Heather Wright is an executive producer and creative industries consultant with 30 years of experience. She spent 22 of those years at iconic animation studio and Bristol Creative Industries member Aardman Animations.
In 2020 Heather left the company that has given us legendary characters like Wallace and Gromit and Shaun the Sheep to launch Springboard Creative. She also joined the Bristol Creative Industries board.
Dan Martin speaks to Heather about her career, the storytelling and employee culture lessons other businesses can learn from Aardman, what she is up to now and why is supporting the work of BCI.
“The 1980s and 90s was an extraordinary time to be working at advertising agencies. They made you feel like anything was possible. I worked at Saatchi and Saatchi which had the slogan “nothing is impossible”. Although that was sometimes frustrating to try and deliver to, it did mean you were always looking for a creative solution to make something happen. It wasn’t just acceptable to say “this can’t be done”. I also worked for Chiat Day and their slogan was “good enough is not enough”.
“It made me realise that if you have the confidence to know that there could be a way around a problem, you just need to find the right questions, understand the motivation or think about the other person’s point of view and what makes them tick. I learned a lot about creativity, both artistically and in business, during that time.”
“They advertised for someone to run their commercials team. I thought “animation, that sounds good because I know nothing about it so if they want someone to stay after six o’clock and do some animation problem solving, they won’t ask me. But I do know a lot about what Aardman should be doing in the advertising world!
“I applied for the job and got it. I grew as the company grew. My whole experience was growing from that starting point to becoming an executive producer and working on a breadth of different activities. I was instrumental in setting up their computer animation team, I ran their immersive team for AR and VR games and I worked on a big Wallace and Gromit concert at the Royal Albert Hall.
“From not knowing about animation, I soon learned lots and I very quickly became an absolute devotee of the art form. I was lucky to be surrounded by other people who also absolutely loved it and because it is a world leader in animation, the calibre of people who came to work there was always high. You were constantly surrounded by great creative thinkers, problem solvers and technicians. Everybody grew together; that idea of a rising tide lifts all boats.
“Aardman is very good at making sure everyone feels involved in all the parts of the company. If there’s a new show being worked on, it is shared with the whole company. There were issues around secrecy but in the end, we decided we just needed to trust people because it is in all employees’ best interests for the ideas to be kept confidential.
“During a big project, we were aware that employees’ families weren’t seeing them for months on end, so getting friends and relatives involved was crucial to maintaining the wellbeing of all the staff in the studio. When a big movie was finished, there would be a friends and family tour day, and after the production was released, we would take over all the screens at Vue Cribbs Causeway.
“The business also encourages everyone to come up with creative ideas, not just the creative departments. I know of a couple of ideas thought up by somebody in the finance team.”
“Employee ownership was a vehicle that allowed Peter Lord and David Sproxton [the founders of Aaardman] to step out of the day-to-day running of the business and to ensure its independence. It could very easily have been bought by a big channel or network and have just become part of somebody’s balance sheet. Independence has always been a strong tenet of what the company is about; the ability to make their own shows, make their own decisions and to run it as they want to. When Pete and Dave decided to take a step back, employee ownership worked well because the company had always been about everybody contributing.
“It’s not a super easy ride becoming an employee owned trust, but I encourage any company that’s thinking about it to consider it very seriously. Everyone becomes a partner and there is a change in the culture because it makes people feel like they really do have ownership and they really do have a say. We set up a staff council for employees to be involved with strategic decisions and to have input on how things were done. It was much more than somewhere for people to go if they had a complaint.
“Companies that have that kind of approach with values that everybody should share in the success are proven to be more successful businesses.”
“Nobody wants a yes man on board and everybody wants an intelligent conversation. All you can do is be your authentic self, know that your product is good, believe that your product is good and be able to explain why it is good.
“Work with the client as a team and be open to their ideas as much as you expect them to be open to yours. Build a very strong collaborative working relationship with a shared vision. I always made sure that the vision of the people inside Aardman and the vision of the client were going in the same direction. The path to get there may be rocky and can take different turns at different times from either side, but that’s ok as long as everyone is heading in the same direction and knows where they want to get to.
“Create cohesion, build true working relationships and be fun to work with.
“The other tip I would advise is if a big brand wants to work with you but you don’t think you can properly answer the brief because of time or money, say so and don’t take it on. If you do, you’ll end up doing a bad or half hearted job and not delivering something you’re proud of. The client will be disappointed in you and never come back to work with you.”
“They believe in quality of craft, excellence and humour. They believe in themselves and the stories are told from a very British point of view because that’s who they are. They don’t pretend to be American; it’s always about authentic storytelling,
“They also focus strongly on independence and collaboration. Those are the kind of things that attract people. It’s always about the quality of the craft, the quality of the thinking and the quality of the ideas.”
“It took me about two years to make the decision. The company was going through a change and I was starting to have ideas. I thought to myself “have I got anything else in me other than working for Aardman for the rest of my life?” I had an idea and I just needed to find out if it would work.
“I’m still friends with them all at Aardman and I’m proud to be associated with the company.”
“The main thing I am working on is an animation app called Magic Fox. It enables children to make animated personalised, real time movies of their own. It’s about developing creativity in five to seven-year-olds. I’m working with two partners and we’re currently seeking seed funding.
“I also still get involved in exec producing and I’m working on a couple of really big projects that I can’t tell you about right now! The other string to my bow is working with Innovate UK Edge, who support small creative businesses to get started with their strategy.
“I love helping people to fulfil their potential and that’s what all of my endeavours are about.”
“The government has realised that the creative industries is a huge earner for UK PLC. The trouble is they haven’t really known how to invest in it because unlike most other industries where you end up with huge companies, most of the creative industries are small or micro businesses. The idea of how you actually support innovation in the creative industries is something that they are continuing to grapple with.
“Innovate UK Edge recently ran the new Creative Industries Fund which provided a small amount of start-up money. It’s very unusual to have such a broad funding competition that appeals to lots of people.
“That particular scheme is now closed but knowing Innovate UK Edge and the way they work, if lots of people applied and they got some good projects out of it, they will run it again. They will also run a scale up programme of some sort because they want to progress people from start-ups to scaling up to a growth phase and being investable. That proves that the innovation works.
“If you can kind of get into the system, they will support you through all phases of growth. Their ears are open right now and want to know how best they can do it. They are absolutely looking to have conversations with small and micro businesses in Bristol and the south west about what innovation means to them. It’s a unique time to get involved.”
Find out more about Innovate UK Edge here. You can also follow Innovate UK Edge South West on Twitter.
“The pandemic has been a disaster for performing arts venues in particular but I think the government has realised that there is huge value in culture due to the impact of having lots of places closed.
“People gain emotional intelligence and learn about how to be in the world through storytelling. The creative industries bring meaning to the world, whereas science and technology bring facts. The question is how do you quantify what that meaning and understanding is? Is it through storytelling, different types of apps, watching something on your phone etc? They are sometimes intangible ideas that are hard to grasp hold of, but that’s what people in the creative industries do; they make the intangible tangible.”
“The creative industries rely on freelancers and small businesses. Anything we can do to encourage people to start their own business will lead to success for the whole of the creative industries and the UK. I’m absolutely in favour of those kinds of measures.”
Read more about the report here.
“I’ve always been really interested in the Bristol creative scene. At Aardman although we believed in supporting Bristol, most of our customers weren’t Bristol based but I was always interested in what was going on it the city and went to events like First Friday at the Watershed.
“I could see cities like Manchester and Leeds getting ahead but Bristol has a huge amount to offer. I’m really keen to support Bristol to become a stronger creative industries hub than it already is. It needs to punch above its weight and I want to be part of making that happen. Bristol Creative Industries is a vehicle to galvanise us as a city and make sure that we have a strong ecosystem that supports each other to reach out beyond our city.”
“It absolutely needs to happen. You get a better quality of idea when you have lots of different windows on the world in front of you. Everybody comes with a different window and a different viewpoint. The more ideas you have in the room from different places the better. That’s the problem with the Westminster bubble; they talk to people like themselves all the time. The only way to break out of the bubble is to go further and have a greater diversity of ideas. That comes from a greater diversity of people including ethnic diversity as well as age, people who are less able bodied etc. It’s all about having people with something different to bring which is not the usual employing people in your image which is often the worst thing you can do.
“It will take time. Nobody wants to get a job just because of their ethnicity or age; they want to get a job because they are the best person to do it. It requires grassroots support from the industry. The creative industries wants to do it, but they sometimes struggle to know how to do it. That’s another area where Bristol Creative Industries can help by endorsing programmes that are working and advising on how you go about creating a more diverse workforce.
“We’ve got such a diversity of people in Bristol and the wider region. We have the opportunity to test some of the ideas and prove that they work.”
“Start with a character. Think about how they would do a particular thing, what type of issues that kind of person would have, who are their friends and where do they live. You will come up with a much stronger story that way than saying, for example, “wouldn’t it be great if our mobile phones could all talk to each other on the table.” That’s an idea but it isn’t that interesting. But what about a tiny little character that has a big nose who’s really good at sniffing out unusual smells or situations. Maybe he’s frightened so he hides a lot. Or maybe he just gets really huge so how does he deal with what happens to him. Starting from the point of view of a character is much better than starting from a plot or a set of circumstances.
“Tell stories that you know, understand and are authentic to you. There are universal truths such as love, hate, anger and jealousy that everybody in the world, no matter where they live, understand. Apply those to your own set of circumstances and those values will still come across. It will make the story interesting for everyone because they will recognise the love, hate, jealousy and anger, but they will see it set in the context that makes sense for the storyteller. If you start to tell stories from a place that you don’t really understand, that’s always going to be much harder.”
Not yet part of the Bristol Creative Industries member community? Join today.
A survey of over 300 leaders of tech SMEs across the Southwest has revealed the extent of the sectors resilience throughout the pandemic and its rude health as we emerge from the clutches of the pandemic.
The research, commissioned by Bristol-based Antidote Communications, in conjunction with TechSpark, saw 49% of surveyed tech business leaders including founders and MDs, report an increase in sales compared to pre-pandemic levels. 95% of tech leaders said their business was at least as healthy as it was pre-pandemic – while more than half (53%) said their company was doing better than before the COVID-19 crisis.
While many sectors, particularly hospitality and high street retail, have struggled over the past 15 months, the tech sector has experienced growth. As businesses have had to move online, the sector has undoubtedly benefited. 63% of leaders’ businesses are 100% digital, and nearly one third have SaaS products or services.
Fintech and deep tech are the most prevalent sectors for tech firms, accounting for 17% and 14% respectively of the representative sample. However, the diversity of sectors, from gaming to AI and martech to Robotics, is testament to the strength in depth of the region’s tech cluster.
The leaders of these tech SMEs are driving the economic recovery in the region. The potential for growth for these businesses is clear and 96% are optimistic about the future and have high levels of confidence for the second half of 2021.
Patrick Fraser, Antidote Communications MD, commented:
“These findings highlight a tremendous degree of confidence throughout the South West’s digital economy and indicate that the next twelve months may be the most fruitful yet for the region’s tech sector. The pandemic certainly presented challenges, but the tech cluster is now looking more robust than ever. It’s an exciting time for the entire region as this growth looks set to translate into more jobs, prosperity and innovation across the Southwest.”
Ben Shorrock, Managing Director, TechSPARK UK, added:
“Tech has become central to everyone’s lives during the last 18 months. Although there have been many challenges it’s heartening to see that organisations in the community are flourishing and will be creating more jobs, growth and opportunities across the Southwest.”
The research was conducted by TechSpark. 307 participating tech leaders were spread between founders/owners (104), c-suites (109) and directors/MDs (94). The survey was conducted online and undertaken between 5th and 22nd July 2021.
This week sees the end of the Government’s ‘work from home’ mandate in England which has been in place since the start of the pandemic. We know anecdotally that many businesses within the region’s creative industries have taken this opportunity to review their flexible working policies and we’re keen to understand what the future looks like for the South West’s creative community.
We’ve pulled together a handful of questions that will give us a top-line view of the new normal. We’ll be more than happy to share the findings with BCI members who may like some guidance on shaping their future flexible working policies. Share your thoughts here.
Photo by Kevin Bhagat on Unsplash
Bristol based digital marketing agency, DNRG, previously Digital NRG, has had an exciting brand update. The graphic ‘D’ brings together 8 triangles that represent the company’s eight solutions. When reorganised together, the triangles form the split hexagon – denoting the top to lower marketing funnel. Combining DNRG’s solutions, through the consumer journey when all used together, creates a robust, smarter digital marketing strategy.
With its Head Office in Bristol, DNRG encompasses 53 team members with some of the most powerful brains in the business. DNRG’s rebrand has been driven by the desire to always be leaders in digital marketing and offer a strategy-led approach, rather than off-the-shelf solutions. The company’s business model is built on tailor made integrated digital solutions for any sized business, creating a competitive digital presence for SMBs to support lead generation and local sales to complex National brand led campaigns or Nationwide ecommerce solutions.
As Google Premier Partners, Facebook Business Partners and Microsoft Advertising Elite Partners, DNRG is always implementing the latest advancements in automation, AI and reporting with the support of their partners. DNRG has developed solutions accessible for businesses who do not have the budget for in-house experts or depth of knowledge within a marketing department. With a 96% retention rate in the last 5 years DNRG is clearly getting something right for their clients.
Along with the rebrand DNRG has responded to the digital evolution following the challenging period that the pandemic has presented by adding to their client product portfolio. To support its Website, SEO, Paid Media and Social propositions DNRG will be launching Smarter Performance, Rapid Talk, LinkedIn Accelerator, NRG Connect and a CRO proposition in July 2021.
With a strong focus on their team’s learning and development, DNRG has also set up an in-house academy which devotes 10% of hours a month for each employee to grow their knowledgebase and skills, so that they’re always ahead of the curve. Employing several apprentices, members of their team have made it from ‘The Apprentice’ to director within that five-year period. This all filters through to an enriched client experience.
Neil Rogers, DNRG’s CEO said: “Our rebrand is representative of our continuous growth in services, clients and team members. We offer our clients strategy-led solutions that are driven by their business goals and objectives. DNRG has developed award-winning campaigns that utilise technology, automation and highly skilled digital professionals to increase the return on our clients’ investments. It is our DNRG team players’ incredible support and adaptation to their clients’ goals alongside the delivery of effective digital strategies that has made DNRG the successful agency that it is today.
We truly have become the outsourced marketing department for 1000’s of UK based businesses and we know how to match the right digital solutions to their incredibly varied briefs and objectives. For the agency it is about building partnerships whilst delivering proven value results led by data driven decisions.”
DNRG is proving to be one step ahead of the game with the implementation of new techniques and operational processes in this rapidly changing industry. It is difficult for any business to stay abreast of digital updates, consumer demands and the online experience digital users expect, but DNRG offer extremely competitive solutions to ensure their clients can adapt to these requirements.
We all know how important it is to encourage equality through our culture in the workplace. But it’s no secret that women are underrepresented in senior leadership positions.
It’s everyone’s shared responsibility to become not only advocates, but champions of women from diverse backgrounds within their organisations – and in their lives at large. And in the creative sector, if we want to truly do our part to help women stake their claim, it means businesses taking ownership of their own equality scores in a number of ways – not least, by appointing women to the senior leadership positions we need them to be in.
At Proctor + Stevenson, we’re one of the UK’s longest-established independent marketing agencies. Despite this, we’ve never been conformists, and we’re a good step ahead of your traditional London-based agency in more ways than one.
Our Founder and Chairman, Roger Proctor, has always been an outspoken industry figure. He’s championed diverse young creative talent from the South West of England and Wales – an often neglected region for the arts – throughout his career.
Back in 1979, he laid in our bold and independent foundations in Bristol. And the rest is history. We’ve been challenging inequities and hiring diverse talent ever since – such as through hosting the South West Design + Digital Student Awards (which saw a particularly high volume of entries from young female designers this year).
In short, the talent is there. So what changes are being made?
At the start of 2021, Roger and the senior team restructured Proctor + Stevenson by splitting the larger brand into three companies: P+S Creative, P+S Technology and P+S Strategy, all overseen by the P+S Group (you can read more about these changes here). And this change marked a new milestone for the P+S team.
Our restructuring was the perfect opportunity to progress our own equality targets across the team at Proctors. It was at this point in our journey that we ensured the P+S Group met a target of 50/50 male-to-female directorship.
So, without further ado, meet our board…
· Joy Locke is our Company Secretary. She applies her 20+ years’ experience with us to take lead of everything operations, finance, accounts, and administration. She ensures that we were keeping on track with budgets.
· Ailsa Billington is one of our Directors. She leads our client services operations and takes charge of directing major global campaigns for our multinational portfolio of clients. She directs over all teams in the P+S Group to make sure that we deliver the best campaigns to transform our clients’ businesses for the better.
· Nikki Hunt is our Financial Director. CIMA-qualified, Nikki brings a wealth of experience in management accountancy, HR, payroll, and health and safety to our business, keeping us running efficiently and safely.
· Roger Proctor is our Chairman. He founded P+S in 1979 and has continued to lead its transformation ever since. Under his leadership, the business has grown from 2 people to more than 70, plus a network of freelance talent, and has won a global portfolio of clients such as Panasonic, National Grid, Saudi Arabian Airlines, and much more. He is passionate about the power of creativity to make positive change and is also heavily involved in strengthening the links between the creative industries and education.
· Mark Jamieson is another of our Directors. He helped establish our presence in the Middle East and is an expert in developing, building, and maintaining positive client relationships in across all sectors.
· Steve King is the final member of our current team of Directors. He leads our large-scale digital projects on everything concept creation, development, and project delivery. He’s worked on many innovative and world-first technology projects.
At Proctors, we’ve always taken equality and diversity extremely seriously. Because when we celebrate and empower women in business, it benefits everyone.
We strive to nurture careers amongst our female talent, building them up into more senior roles within our business. And we want to continue to progress further. We’re currently building a broader, transparent picture of our teams, our diversity, and our biases to discover how we can do better.
There’s lots more to be done to help narrow the gap between women in leadership across the UK. It’s a fact that only 5.6% of women in the UK run their own business and women only account for 33.8% of positions as directors on business boards in the UK, with only 16% of creative directors reported to be female.
We’ve just launched the first instalment of our Women in Business interview series. In it, our own Marketing Manager, Becca Peppiatt, sits down with Peaches Golding OBE CsJT, Her Majesty’s Lord-Lieutenant of the County and City of Bristol. This interview, like the rest of the series, delivers insight into the female perspective of working in business, so aspiring young women can see themselves represented in leadership roles. Stay tuned for more instalments of the series, coming soon.
We can all do our part to progress the important conversations which need to be had about an industry that is in many ways stuck in the past, ignoring some of its blatant inconsistencies. There’s lots more to be done and we intend to continue to work hard to narrow some of the gaps that exist. We need to think intersectionally about how we hire, and how we can create healthy, fair environments for women to succeed in.
For more information about Proctor + Stevenson, or to discuss our services or teams in more detail, please email us.
Leading Bristol–based digital marketing agency, DNRG, is working with AI search company Yext to provide businesses with modern solutions to boost their discoverability in search and stay ahead of the competition.
The UX focused platform, NRG Connect, is easy to do business with, offering a central cloud-based system to manage and update business listings. Google, Facebook, Yell, Apple Maps and Waze are a few of the 100+ apps, search engines, maps and directories customers can access. This generates opportunities for businesses of all sizes to be digitally competitive and present their company to potential customers searching for their services.
DNRG is supporting their existing customers, as well as independent businesses, with a solution that saves time, increases efficiency, and allows for excellent reporting and measurement. NRG Connect forms as part of a larger digital marketing strategy for businesses. The platform interlinks with other digital solutions such as user experience–led web design, SEO–focused content, Conversion Rate Optimisation and more, to offer a complete digital package.
Marketing agencies can partner with DNRG to receive access to a white-labelled platform, where they can offer the solution as their own to their clients. DNRG provides comprehensive training and support to the agencies and their end-users, ensuring they are fully equipped to make the most out of the platform.
In an age where digital reputation is more important than ever for businesses, DNRG customers will have access to view and respond to all their customer reviews, as well as edit company details all in one central location. This saves hours of trolling through different sites adding listings, responding to reviews, and making updates.
We’ve spoken to Joe Reid, Account Services Director at DNRG, “We’re delighted to announce our collaboration with Yext, which presents us with a unique opportunity to work with like-minded marketing agencies and offer an additional solution to our direct customers.
“In 2021, we all search online for products and services, so making sure that our customers can be found, wherever they are searched for is essential to us. This product forms as part of a much wider digital marketing solution, to allow businesses of all shapes and sizes to be competitive.
“It’s so important for all businesses to have the ability to be digitally competitive. At DNRG we specialise in offering solutions to SMBs who may not have unlimited budgets or the option for in-house digital marketing expertise. We believe in allowing smaller businesses to compete with the bigger companies and build them a digital presence in order for them to do that.”
“For SMBs, a solid strategy for managing and optimizing listings is vitally important — it can mean the difference between appearing on the search results page and not showing up at all, between winning over a customer and losing them to a competitor,” said Luis Baptista-Coelho, Executive Vice President, Global Partner at Yext. “We’re excited to team up with DNRG so that even more SMBs can tap into Yext’s modern, AI-powered platform — the same technology that the biggest brands in the world trust — to keep their information up-to-date across platforms, improve their discoverability, and win more business.”
Bristol-based Gather Round is a growing family of unique, soulful, creative workspaces, purposefully designed for creatives by creatives. Its mission is to build remarkable co-working spaces where creative thinkers and doers can connect, collaborate and thrive.
Founded by Fiasco Design owners, Ben Steers and Jason Smith, Gather Round’s flagship workspace, in the Cigar Factory, Southville, opened its doors to Bristol’s curious creative community in 2019 and it will be opening the doors to a second venue, in Brunswick Square, St. Pauls, in early September 2021.
Its members are creative industry professionals; designers, writers, filmmakers, publishers, photographers, brand strategists… A truly eclectic and talented bunch, and the diverse mix of businesses within its member community is valued as highly by members, as the beautifully designed workspaces themselves.
New Gather Round, Brunswick Square
Gather Round, Brunswick Square, breathes new life into 15-16 York Street, a unique, historic building in one of Bristol’s most vibrant neighbourhoods. From early September 2021, a supportive community of 80-90 creative professionals will take residence here; freelancers, self-employed and micro-businesses, from the surrounding areas of St Pauls, Montpelier, Easton, St. George, Kingsdown, etc.
The space will provide flexible areas with fixed and casual desks, a mix of small to medium-sized studios, private meeting rooms, hang-out areas, communal kitchen tables and quiet areas for thinking. It will also have a dedicated public event space with room for 50-60 person events.
Gather Round offers private studio, resident and co-working membership options, with part-time flexible co-working costing £110 per month plus VAT, and full-time memberships from £195, plus VAT.
First month’s membership FREE
Knowing that signing up to a co-working space can feel like a big step, Gather Round are offering new members who join Brunswick Square before Monday 16th August, their first month free.
Community Support Commitment
Gather Round creates nurturing environments in which local creative businesses flourish and it is also committed to supporting its neighbouring communities in the following ways:
Founders Ben Steers and Jason Smith say, “By design, Gather Round provides an intimate, supportive creative environment. We know that a nurturing community makes all the difference to our members’ businesses and we’re delighted to be extending what we offer in Southville to residents of North Bristol. Our aim is to open the doors at Brunswick Square in September, with a ready-made creative community.”
Find out more about Gather Round’s latest creative co-working space and membership options, or contact Amie Thompson, Community Manager for Gather Round – [email protected]
*Image: Gather Round members attend a ‘Campfire Talk’ at Gather Round, Cigar Factory, Southville
Taking place on 1 July, EntreConf is the dynamic new virtual conference to inspire the region’s entrepreneurs and advisors. To help with practical advice – financial, legal, marketing, management. And to broker valuable new relationships before, during and after the event.
Free conference passes are available via the website, entreconf.com, supplied by the EntreConf Sponsors.
The Running Order for the day can be seen on the website here. It includes three unmissable Keynote Speakers:
Chris Anderson: Owner of world-renowned TED Conferences on wisdom from dozens of inspirational entrepreneurs he’s known plus his own remarkable entrepreneurial story.
Ann Hiatt: Unrivalled top-level first-hand experience as a former business partner of Jeff Bezos at Amazon and then chief of staff at Google. Ann will be talking about business strategies.
Dale Vince: leading green energy entrepreneur and pioneer, also owns the eco-friendly Forest Green Rovers plus a portfolio of green companies, and was the executive producer of Seaspiracy.
Plus highly-practical sessions for entrepreneurs at all stages, provided by EntreConf’s expert partners. Take a look at what each expert insights session will be covering here. Business strategy, start-up help, advice on funding, developing business thinking, exclusive research, futurologising – and much more.
EntreConf also features the EntreLeague. The top 50 of the coolest, brightest, most interesting entrepreneurial businesses in the region. Chosen by a panel of experts, themselves chosen for expertise across a wide variety of sectors and business types: entrepreneurs, advisors, financial companies, lawyers, academics, incubators. These will be unveiled live at EntreConf on July 1.
EntreConf is sponsored by: Bath Spa University, Bevan Brittan, Burges Salmon, Lombard Odier, Rocketmakers and University of Bath School of Management. Plus Associates and Partners: Bristol Creative Industries, Creative Bath, Digital Wonderlab, EIP, MediaClash, PG Owen and Storm Consultancy.
This year, EntreConf is running as a virtual event with a select, in real life dinner in the autumn. The event is organised and run by MediaClash, publishers of Bristol Life, Bath Life, Cardiff Life and Exeter Living and organisers of over 100 events a year, including the Bristol Life Awards, Bristol Life Business Clubs and Bristol Property Awards.
Plaster Creative Communications, Upfest and Bristol City Centre BID won gold at the FMBE Awards 2021 for the #BristolTogether campaign, which saw 375 hearts painted across the city’s parks as a response to the reopening of the city centre in Summer 2020.
Artists painted Queen Square to look spectacular from aerial drone footage. These, and hearts in two other huge green spaces, were distanced by 2m to meet guidelines. The campaign generated over 605million views of the work globally and making Bristol an icon for positivity during the pandemic. The picture was selected as one of BBC New’s Pictures of 2020 in its annual round-up and featured internationally on CNN and NBC. Media requests came from as far away as Russia and Columbia.
The team also brokered a collaboration with the Bristol International Balloon Fiesta, painting a 128 metre heart at Ashton Court. Marking what would have been the opening of the event, this enabled 20 hot air balloons to take off in heart formation.
A trail of hearts at Cabot Circus soon followed, with the creation of rainbow hearts, which promoted visiting the seven main retail arteries of the centre. This involved complex collaboration with Bristol City Council’s Highways Team as well as extensive surface testing to ensure it could be executed.
As a tier 2 Christmas approached, Plaster and the Bristol City Centre BID undertook the largest collaboration of the campaign, working with 73 businesses to execute #BristolAdventures. The campaign’s main partner was SLX, who donated unused lighting equipment and paid their out of work technicians to create a month-long light installation on the city’s most iconic buildings, in collaboration with a massive group of BID levy payers
The campaign exceeded every projection of reach, engagement, social impact and footfall. Crucially it brought together businesses, communities and creatives to work for a common goal, with engagement and collaboration at levels never seen before.
Plaster Creative Communications and Bristol City Council have joined forces to launch Where’s it to?, an invitation to Bristolians to explore their local high streets and get to know the traders behind the businesses.
Bristol’s high streets are some of the most diverse, independent and original in the world and Where’s it to? invites Bristol communities to get to know their local shops and hospitality establishments and the characters who run them.
15 high streets across the city will be profiled, highlighting numerous traders on each street, which span from stores passed through generations of a family, through to brand new openings inspired by the pandemic.
Each week, a new street will be added, with East Street in Bedminster, the Old City and Church Road in Redfield launched this week. A local guide invites you to explore their high street through a short documentary film, capturing this moment in time as the city reopens.
Mayor of Bristol, Marvin Rees explains;
“This campaign celebrates the unique character of each Bristol high street, while recognising the contribution to the city as a whole. After a challenging year, we want to promote our shopkeepers, restaurateurs and businesses, as they have been critical to morale during the pandemic.
“Many of us have been shopping more on our local high streets and we really want to encourage more of this as we begin to recover from the pandemic. We are inviting Bristolians to shop locally, stay safe and take care of each other.”
East Street’s film features East Street Fruit Market, VX, The Revival Market, The Bristol Loaf and Brightbow Workspace, with some hidden historical gems that you can find footsteps from the main retail street.
Sarah Morrison, Project lead explains;
“Where’s it to? was selected as the name of the campaign to reflect our city’s language and in collaboration with a huge range of traders from across the 15 high streets. It’s our unique way of demonstrating where something is to a visitor, and perfectly reflects this guide to hidden gems on our high streets.”
Where’s it to? was created by Bristol City Council and delivered through the Reopening High Streets Safely Fund* to support the safe reopening and recovery of the High Streets following COVID-19 restrictions. The 15 High Streets were selected to give a flavour of the diversity and types of centres across the city.