The creatives industries is one of eight sectors of focus in the government’s vision for its new industrial strategy.
Publishing a green paper and launching a public consultation, the government said the strategy’s aim is to “drive long-term growth in key sectors that is sustainable, resilient and distributed across the country”.
In their foreward, chancellor Rachel Reeves and business secretary Jonathan Reynolds say:
“There is rapid change in the global economy, and the case for governments to roll up their sleeves and shape markets rather than step back in the face of these challenges is stronger than ever. To capture the growth the UK so desperately needs, we need a modern industrial strategy to share in the next decade’s growth opportunities.
“This industrial strategy will provide a launchpad for businesses. It provides the firm foundation for investment that businesses have told us they need. This government believes it is our role to provide the certainty that inspires confidence, allowing businesses to plan not just for the next year, but for the next 10 years and beyond.”
The eight sectors the government will focus on are:
Summarising the UK’s creative industries, the green paper says:
“The UK’s creative industries are world-leading, showcasing the best of its creativity and culture to the world. According to UN Trade and Development, the UK is the third largest creative services exporter behind the US and Ireland, worth $87 billion in 2022. Globally, 1 in 10 songs streamed are from the UK.
“The UK is a global centre for screen production, with £4.23 billion in production spend in 2023, of which 78% was from inward investment. According to the Creative Industries Policy and Evidence Centre, the creative industries accounted for 67% of the UK’s digital exports in 2021.
“The sector is expected to grow worldwide, creating further growth opportunities. The sector is highly innovative, attracting significant inward investment and producing goods and services that are world renowned. PwC estimates that the global entertainment and media sector will grow to $3.4 trillion by 2028. Half of global trade is expected to be digital by 2050.
“To enable growth in the sector, the government will leverage UK creative industries’ global comparative advantages by unlocking private investment, boosting exports, and developing its highly skilled workforce. The government needs to ensure that the UK sector remains globally competitive as a home for world class talent while maximising access to important markets to tour and collaborate.
“The sector plays an important role in driving growth across regions and nations, through creative clusters and corridors across the country that spread opportunity and prosperity in communities, as well as driving growth by enhancing access to skills, spillovers, and knowledge sharing.”
Skills is a key area of focus for the government, with the green paper saying “the UK has a skills mismatch greater than many peer economies, with 10% of businesses reporting at least one skill shortage vacancy”.
It said the skills needs of employers vary according to their sector and geography, with one example given being the creative industries sector needing workers with skills in digital, design and data.
A key focus at Bristol Creative Industries is boosting workforce diversity in creative businesses and helping to grow the talent pipeline for our members through initiatives such as our groundbreaking Bristol Creative Industries Internship Programme with social enterprise Babbasa and Bristol-based agencies.
A core objective of the government’s industrial strategy is “unleashing the full potential of our cities and regions by attracting investment and creating the best environment for businesses in them to thrive”.
The green paper highlights areas where focused clusters already exist and have potential for growth. One of those mentioned is digital industries in Bristol.
The government is running a public consultation on the industrial strategy until 24 November.
We are interested to hear ideas for how the Bristol Creative Industries community think the creative sector should feature in the final industrial strategy. Send your ideas to Dan Martin.
Ahead of the 2024 general election, several BCI members told us how they would like to see the new government supporting creative businesses. Here are some of the responses:
“The creative industry faces two significant challenges: attracting and retaining skilled talent and securing financial support to facilitate investment and growth in a challenging economic environment.
“Many creative businesses are small and agile, enabling them to deliver results with minimal resources. However, for these businesses to reach their full potential, the next government must acknowledge the creative sector’s value and contribution to the UK economy and provide tangible support.
“That means offering tax incentives to small businesses and startups, increasing access to loans and grants – and not just for R&D – expanding and supporting creative apprenticeship programmes, and providing business support programmes specifically tailored for small and creative businesses.
“Finally, we need greater market visibility and opportunities to access national and international trade.”
Catherine Frankpitt, Strike Communications
“To continue building the creative sector, further focus needs to be placed on education, advocacy, and innovation, ensuring the sector not only survives but thrives in a rapidly changing world.
“Education is where it begins. The government must recruit and keep inspirational teachers who can inspire and cultivate the future generation of creative individuals. Quality educators play a crucial role in motivating students and equipping them with the necessary skills to excel in creative industries.
“It’s also crucial to advocate for the creative industry and change outdated perspectives to promote diverse career paths. Traditional career guidance often emphasises professions like policing or accounting, while overlooking the numerous opportunities available in creative industries. It’s important to shift this discussion in educational institutions, as well as with parents and the community, whilst showcasing success stories and the economic potential of creative careers.
“Innovation is at the heart of the UK’s creative accomplishments. For instance, consider Sir Tim Berners-Lee’s creation of the World Wide Web or the iconic design of the Mini car. These examples illustrate the UK’s leadership in problem-solving and generating new ideas. To continue this momentum, the government needs to provide support to creative start-ups, allocate funds for arts research and development, and promote collaborations between businesses and creative professionals.
“So, let’s remember what we’re good at as a nation, continue to nurture it, and constantly innovative, to remain at the global forefront of creativity.”
Ryan Wills, Taxi Studio
“The UK represents vast untapped potential for creative businesses. For young people, entry into the industry remains something of a closed shop, achieved via well-trodden paths. Any efforts to broaden these pathways are largely driven by charities or pro bono work by smaller businesses. So we’re undoubtedly missing out on millions of incredibly talented people, and they’re missing out on what could be exceptional careers.
“The incoming government should invest meaningfully in giving the next generation more exposure to what our industry can offer, and easier access to financial and professional support that would make a creative career a viable option for all, regardless of background. Then let’s see what we could achieve!”
Ailsa Billington, Proctor + Stevenson
“We are strong advocates that the next government must focus on digital skills education to help prepare our future creative industry workforce. We see investment in digital and AI education, skills, initiatives and training will be crucial for businesses like ours, so we can recruit exceptional talent for the future.
“We believe the next government must also foster collaborations between educational institutions and industry, to help bridge skills gaps and by investing in these, the government can empower and future proof the creative sector to help drive economic growth.”
Tom Vaughton, Varn
Distortion Creative Group, the parent company of Studio Giggle, has announced the appointment of Rob King as its new CEO and investor. King’s arrival comes as the company embarks on a rebrand and ambitious expansion strategy, targeting growth in Bristol and the South West, with a vision to become a global creative leader.
With a background in senior roles at renowned organisations such as Abbey Road Studios, Zinc Media owned The Edge Picture Company and a number of award-winning creative agencies. King brings a wealth of experience in sales, marketing, and creative strategy. His focus will be on scaling Studio Giggle’s operations in live events, film, animation, and content production, while transforming Distortion Studios into a world-class virtual production hub.
King sees his new role as an opportunity to take Distortion Creative Group to the next stage of its growth and development. “Studio Giggle is entering its 18th year, and this ‘coming of age’ marks the start of an exciting new chapter for the company. We’ve been a maverick creative force in Bristol, but now we’re set on becoming the go-to agency for creative content in the South West as well as for our clients nationwide and beyond,” he said.
Despite a well-documented downturn in the film world, Distortion Creative Group has seen growth over the past year, expanding its staff by 20% following new work for clients and producing events in locations as far-flung as Singapore and the Middle East. “The vision that directors Jonathan Brigden and Steve Garratt have shown crafting the region’s go-to creative agency is phenomenal. I look forward to collaborating with them on the next steps, as well as working with the talented staff base that has made Distortion Creative Group what it is today.”
While Studio Giggle has traditionally worked with clients in London and internationally, its plans include a focus on Bristol’s burgeoning tech and fintech industries, offering creative and technical production solutions that align with the region’s growing reputation as a global hub for creativity.
“Bristol has been our home for 18 years and it’s a great opportunity to now give back and help businesses in the area excel creatively,” King emphasised.
As part of the expansion plan, King will also oversee the development of Bristol’s first permanent virtual production facility, positioning Distortion Studios as a pioneer in sustainable and cutting-edge production technologies. “We have an incredible mix of creativity, technology, and storytelling that puts us in an advantageous position as the world enters a new era of production possibilities. In particular, our early adoption of AI and software, including Unreal Engine, has revolutionised the creative potential for clients of all sizes,” he added
Looking ahead, Distortion Creative Group is preparing to expand its portfolio. “Our rebrand positions us as pioneers in exciting new areas of creative technologies, so expansion is certainly front of mind,” King noted. “We’re keen, however, to stay true to our values of true collaboration with our clients, technical innovation and award-winning creativity.
Distortion Creative Group is preparing to unveil the details of its growth plans, including the addition of new companies to the Distortion Creative Group. “This isn’t just about a rebrand or staying the same size,” King noted. “We’re on a growth trajectory, and in the next few years , we’ll look back at this moment as the time when we transitioned from a boutique agency to a larger creative group.
Steve Garratt, Distortion Creative Group’s Founder and Creative Director, added: “Rob’s addition marks a pivotal point in our on-going plan to grow a world class creative agency and Virtual Production studio in Bristol. Both Jonathan Brigden and I are excited to welcome Rob to the team and draw on his unique expertise.”
Rob King’s move to Bristol further underscores the company’s commitment to investing in the city’s creative future. His appointment marks a pivotal moment as the company positions itself for sustained growth and global reach.
For further information or to arrange an interview with Rob King, please contact:
Tom Hall: tom@newwordorder.co.uk (07545980782)
Amy Hunter: amy@studiogiggle.co.uk (0117 972 0081)
About Distortion Creative Group:
Distortion Creative Group is a leading creative agency based in Bristol, UK, offering a full range of services across live events, film, animation, and content production. Its flagship company, Studio Giggle, is known for its innovative approach to storytelling and creative production, with clients including Sky and British Airways. Distortion Studios is at the forefront of virtual production technology, delivering sustainable solutions for clients worldwide.
Content is king… and video is the king of content.
Through great video content, brands and businesses have a huge opportunity to engage with their audiences and build brand loyalty.
But how can you make video work for you?
Authenticity is the foundation of great video content. In an age of digital distrust, audiences want genuine brand experiences. So before you start production, consider:
Knowing the ins and outs of each platform is key to getting engagement:
There’s a lot of heat on AI production at the moment. The AI-created end product often comes under fire. But that doesn’t mean there isn’t a place for AI in your pre-production.
Use AI to speed up your video production in the following ways:
Example: if you’re looking for examples, inspiration or source material. You could spend mindless hours in Google, or the right prompts in a site like Perplexity could yield faster answers to your questions. Freeing up much more time to commit to the creative process.
Example: A travel agency creates a virtual tour where viewers can choose their path through a destination and the content they see next.
Example: A furniture retailer creates an AR app where customers can see products in their own homes through their phone.
Example: A B2B software company creates a weekly 60-second tip series, each one focusing on a different feature of their product.
Example: A tech startup documents its journey from idea to product launch, posting weekly updates on social media.
Example: A fitness app asks users to share their transformation stories and compiles the best into a video series.
Making content is one thing. But putting it to good use is another thing entirely.
You could spend so much time and effort in production, only to let your efforts fall at the final hurdle, by failing to effectively activate your content. So consider the following implementation and activation tactics:
Multi-Form Content: Create different versions of each video for different platforms and purposes. Not all content is made equal, different ideas and different themes will perform better, or worse, on different channels.
Live Streaming: Where applicable, you can seek to create a regular cadence of live content to engage with your audience in real time.
Video SEO: as video content becomes increasingly more present in search, it’s important that your online assets are properly optimised. This means optimised video titles, descriptions and tags to be discoverable on search engines and video platforms.
Localisation: consider how you can adapt content for different regions through subtitles, dubbing or culturally relevant versions.
Accessibility: consider how you can also use subtitling and dubbing to increase the overall accessibility of your content.
Ultimately, you’ll want your content to yield results. Use advanced analytics to track:
But note that not every piece of content needs to result in a sale or a conversion. Building brand loyalty and engaging with your audiences in a way that isn’t overly commercial or transactional is the way to go here.
That means pulling back on the amount of sales-driven content and publishing more content that engages, entertains and informs.
So when you do hit your audiences with a CTA, they’re far more likely to convert, because they’re more bought into your brand and your ethos.
The creative sector is rapidly evolving, with new talents and innovative minds shaping industries such as graphic design, media production, games and animation, art, photography, performance, theatre, fashion, and design. To ensure this sector remains vibrant and continues to thrive, it’s crucial that we support the next generation of creatives, offering them the resources and connections to jump-start their careers.
At Weston College and University Centre Weston, we’re dedicated to nurturing the talent of tomorrow through a wide range of creative pathways. Whether learners dream of becoming graphic designers, media producers, animators, or fashion designers, our courses equip them with the skills, experience, and knowledge necessary to succeed in today’s competitive job market. But there’s a vital element that makes this journey complete: real-world engagement from creative businesses.
Looking to the future, and as Sir Peter Bazalgette said:
In every scenario the Creative Industries are set to be of central importance to the UK’s future success. We have two great assets: the English language and our creativity, but the skills and business models of this sector are of increasing importance.
Source: https://www.gov.uk/government/news/bazalgette-review-sets-recommendations-for-continued-growth-of-uks-creative-industries
Employers supporting FE and HE providers offer crucial curriculum overviews which is needed for all learners. Without this, we are unable to prepare them for their future career and, simply put; they will not be industry ready. We value the support from employers who can be involved from a curriculum perspective, who offer projects, workplace experiences and more so we can provide robust, ready and industry savvy individuals. The Creative Sector businesses can inspire learners during their study through this engagement. We have found that this is especially vital for learners unable (or not looking) to go to university; or that want to stay local and contribute to their local economy. They can hear, experience and look to local employers for their next steps into industry.
How Creative Industries Can Get Involved
If you’re a local business in the creative sector, now is the time to step forward and engage with emerging talent. There are countless opportunities to connect with learners and help shape their future careers. We’re calling on creative companies to work with us by offering guest lectures, work experience placements, project work or attending our career events. Your involvement can make all the difference, providing learners with invaluable industry insights and hands-on experience that will give them the edge they need to flourish post-education.
This November, Weston College is hosting its annual careers event, which will bring together over 1,000 FE and HE students. This is a fantastic opportunity for creative businesses to meet fresh, enthusiastic talent and discover how they can contribute to the growth of local industry. Whether you’re looking to exhibit, scout new recruits, or simply share your experiences, we encourage you to take part. The event will be held in Weston-super-Mare on the 19th of November.
Why Partner with Weston College?
Weston College is passionate about supporting learners who want to stay local and contribute to the creative economy in the region. With Bristol 30 minutes away by train, learners are keen to look at exploring careers on offer. By partnering with us, you’re not only supporting the career aspirations of young creatives but also fostering a robust local workforce that can fuel innovation in your own business. Our creative pathways provide a pipeline of skilled professionals ready to make their mark in graphic design, media production, games and animation, art, photography, theatre, and more.
We believe that by building strong connections between education and industry, we can create a thriving creative community in Weston-super-Mare and beyond. We are here to support our learners but we also support business and want to listen, act and implement skills needed.
Let’s Connect
If you’re a creative business eager to inspire and work with emerging talent, we’d love to hear from you. Whether you’re interested in delivering a guest lecture, offering work experience, or promoting career opportunities, there are many ways to get involved. Your support can open doors for our learners and help develop the future of the creative industries.
For businesses interested in exhibiting at our annual careers event or partnering with Weston College in any capacity, please email us at employers@weston.ac.uk to register your expression of interest. Our passion is to support learner and industry so please do get in touch.
Bristol based music sync agency Sync & Shiver has launched – representing some of the most exquisite singer-songwriters and contemporary piano works in the UK.
Founder and Managing Director Charlotte Eve explains, ” we’re the sync agency designed to give you the shivers. We’ve curated a catalogue brimming with spine tingling talent. Established names you already know and love, and rising stars on the brink of the ‘next big thing’. We only work with the very finest songwriters and composers. Quality, not quantity, is paramount.”
Artists on the roster include well known platinum selling artists such as Michele Stodart from the Magic Numbers and quirky new talent such as Dominie Hooper who played in Bristol just last week on her first UK tour.
Sync & Shiver offer bespoke compositions as well as the exceptional music in their perfectly formed catalogue.
Sync & Shiver are expert at keep the licensing side of things short, sweet and smooth. So you can get on with the important bit…discovering the perfect music for your project.
Founded early 2024 by Bristol based songwriter-composer and advertising creative Charlotte Eve, they come from the creative end of the business. This has helped them forge closer relations with artists and an extra special roster you won’t find anywhere else.
If you have a TV ad, video, film that’s crying out for a spine tingling sync, get in touch with charlotte@syncandshiver.com to discuss your brief.
Bristol Creative Industries is delighted to be sponsoring Creative Day at Bristol Technology Festival 2024 alongside BCI members Aer Studios and MyWorld.
Now in its sixth year and organised by techSPARK, Bristol Technology Festival is the UK’s largest regional technology festival.
It celebrates the awesome people, innovation, community and thriving tech scene in the city. We are excited to be involved and representing Bristol’s brilliant creative industries.
Each day of the festival from 7-11 October is themed. Thursday 10 October is Creative Day.
Here the brilliant free events to attend on Creative Day:
SXSW UK is being hosted WHERE?
MyWorld, 9.30 – 11am
…we all know it should have been here, right? Join us as we unlock the untapped potential of creative tech in the region and realise what it takes to position ourselves as rightful global leaders.
Fuelled by barista coffee and brunch, this interactive workshop invites participants to collaborate with key community figures and industry bodies to define what creative technology means to our community and chart a path forward.
Panel: Setting the future vision of creative technology in the South West
Motion, 12.45 – 2pm
Join us for an engaging and interactive panel discussion that will dive into the future of creative technology in our region. Building on the insights from our morning workshop, our panel of industry experts will discuss the untapped potential of our sector and work together to define a shared vision for the future.
Meet the panel:
MyWorld Creative Tech Showcase
Motion, 2 – 5pm
Join us and immerse yourself as we explore emerging technology innovations and trends, such as AI, immersive, gaming, sound and how they are going to continue to transform creative industries. The event showcases the technology that has been researched and developed through MyWorld.
The Sheds studio tours
MyWorld, 9am – 5pm
Book a tour to look around MyWorld’s state of the art facilities at The Sheds and experience some of the innovative technical research being developed in the spaces.
Tom Harber, Bristol Creative Industries board director and Aer Studios managing director, said:
“We see our involvement in Bristol Technology Festival as a meaningful step towards driving deeper collaboration with the tech sector and a stronger relationship with key organisation including techSPARK and MyWorld.
“Creative Day at Bristol Technology Festival provides a platform for Bristol Creative Industries to discuss the creative industries’ role in driving innovation in the region and will bring valuable insight for our members, as well as opportunities for cross-sector collaboration.”
If you’re new to Bristol Creative Industries, here’s a bit about us.
Founded in 2005 as Bristol Media, we’re a community interest company that supports the creative sector to learn, grow and connect.
Driven by the common belief that we can do more collectively that alone, we’re about prosperity for creative businesses and that means attracting new talent and new customers.
In Bristol and across the region we:
We are supporting Bristol Technology Festival to foster greater collaboration across the sectors and create opportunities for insight and connections for our members.
To maximise the benefits of tthe Bristol Creative Industries network, support our work and help the region’s creative sector thrive, you can join as a member.
Look out for representatives of Bristol Creative Industries at Bristol Technology Festival events.
If you are looking to recruit a live events tech, Weston College can help businesses access fully funded* apprenticeship training for small and medium-sized enterprises (SMEs).
There is still a post pandemic impact on the sector, resulting in disruptions to staffing, increased costs, and significant supply chain delays. As the industry strives to recover, this new apprenticeship provides a timely solution by developing a new generation of talented technicians capable of supporting the growing demand for live events across the UK and beyond.
The exciting Live Event Technician Apprenticeship program, designed to address the critical shortage of skilled professionals in the live events industry begins starts in November so dont miss out!
Live Event Technicians work in a wide range of settings, including concerts, festivals, theatrical productions, exhibitions, and conferences. Their core responsibility is to prepare, build, set up, and operate industry-standard equipment to deliver seamless live performances. In this dynamic role, technicians interact with a variety of professionals, including venue staff, production managers, designers, performers, and producers..
The Live Event Technician Apprenticeship offers a structured pathway for both new entrants and existing employees to gain the necessary technical skills and practical experience. Employers can use this program to recruit new talent or upskill current staff, ensuring that they are equipped to meet the high standards required for live event production.
For those looking to secure the future of their business and contribute to the growth of the live events sector, this apprenticeship is an ideal solution. To find out more, contact employers@weston.ac.uk
*For 16-21-year-olds and up to 25 if a young person has an Education Health Care Plan.
Voice actor and founder of BRAVA (Bristol Academy of Voice Acting) Melissa Thom, has become a full voting member of BAFTA.
Melissa will now have a say in the winners of the Academy’s annual BAFTA Games Awards, which are presented annually to recognise, honour and reward outstanding creative achievement in games. The Awards are voted by an expert membership of over 1200 experienced professionals and are watched by millions online.
Melissa and BRAVA’s team of master coaches have trained hundreds of people in Bristol and beyond to become professional voice actors, with many already working in the gaming industry.
BRAVA has connections with games production companies and bodies across the UK and internationally. Melissa and her team work to support those coming up in the profession, liaising with industry stalwarts and championing diversity. Melissa’s gaming work as a voice actor includes roles in ZeniMax’s The Elder Scrolls (Necrom and Gold Road) and Grand Theft Auto V.
Melissa is British, with Indian-African heritage, and feels strongly about the need for diversity in the gaming sector. Melissa said:
“The online games industry is estimated to be worth almost $28 billion worldwide, dwarfing the film and music industries. It’s thriving and has a powerful influence. As the popularity of gaming continues on its upwards march, it’s critical that people from all backgrounds see themselves represented in games.
I am thrilled to be recognised by the Academy for all the work we do behind the scenes to support and guide voice actors and improve working conditions and diversity within gaming. I’m also committed to supporting the gaming community in the South West, which is a hot bed of creative talent.”
Melissa invites any actors in the South West with significant gaming experience to get in touch with her if they need support or advice.
-ENDS-
About BRAVA
Founded by experienced voice actor and communications consultant, Melissa Thom, BRAVA brings together acting and voice experts from the UK & US to deliver best in class training and advice about the industry.
At BRAVA, all learning is done online, meaning students can learn at their own pace, wherever they are. Training is offered as personalised 1-1’s or group sessions and covers a wide range of topics, including Getting Started in VO, Corporate, Commercial and Narration, Characters, Audiobooks, Performance Techniques, Home Studio, Marketing, Vocal Health, VO & Shakespeare, Voice, Presence, Impact, Presentation Skills and more.
Find out more at www.brava.uk.com
Melissa Thom’s IMDB: www.imdb.com/name/nm10724768/
The creative industries are a vital component of the local economy and here at Bristol Creative Industries, we encourage young people to look to the sector for a rewarding and inspiring career. As modern technologies like gaming, VR and AI continue to develop, we need a new generation to take on the jobs of the future that the local economy needs if it is to thrive.
See below for our updated guide to creative industries-related further and higher education in Bristol, Bath, Weston-super-mare and beyond.
If you’re an employer or education provider, scroll to the end of the article to find out how to get involved in the Bristol Creative Industries Talent Programme, which is focused on boosting workforce diversity in creative businesses and helping to grow the talent pipeline.
A selection of the creative post-16 courses offered by sixth form departments at Bristol schools and academies:
Among the A-levels at Bath Academy are art and media studies.
A-levels on offer at this Bath sixth form for boys include creative design and music.
Bristol Cathedral Choir School
Founded in 1140 as part of what was then Bristol Abbey, Bristol Cathedral Choir School is one of the city’s most popular sixth forms. Among the A-levels offered by the school are art, drama and music.
The sixth form at Bristol Grammar School offers creative IB Diploma and A-level courses including art, dance, drama and theatre studies, design technology, music and music technology.
The IB Diploma is an alternative to A-levels which the school describes as “offering breadth of learning as well as academic rigour”.
Opened in 2016, Bristol Free School offers A-levels alongside selected BTEC Level 3 courses. Creative courses include art, drama and theatre, music and music technology and photography.
Cabot Learning Federation Post 16
The Cabot Learning Federation Post 16 is an independent provision located in two of CLF’s 20 secondary academies; Bristol Brunel and John Cabot. Among the A-levels on offer are art and design, dance, music and photography.
The sixth form at this school offers A-levels in subjects including art and photography, drama and theatre studies and music.
The sixth form at this school offers A-levels including art, design and technology and drama and theatre.
The North Bristol Post 16 Centre is a collaboration between Cotham and Redland Green Schools. Creative A-levels include art, photography, film studies, and media studies.
St Mary Redcliffe and Temple School
Located near Bristol Temple Meads, creative A-levels offered by this school are art, film studies, media studies, music, music technology and theatre studies.
Providing education to 10,000 learners across two campuses, Bath College offers a wide range of courses including post-16, apprenticeships, part-time courses, traineeships and degree-level education.
Subjects include art and design, fashion and textiles, fashion business and retail, photography, graphic design, digital production, and performing arts.
As one of the South West’s largest further and higher education colleges, City of Bristol College operates from seven centres across the city. It offers a range of post-16 qualifications including A-levels, Level 2 Diplomas and BTEC Nationals.
For school leavers, several courses relevant to the creative industries are on offer. They include specialist subjects include visual arts and design, photography, fashion, performing arts and creative digital technologies (film and TV production, games design, computer graphics and animation).
The college also offers university-level creative arts and media courses in subjects including games design, animation and VFX, graphic design and photographic practices.
Abbeywood Community Schools is part of Olympus Post 16 with Bradley Stoke Community School and Winterbourne Academy.
Courses include art, design and technology, digital media, drama and theatre studies, film studies, music performance, music technology, photography and textile design.
Digitech delivers a specialised curriculum for progression into the creative digital and high tech sectors. Studio schools are small by design and only take 90 students into each year group. The school opened in 2015 and moved into a new purpose-built building in Warmley in November 2016.
For years 12 and 13, Digitech offers courses in partnership with boomsatsuma (see below), Bristol School of Acting and Robins Foundation. They include digital media, e-sports, film and television, music, and photography.
South Gloucestershire and Stroud College
This college has six campuses.
The college has a very extensive programme of Level 2 and 3 courses including computer games design, film and TV production, music production and musical and technical theatre.
At university level, the college offers a range of courses at foundation degrees, many of which also offer the opportunity to top up to a full Bachelor’s degree by adding a year. Subjects include fine art, game art, media production and computer games design and production.
Since September 2022, the college has offered the new vocational skills focused T-levels. The two-year technical courses are equivalent to three A-Levels and include a 45-day work placement. Courses include digital production, design and development.
St Brendan’s Sixth Form College
This college provides a diverse range of over 60 different A-level and Level 3 Applied General courses to 16 – 18 year olds. Courses include media studies, music, music performance, music technology, textile design and graphic communication.
Weston College has several creative industries-related diploma and extended diploma courses for 16-19 year-olds as part of Creative Arts Weston.
The departments are art, design, graphics and fashion; film and tv, media production, photography, game and animation; performing and production arts, and music.
Creative courses at Cirencester College include craft and design (T-level), 3D design (A-level), digital foundation, digital media certificate, graphic communication (A-level), and photogrraphy (A-level).
Boasting ex-students including Ed Sheeran, Jess Glynne, Rita Ora and JP Cooper, Bristol Creative Industries member Access Creative College is a national college for young people looking for a career in the creative industries. It offers courses at various levels in subjects including games, animation and video effects, graphic and digital design, film, software development, video and photography and music technology.
In summer 2021, Access Creative College opened a new £5m games and media campus in Bristol city centre. It’s on the site of the former Bristol Bierkeller, host to Nirvana’s first ever UK gig, Slipknot, The Stone Roses and Arctic Monkeys. Facilities include a games lab, green screen studio, music tech suites, digital recording studio and band rehearsal studio.
Access runs degree courses in Bristol covering audio and music technology and music performance at dBS Institute, which it acquired in 2021.
Bristol Creative Industries member boomsatsuma is a specialist creative industries training provider. Courses take place in relevant professional environments in the city such as Leadworks, Ashton Gate Stadium, Bottle Yard Studios and Tobacco Factory.
boomsatsuma provides Level 3 Extended Diplomas, that are equivalent to 3 A-levels, as well as BA (Hons) and BSC (Hons) degrees. Courses include creative and digital media, film and television, games, VR and VFX and photography.
As a registered charity, Creative Youth Network supports young people to reach their potential and enjoy fulfilling lives. It offers free courses in youth clubs and other venues in Bristol. Subjects include music, photography and song writing.
Creative Youth Network has opened The Courts in central Bristol. It is an enterprise hub, located in Bristol’s Old Magistrates’ Courts, where young people can explore their creative potential, receive support, access mentoring, and find meaningful work.
dBs Institute of Sound & Digital Technologies
Based in the centre of Bristol, dBs is a specialist educational institute that offers undergraduate and postgraduate courses in music production, sound engineering, live sound, and game development.
It is a registered Avid Learning Partner (ALP) and Ableton Certified Training Centre that works with a wide range of creative industry organisations.
Students at dBs Institute can gain real-world experience alongside their studies thanks to dBs Pro, an in-house creative audio company. Students provide sound and music for film, television, video games, art installations and more.
University of the West of England
UWE’s School of Arts offers courses in subjects including drama, filmmaking, animation, photography, media production, journalism, creative and professional writing, film studies and media communications. There are also several fashion and design courses.
Facilities include film, photography and animation studios as well as drama, acting and music facilities.
Many graduates also enter the creatives industries after studying marketing courses at the UWE Business School. It includes the MSc in digital marketing, and MSc/postgraduate diploma/postgraduate certificate in marketing communications.
UoB offers undergraduate degrees in film and television, music and theatre. Facilities include Wickham Theatre, a 24-hour rehearsal space, sound and design studios, carpentry and costume workshops, 214-seat cinema, 39-seat screening room, digital filmmaking equipment, production studios, animation and edit suites and sound rooms.
The University of Bath does not have specific creative industries courses as it focuses on engineering, humanities, management, science, and social science. However, its degree courses include management with marketing featuring a work placement.
Bath Spa offers courses in subjects including film, design, media communications, art and drama. Facilities include a theatre and TV studios.
The university also has the Centre for Cultural and Creative Industries (CCCI) which “aims to magnify research, engagement and discourse surrounding the theoretical, practical and commercial frameworks that embody the arts, media, or creative industries”.
UCW offers higher apprenticeships, full-time degrees and higher technical qualifications (HTQs) in partnership with UWE Bristol and Bath Spa University.
Courses covers subjects including art, film, game, graphic design, digital technologies, performance, production arts and music.
Bristol Creative Industries jobs board
Members of Bristol Creative Industries sometimes post apprenticeship opportunities on the BCI jobs board. See the latest vacancies here.
National College Creative Industries
The National College Creative Industries (NCCI) offers specialist technical production and business support apprenticeships via Access Creative College. You can find the latest details on the NCCI website.
Channel 4, which has a Bristol office, offers apprenticeships. Find out more.
The BBC offers various TV production apprenticeship schemes, some of which are based in Bristol. See the latest opportunities here.
ITV Academy provides traineeships and entry-level pathways into one of the world’s largest commercial production companies. See the latest opportunities here.
Babbasa offers many training and employment opportunities for young people. See the latest opportunities here.
Government apprenticeships website
Creative and design and digital apprenticeships are regularly listed on the government’s apprenticeships website. Search here.
Circencester College offers apprenticeships in creative areas covering digital and IT, media broadcast and production, sales and marketing, and creative and digital.
The college provides intermediate, advanced, higher and degree apprenticeships.
UCAS has a guide to creative and design apprenticeships here including a directory of relevant employers.
Discover Creative Careers has a guide to apprenticeship routes into the creative industries here.
This list is not exhaustive. Email Dan with suggestions of other educational institutions and companies we can add.
A key focus at Bristol Creative Industries is boosting workforce diversity in creative businesses and helping to grow the talent pipeline for our members.
As well as our groundbreaking Bristol Creative Industries Intership Programme, we provide opportunities for members such as our partnerships with The Early Careers Foundation and Discover Creative Careers which allowed them to mentor and inspire young people about careers in the creative industries.
We have also committed to an annual programme of round tables with key post 16 education providers in the region including colleges, academies and universities.
Our aim is to promote creative careers to staff and career advisers, drive applications to our internship programme and explore how we can promote the creative industries to students already studying.
By joining the Bristol Creative Industries Talent Programme as a partner, you’ll help to fund all of our activities that support underrepresented groups entering the creative industries. Your support is vital to ensure we have a healthy and diverse talent pipeline.
For more details, contact Alli Nicholas, BCI membership and operations manager, at alli@bristolcreativeindustries.com, or Lis Anderson, BCI co-chair, at lis@ambitiouspr.co.uk
Birch, Bristol’s newest podcast studio, has opened at Nine Tree Studios in Brislington.
Designed with both “audio and video first”, the space offers high quality audio recording in a comfortable suite that’s designed for film.
“When we opened Nine Tree Studios, supporting the local creative industries was at the heart of everything” said Russell, Co-Founder of Nine Tree Studios.
“We have a huge amount of versatile space, and we want it to be useful, accessible and affordable – not just sit there empty. Bristol doesn’t have a huge amount of podcast suites, with some professionals even travelling to London just to record.”
“With our space we hope to welcome and support a variety of creatives, content producers, influencers and hobbyists alike.”
With full-RGB lighting and space for branding, the studio is perfect for both guest and episodic podcast recording.
Birch also has access to Nine Tree Studios’ other facilities, including ample parking, green rooms for hair and makeup, and a large kitchen breakout space.
The studio can be hired from the hour for just audio recording or including video, with various options to suit beginners and professionals alike.
Nine Tree Studios is Bristol’s biggest independent studio. Located just outside the centre of Bristol there’s parking for over 30 vehicles with easy access to Bristol, Bath and the M4.
For more information visit www.ninetreestudios.co.uk, email info@ninetreestudios.co.uk, or call 01173706372.
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