance membership. See what some members have to say below.
To meet fellow freelancers and companies that employ them, join our freelancer networking drinks on 19 November at the Square Club in Bristol. It’s free including a complimentary drink if you’re a member.
Heather Wright, co-chair of Bristol Creative Industries, said:
“The trend in the creative sector is to have small and agile agencies relying on a bank of specialist freelance talent. We have seen the freelance sector grow year on year in the last decade.
“The benefits are that, here in Bristol, we have a huge pool of freelancers covering a spectrum of creative disciplines, from coding, filmmaking, music composition, animation, illustration, copywriting to recording and directing podcasts, to name just a few. Name a niche creative service you need for your business and, chances are, there will be someone to help right here on your doorstep.
“And these freelancers and startups are key to Bristol’s vibrant creative community; it means small businesses can use a wide range of professional creative talent. Freelancers are providing the resource of a conglomerate for the SME and Bristol Creative Industries can really help with these connections.
“All individual, freelance and startup members get a profile in our online member directory where you can showcase your work. Freelancers can also take advantage of discounted tickets to BCI events, plus the opportunity to self-publish content on our newsfeed. And don’t forget the membership perks, including restaurant offers and money off business support. The real value however is in the business connections you can make.
“But don’t take my word for it, here are a few comments from our members on their experiences.”
“I’ve been a member of Bristol Creative Industries for a good number of years now. I joined mainly to be included in the directory, for which I think the cost as an individual is very affordable. It makes absolute sense to be listed in a directory where clients search for creatives, outside of their own sector or network.
“In terms of other benefits of membership, I have attended various events and they have been very good. These include evening drinks meet-ups and the members’ lunch.
“I’d say that as a creative freelancer in any field, joining BCI is a great thing to do if you have the chance. Additionally, the team at BCI have always been very friendly and supportive!”
“When I worked in an agency, we used the BCI member directory to find the best regional talent. I always felt that I could trust the freelancers we found there – they had an added credibility, took their specialism seriously, and added value to projects. So when I started out as a freelance copywriter I knew I had to be listed as a member myself!
“The events are also really insightful and enjoyable – members’ lunch, sketchnoting workshop, and the ‘simple tips, smart ideas’ talk with Erica Wolfe-Murray to name a few. Plus, still to this day it’s a lovely feeling to receive an email that starts with: ‘Hi Lara, I found your details via Bristol Creative Industries and…’.
“What would I say to freelancers thinking of joining BCI? To quote one of my favourite taglines: Just do it.”
“I joined Bristol Creative Industries many years ago looking for a list of potential new clients. In my first year I got two new clients, one a national charity. Every year I regularly get new jobs via the website and these mostly turn into long term relationships. I now work with many of the major agencies in Bristol who are also members and actively involved with BCI. The work I generate covers my BCI freelance membership costs so joining was a no-brainer.”
“I initially joined Bristol Creative Industries as a way to network and get to know other creatives in the Bristol area. Regular members’ lunches allow members to meet, providing a friendly, informal opportunity to connect. The team running BCI are passionate about helping to support the creative community; always friendly, and they have been a great help in connecting my business with potential creative partners and business contacts.
“I believe just being part of BCI has provided my animation studio with additional credibility.
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Chancellor Rachel Reeves delivered the 2024 Autumn Budget 30 October, the first from the UK’s new Labour government. Here’s a round-up of measures and announcements relevant to businesses in the creative industries.
Describing it as a Budget “to fix the foundations”, the Treasury said “difficult decisions” had to be made “on tax, spending and welfare to restore economic and fiscal stability” to deal with a “£22bn black hole” in the public finances left by the previous government.
The announcements included £40bn in tax rises, with the big headline the increase in employer National Insurance which will add significant costs to many businesses.
We’ve listed the measures relevant to most businesses at the end of this article. Firstly, here are the announcements specific to the creative industries in the West of England region.
The Budget confirmed that the government will continue to fund the following creative industries programme:
The government said it will provide £3m in funding to expand the Creative Careers Programme, which raises awareness of career routes and tackles skills gaps in the key sector.
The Creative Industries Clusters programme, which has supported creative businesses in nine regional hubs, will continue to provide support over the next six years, with more clusters to be announced. Bristol and Bath was one of the regions supported between 2018 and 2024 through Bristol and Bath Creative R+D.
The Autumn Budget confirmed that the creatives industries is one of eight sectors of focus in the government’s vision for its new industrial strategy.
It has published a green paper and launched a public consultation. Read more details here.
The government said it is providing tax reliefs for the creative sector worth £15 billion over the next five years, and confirmed announcements from the previous government’s Spring 2024 Budget:
From 1 April 2025, film and high-end TV productions will be able to claim an enhanced 39% rate on their UK visual effects costs. UK visual effects costs will be exempt from the credit’s 80% cap on qualifying expenditure, with costs incurred from 1 January 2025 eligible.
The previous government proposed that generative AI would not qualify for the additional tax relief for visual effects, but the new government has dropped that measure.
UK Screen Alliance said the move means that the UK is now set to attract an additional £175m per year of spending on VFX for film and TV, an increase of over 45%, and to create 2,800 new jobs.
Adrian Wootton OBE, chief executive of the British Film Commission, said:
“UK film and TV is globally admired, and a key sector driving economic growth. Our VFX sector is one of the jewels in the UK industry’s crown, with a depth of creative and technical expertise. But these are competitive times. Productions are looking globally for the best talent and incentives to guide their investment decisions.
“Any new measures must address intensifying global competition and help us put our best foot forward. Confirmation of the VFX tax credit increase doubles down on UK strengths and will drive up investment. It is not only welcome, but essential to support our sector and wider UK growth.
“We’re delighted that HM Treasury has listened to industry feedback on generative AI, and included these costs in the overall VFX tax credit enhancement. The BFC pressed for this in our consultation response and we believe this will play an important part in keeping our VFX sector future-proofed and globally competitive.”
From 1 April 2025, UK films with budgets under £15m and a UK lead writer or director will be able to claim an enhanced 53% rate of audio-visual expenditure credit. Expenditure incurred from after 1 April 2024 on films that began principal photography on or after 1 April 2024 is eligible.
From 1 April 2025, the rates will be set at 40% for non-touring productions and 45% for touring productions and all orchestra productions.
Culture Secretary Lisa Nandy said:
“The creative industries will play a critical role in helping us turn the corner and deliver on the national missions of this government – driving economic growth into our towns and cities; drawing on the wealth of talent that exists everywhere; and flying the flag for British culture and values on the world stage.
“The chancellor’s Budget underscored just how important these sectors are going to be with funding extended for vital programmes and tax reliefs, an expansion of the Creative Careers Programme and a £25m investment in the CrownWorks Studio in Sunderland that will make the city one of the centres of our TV and film industry for years to come.
“This government recognises that for millions of people, geography has become destiny. That while talent is everywhere, opportunity is not. This Budget has put the creative industries front and centre of how we write those people back into our national story and drive opportunity, jobs and prosperity into every community, in every region.”
The following are announcements not specific to the creative industries but are of interest to businesses in the sector.
To fund public services, including the NHS and education, the government will increase employer National Insurance.
The rate will increase by 1.2 percentage points to 15% from 6 April 2025. The secondary threshold, the level at which employers become liable to pay National Insurance on each employee’s salary, will reduce from £9,100 per year to £5,000 per year.
To protest the smallest businesses from the National Insurance rise, the employment allowance will increase to £10,500 from £5,000 and be extended to all eligible employers by removing the £100,000 cap.
The government said this will allow firms to employ up to four National Living Wage workers full time without paying employer National Insurance.
The government will increase the lower and higher main rates of Capital Gains Tax (CGT) to 18% and 24% respectively for disposals made on or after 30 October 2024.
Business Asset Disposal Relief, which entrepreneurs pay when they sell all or part of their business, and Investors’ Relief, which reduces CGT on a disposal of shares in a trading company that is not listed on a stock exchange, will increase to 14% from 6 April 2025, and to 18% from 6 April 2026.
The National Living Wage for employees over 21 will increase by 6.7% to £12.21 an hour from April 2025. The government said this represents an increase of £1,400 in the annual earnings of a full-time worker
The National Minimum Wage for 18-20 year olds will rise by 16.3% to £10 an hour, the largest ever increase in both cash and percentage terms.
The government said that intends to create a single adult wage rate over time.
The cap on bus fares in England, due to end on 31 December 2024, will be retained until 31 December 2025, but with a 50% increase from £2 to £3.
From 2026-27, “permanently lower” business rates rates for retail, hospitality and leisure properties in England will be introduced. The government said “this will be funded sustainably by introducing a higher multiplier for the most valuable properties, including distribution warehouses used by online giants”.
Business rates relief for retail, hospitality and leisure businesses in England, up to a cap of £110,000 per business, due to end in April 2025, will be retained for 2025-26. However, it will be cut from 75% to 40%.
The small business multiplier will be frozen in 2025-26.
The government confirmed continued funding for small business finance schemes provided by the British Business Bank including £250m in 2024-25 and 2025-26 for Start Up Loans and the Growth Guarantee Scheme. To boost access to finance for women entrepreneurs, the bank will also invest £50m into female-led funds.
The Budget confirmed that the UK Shared Prosperity Fund, the government’s replacement for EU funding which was due to end in April 2025, will be extended for another year but with reduced funding of £900m.
The government will also continue to fund the Help to Grow: Management course and Growth Hubs in England in 2025-26.
A “Small Business Strategy Command Paper” will be published in 2025 that will “set out the government’s vision for supporting small businesses, from boosting scale-ups to growing the cooperative economy, across key policy areas such as creating thriving high streets, making it easier to access finance, opening up overseas and domestic markets, building business capabilities, and providing a strong business environment”.
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