Most agency owners are familiar with Key Performance Indicators (KPIs) — these are values that measure the success of your ongoing progress against a defined metric. In essence, a KPI will measure, or indicate, how an agency is likely to grow.
For most of us, KPIs have been a mainstay of working life since our internship days. However, what often comes as a surprise to many of my clients is that KPIs can come in two forms, Leading & Lagging.
In this article, I discuss leading & lagging KPIs, how and why you should measure both types and why the high performing agencies do just that.
As we all know, a KPI is a pre-defined metric or milestone which is used to gauge progress across all functions and departments. KPIs are tangible, valuable insights that help inform decisions about how an agency is run.
A Leading KPI is input related. Leading KPIs measure the current activity in your agency, whereas a lagging KPI only demonstrates what you’ve already achieved.
Lagging KPIs are important to monitor, as they give a good snapshot of the topline performance of your agency. However, if the numbers are a little off, and this is the only metric you have, it can be tricky to pinpoint and fix where things went wrong.
The idea behind Leading KPIs is that they create targets, focus and accountability within your agency on a daily basis. This helps to keep you (and your team) on track toward successfully meeting your lagging KPIs.
To get a good handle on your agency’s growth trajectory, me and my fellow Coaches always recommend tracking more leading KPIs than lagging ones — with a ratio in and around 4:1.
This is often the secret sauce to success — monitoring, reporting and acting upon leading and lagging KPIs is what sets the high-performing agencies apart from the pack.
Because I love an analogy, let’s imagine your digital agency is trying to shed some pounds. In this instance, you would have a Lagging KPI of ‘Total Weight Lost’.
Jumping on the scales once a month just to measure the outcome and see how much weight has been lost is going to make for slow, blinded progress.
Instead, you could measure your daily exercise, track your diet and weigh yourself on a weekly basis. These metrics would be your Leading KPIs and will give a more accurate reading of how you are tracking toward your weight-loss goal.
If you reach the end of your third month and you still haven’t lost any weight, then you can review all your KPIs and see where the shortfalls or issues might be. The more Leading KPIs you track, the easier it is to identify areas of improvement.
A key differentiator between high and underperforming agencies is how many, and what kind of KPIs they are measuring and learning from.
Successful digital agencies have more Leading KPIs than lagging. This helps them predict and prepare for their growth — they’ll know where their agency is heading before it actually gets there.
By monitoring both types of KPIs, you are able to see the relationship your leading efforts will have on your overarching goal. By keeping an eye on both figures, you’ll be able to attribute any issues with your Sales to any increases or decreases to your Call Tally or Event Attendance.
At Digital Agency Coach, we host bi-weekly Mastermind Groups for digital agency owners. These informal workshops are centred around peer learning — you’ll learn from other agencies who are navigating the same challenges as you and will pick up game-changing tactics such as today’s KPI hack, which improve the performance of your agency.
Get In Touch with myself or my team of friendly digital agency experts, we’d be delighted to help answer any questions about this article, our Mastermind Group or our Coaching & Mentoring Programs.
The UK has experienced profound economic change over recent years which has brought challenges and new opportunities to the creative sector. As a result, many individuals have set out on the freelance and small business path for the first time.
Reasons include the natural result of redundancies due to the pandemic, new working relationships with employers following Covid-19 and a desire to achieve a better work/life balance.
Whatever the reason to go it alone, Bristol Creative Industries (BCI) is here to give freelancers, startups and small businesses the perfect platform to share skills and build connections.
There are many benefits of a BCI freelance membership. See what some members have to say below.
To meet fellow freelancers and companies that employ them, join our freelancer networking drinks on 23 November at the Square Club in Bristol. It’s free including a complimentary drink if you’re a member.
Heather Wright, co-chair of Bristol Creative Industries, said:
“The trend in the creative sector is to have small and agile agencies relying on a bank of specialist freelance talent. We have seen the freelance sector grow year on year in the last decade.
“The benefits are that, here in Bristol, we have a huge pool of freelancers covering a spectrum of creative disciplines, from coding, filmmaking, music composition, animation, illustration, copywriting to recording and directing podcasts, to name just a few. Name a niche creative service you need for your business and, chances are, there will be someone to help right here on your doorstep.
“And these freelancers and startups are key to Bristol’s vibrant creative community; it means small businesses can use a wide range of professional creative talent. Freelancers are providing the resource of a conglomerate for the SME and Bristol Creative Industries can really help with these connections.
“All individual, freelance and startup members get a profile in our online member directory where you can showcase your work. Freelancers can also take advantage of discounted tickets to BCI events, plus the opportunity to self-publish content on our newsfeed. And don’t forget the membership perks, including restaurant offers and money off business support. The real value however is in the business connections you can make.
“But don’t take my word for it, here are a few comments from our members on their experiences.”
“I’ve been a member of Bristol Creative Industries for a good number of years now. I joined mainly to be included in the directory, for which I think the cost as an individual is very affordable. It makes absolute sense to be listed in a directory where clients search for creatives, outside of their own sector or network.
“In terms of other benefits of membership, I have attended various events and they have been very good. These include evening drinks meet-ups and the members’ lunch.
“I’d say that as a creative freelancer in any field, joining BCI is a great thing to do if you have the chance. Additionally, the team at BCI have always been very friendly and supportive!”
“When I worked in an agency, we used the BCI member directory to find the best regional talent. I always felt that I could trust the freelancers we found there – they had an added credibility, took their specialism seriously, and added value to projects. So when I started out as a freelance copywriter I knew I had to be listed as a member myself!
“The events are also really insightful and enjoyable – members’ lunch, sketchnoting workshop, and the ‘simple tips, smart ideas’ talk with Erica Wolfe-Murray to name a few. Plus, still to this day it’s a lovely feeling to receive an email that starts with: ‘Hi Lara, I found your details via Bristol Creative Industries and…’.
“What would I say to freelancers thinking of joining BCI? To quote one of my favourite taglines: Just do it.”
“I joined Bristol Creative Industries many years ago looking for a list of potential new clients. In my first year I got two new clients, one a national charity. Every year I regularly get new jobs via the website and these mostly turn into long term relationships. I now work with many of the major agencies in Bristol who are also members and actively involved with BCI. The work I generate covers my BCI freelance membership costs so joining was a no-brainer.”
“I initially joined Bristol Creative Industries as a way to network and get to know other creatives in the Bristol area. Regular members’ lunches allow members to meet, providing a friendly, informal opportunity to connect. The team running BCI are passionate about helping to support the creative community; always friendly, and they have been a great help in connecting my business with potential creative partners and business contacts.
“I believe just being part of BCI has provided my animation studio with additional credibility.
“Overall, Bristol Creative Industries is extremely well run, positive and a joy to be a part of; the membership offers amazing value for money.”
“Within two weeks of signing up I had my first enquiry from a new client”
“I regularly get contacted by new clients thanks to my listing in BCI’s member directory. Freelance membership is great value for money!”
If you’re a freelancer or startup business owner based in Bristol or Bath and want to raise your profile and get the work you want, find out more about a individual and startup membership to Bristol Creative Industries
You have the option of paying a one-off annual fee of £45+VAT or a rolling subscription of £4.50+VAT per month. What are you waiting for? Sign up today and be a real part of Bristol’s creative network.
To meet fellow freelancers and companies that employ them, join our freelancer networking drinks on 23 November at the Square Club in Bristol. It’s free including a complimentary drink if you’re a member.
If your understanding of the startup world is based on the series produced by (and starring) mid-noughties nerdy heartthrob, Adam Brody, it might surprise you to learn that most tech ventures aren’t funded by dubious dosh from the criminal underworld. That isn’t to say that StartUp isn’t an entertaining show, by the way, but it’s not exactly an accurate representation of how startup founders might seek investment.
While there are some great examples of companies that have ‘bootstrapped’ their way to billions, most successful tech businesses will raise equity finance at some stage in their scale-up journey — usually over several funding rounds. The right investment not only unlocks the cash you need to accelerate growth but also provides you with a new business partner who is aligned with your goals, brings business acumen and an invaluable network of industry contacts.
Knowing how to turn your venture into an investment magnet is key to getting the attention of the right type of investor while never feeling pressured to settle for a bad fit. So, how do you as a startup founder attract that perfect investor? Here are 6 qualities investors will be looking for in your tech startup.
As a startup founder, being passionate about your project should be a prerequisite. If not, then it’s probably the wrong venture for you. You need to truly believe in the product/service you want to provide and be confident that it’s either an improvement on what’s available on the market or an entirely new take on addressing an old problem.
Beyond your bright idea, you should also be mindful that investors are investing in you as much as they are in your business. Are you able to distil and describe the journey you’ve been on thus far? Can you showcase your passion, skill-set and creativity?
However, while passion per se is great, would you put your money where your mouth is? Most investors are looking for founders who are willing to invest their own capital — hypothetically, at the very least. After all, why should someone part with their hard-earned cash for your project if you’re unwilling to do the same? The same applies to investing your time. If you’re unwilling to work hard on your own project, then it’s unrealistic to expect anyone else to.
To get your business off the ground, you’ll have to — or will have had to — raise the initial capital yourself. This can come from your own savings, borrowings, or even friends and family. Either way, this is a concrete example of demonstrating that you believe in your product/service, so much so that you’re willing to invest money into it.
To be worthy of investment, any new product/service needs to have a proven market and be appealing to that market. Ideally, your venture will have begun operations and demonstrated an ability to sell that product or service — essentially, you need to have a robust ‘proof of concept’ to show investors. Investors will look for the following:
For a tech startup, the proof of concept is often an MVP (Minimum Viable Product) — a product with just enough features to satisfy early customers and provide adequate feedback for future product development. Through our experiences building brilliant launchpad apps for businesses, we’ve come up with a checklist to help you get started with your MVP ASAP.
Most investors are looking for business opportunities that have potential — primarily, for growth. This is all relative, of course, based on the size of your market, but ideally, you need to have a market with significant reach — regionally at least — depending on the nature of your product or service.
Not every product/service is going to have a worldwide market, of course, but a large enough market to increase scale and margins within your operations is typically a requirement for investors.
If your startup is a would-be disruptor in an existing, saturated market then the same rules apply. However, your growth potential is likely to be deeply scrutinised because any market share gained is being taken directly from a competitor, therefore your competitive advantage needs to be demonstrable.
Which leads us on nicely…
No matter what the product — whether it’s clothing, music or a new software platform — the same question always applies: what makes your product unique? To be worthy of investment, there has to be something that sets you apart.
If your product or service is genuinely the first of its kind (something that many founders wrongly convince themselves is the case), then that’s your competitive advantage. What’s more likely, however, is that your startup will be entering an existing market. This is where having a real differentiator is crucial for success.
Take German neobank, N26, for example. Voted ‘Best Bank in the World 2021’, N26 is by no means the only player in the online-only banking market — competitors include the likes of Monzo and Revolut. However, by taking a service that people have to consume and generally dislike (banking), and turning it into an enjoyable process by focusing 100% of its efforts on user experience, N26 has confidently positioned itself as ‘the bank you’ll love’.
To save on cost, most startups will have very limited staffing (at the start of their journey, at least), usually consisting of one or two founders. Whether it’s a team of two or ten, the number of staff isn’t an issue so long as the key areas of the business are covered. For example, if your business is centred around AI technology, do you have someone in the team who is a specialist in this area? It’s extremely important that you have an expert in the tech or market you’re entering.
Operating control is another area investors will be looking at before taking a punt on your startup. They’ll expect you as the founder to have developed (or be in the process of developing) policies and procedures to control the business and ensure their investment doesn’t go to waste.
It’s also important that as a founder, you’re able to ‘let go’ and delegate authority across your team. We get it, your startup is your baby, but over time, you need to trust someone else to take care of the proverbial nappies. Or bedtime story. You get the gist. Investors will take comfort in seeing expertise and autonomy spread across a fully engaged team.
The coldness with which investors approach this topic can be a bit of a shock, but getting into their mindset — ie. looking for a return, can keep you focused on what’s important for your startup. It’s important to know that from a financial perspective, investors will have two primary questions when looking at a project:
These questions can be answered by a thorough financial projection which you can do yourself, but if you’re struggling, there are people you can hire to help out.
Essentially, investors want to know what their ROI (return on investment) will be and when they’ll begin to see it, so including a full ROI analysis in any pitch to an investor is highly advised.
At Gravitywell, we love working with enthusiastic startups and help with prototypes, pitch decks, MVPs and conceptual work. If you’d like to discuss how we can take your idea to the next level, get in touch.
In my experience, growth and success looks different for every digital agency owner – and this usually depends on where they are on their journey in business.
For some, success might be increasing headcount, opening new offices, working less and/or earning more. While for others who might be a little further down the track, their ultimate goal might be to exit the agency.
No matter what the goal is – when it comes to growing your agency one of the best first steps you can take is to understand your agency’s value.
Over the years, I’ve helped hundreds of agency owners analyse the value of their business in preparation for the next step. My Digital Agency Coach team and I use a handful of tactics and strategies to do this, including measuring the agency’s EBIT & profitability.
This segues us nicely into the purpose of this article – how to calculate your profitability & EBIT, why it’s important to do so and 2021 digital agency benchmarks to measure up against.
EBIT simply means Earnings Before Interest & Tax. EBIT is a method that is often used to find the profit generated by a digital agency (or any company for that matter). EBIT is synonymous with Operating Profit as it doesn’t consider things like tax and interest expenses.
For obvious reasons, your EBIT isn’t indicative of exactly how much profit you’re bringing home. However, it is a great indicator of the profitability potential of the business which is why it is such a great metric when it comes to measuring the value of your agency.
EBITDA is almost the same calculation as EBIT however, it also brings Depreciation and Amortization into the equation.
EBITDA is a more complex calculation that takes time and resource to produce, so it’s usually used to prepare your agency for sale. At Digital Agency Coach, we recommend keeping an eye on your EBIT as it is a much more manageable calculation that can be produced for regular reporting.
The short answer? No, EBIT and Net Profit are two different things. Your Net Income is what’s left of your Revenue once you subtract the total costs of doing business. This ‘total cost’ includes taxes, interest, depreciation and all your other expenses and deductions
While your EBIT can be a valuable tool for agency valuation, it’s also an important metric to keep an eye on to measure the success of your ongoing efforts.
In this recent Promo Republic webinar, I share industry secrets about what the high performing agencies are doing and what makes them better than the rest.
One of the key takeaways from the webinar is that high performing, successful and growing digital agencies have their finger on the pulse when it comes to their profitability and their EBIT.
Pre-pandemic, if your EBIT was greater than 20%, you were in a good position and would have been up there with fellow successful agency owners.
However since the pandemic began, (broadly speaking) digital agencies have become more profitable and have nudged the ‘Good EBIT’ score up to around 25%.
It’s important to note that while 25% is a good EBIT score, there’s still plenty of room for improvement – some high-performing agencies are boasting an EBIT between 35-44%!
Now you understand what EBIT is and what the benchmark looks like, how can you calculate the EBIT of your agency?
There are a couple of ways to calculate EBIT, and your accountant or finance team will be able to help you do so. But, in theory, you can just follow the formula below:
EBIT = Net Income – (Interest + Taxes)
Once you have your magic number, measure it against the diagram in this article and see where your agency’s EBIT ranks among the industry benchmarks.
If there’s some work to do (and remember, there’s always room for improvement) – start by reading this quick guide to profitability on purpose and address the six key steps to maximising your profitability.
Watch: Profit On Purpose (7min)
Of course, if you think you might benefit from a deeper level of support, Get In Touch with our team and chat about joining our Mastermind Groups or Coaching Programs to help you grow your digital agency and become a high performer.
When it comes to digital agencies, a high percentage of inbound leads come from prospects who are seeking a new partner after their current agency has let them down. As such, most of these ‘new’ clients are frustrated, let down and/or have had a poor experience with another agency that has underperformed and underdelivered.
The trouble with this is that as an agency owner, it can be easy to forget that your competitors do retain a ton of clients who are happy and content with their service, and as the competition, you only see and hear of the negative experiences.
And if you (and every other agency out there) only witness the bad experiences and negative sentiment, and you base your sales pitch off this, then you’re saying the exact same thing as everyone else…
So, in order to be successful in the pitch room, you need to be realistic about what clients *actually* want to be hearing from your sales pitch.
As a digital agency coach, I’ve worked with hundreds of digital marketing agencies and have witnessed thousands of pitches over the years, and when it comes to the pitch room, it seems most agencies seem to be saying the same thing.
Thanks to comments made by their competitions’ former clients, agency owners can have a warped and distorted view of what the market needs, wants and cares about when it comes to choosing a new agency partner.
If the only inbound leads we receive are from the 1% of our competitor’s clients who are dissatisfied, disgruntled and traumatised by their past agency experience — our view on the world might be a little warped and we can be tempted to think that we should differentiate our agency based on this anecdotal insight.
In reality, it’s likely the other 99% of our competitors’ clients, and any prospective clients for that matter, aren’t tainted by a negative agency experience and couldn’t care less whether you’re a “trusted advisor” or “an award-winning agency” — they just want someone who knows their product and their industry and can help them grow their business.
With this in mind, you can appreciate that building your pitch around the negativity you hear about other agencies, isn’t going to appeal to the masses, and certainly won’t make you stand out from the crowd — despite your best intentions.
Bombarding your prospects with all the same ‘differentiators’ as your competitors like “we believe in partners, not clients” or “we’re platform agnostic” will get you lost in the wash, and any clients you do land, are more likely to be the notorious red-flag, difficult-to-please ones.
So, how can you beat this?
In order to be more successful in the pitch room and win more clients, start by changing your perception of what a prospective client actually wants from an agency. By doing this, you’ll be able to offer up genuine, impactful reasons for a client to work with you, rather than the same old reasons they hear from every other agency in the pitch.
To do this, start by concentrating on specialising. Niche down your offering and tightly define your market positioning and target audience. By doing this first, you’ll understand who you are really talking to, what their broader pain points are, and how you can connect with them by detailing genuine, meaningful differences between you and your competitor.
Then, build on this foundation and follow Doug Hall’s advice to redesign your sales pitch.
Hall advises agencies to ensure their pitch does three things: 1) Demonstrates an overt business benefit to the client, 2) Includes dramatic differentiators between the competition and 3) Includes proof that they’re qualified and experienced enough to deliver on the promise. Hall’s research of over 8000 propositions discovered that the high performing agencies who pitched with this approach had an average win rate of around 53%.
*I recently put together an article detailing Doug Hall’s three-step method to improving your sales pitch and winning more clients. READ: Increase Your Win Rate By Up To 40% With Doug Hall’s Advice
At Digital Agency Coach, my team and I have helped hundreds of digital agencies achieve stratospheric growth within their business by changing the manner in which they source and convert their inbound leads.
As agency owners, anecdotal feedback from your competitors’ disgruntled clients will distort your view on what your clients actually want and need from you. Instead of pitching the genuine uniquity and benefit of what you have to offer, you align yourself with everyone else in the pitch room and try to sell exactly the same thing as all the others.
Now I’ve shared the secret, it’s time for you to avoid this common pitfall, change your view on your client’s pain points and start to grow your agency — one successful pitch at a time.
If you need support or guidance growing your agency and would like personalised, 1:1 help achieving your goals, please Get In Touch — my team of dedicated coaches and consultants would be delighted to help.
Bristol-based digital design and development agency, Unfold celebrated success on 14th October 2021, taking home the title of “Best Digital Design” at The SPARKies 2021. This was awarded for the transformational work they completed for their clients Sherpr.
The SPARKies is one of the year’s most hotly anticipated tech awards ceremonies in the South West. Since Managing Director, Harry Cobbold won ‘FutureSPARK’ back in 2019, Unfold has been nominated for several other categories (including ‘Tech Leader of the Year’ this year). The ceremony was held at The Showroom on Bath Road and was joint hosted by the TechSpark team and comedian Stephen Bailey (who had everyone in stitches).
Sherpr came to Unfold with two problems;
Unfold built a custom web app, admin portal and marketing site for Sherpr in just 10 weeks. This completely transformed their business. As well as automating all of the time-intensive back office tasks, Unfold also created an editable CMS through which the Sherpr team could update and manage their products without constant developer support.
As well as immediate savings in overheads, Sherpr were also able to process far more clients with their new reliable and automated booking system.
Following the work Unfold completed for them, Sherpr achieved their first ever 6-figure month and hit an annual run-rate of £1.2m.
“From beginning to end, the team at Unfold have been great to work with. Communication has been easy and any changes we needed to make during the build process were welcomed and perfectly executed.” – Andy Watson, CEO of Sherpr
Read more in-depth info on exactly how Unfold helped Sherpr achieve this remarkable step-change in their full case study.
If you have a project or digital platform you’d like advice on, please don’t hesitate to get in touch with the Unfold team.
Gather Round’s second co-working space is now open at 15-16 Brunswick Square, St Pauls.
Purposefully designed for creatives by creatives, the new space supports up to 90 creative professionals; inspiring creative thinkers and doers to connect, collaborate and thrive.
Gather Round is a growing family of soulful, creative workspaces, designed to foster a positive community of like-minded creative people through an open and supportive culture. Gather Round’s flagship workspace, at the Cigar Factory, Southville, opened its doors in 2018 and has since become a hub for creative minds.
The newly renovated grade II listed building in Brunswick Square, St Pauls, looks to build upon their success and expand the creative network across Bristol. The new site will house freelancers, self-employed and micro-businesses, from the surrounding areas of St Pauls, Montpelier, Easton, St. George, Kingsdown, and beyond.
Nestled in the heart of the vibrant St Pauls, the neighbourhood is renowned for its heritage and cultural significance, as well as thriving community spirit. Founders Ben Steers and Jason Smith hope to mirror this ethos within Gather Round’s doors.
“Good culture comes from great people. We’re conscious about the kind of people and businesses that share our spaces; we look for ambitious individuals and companies that share our values of creativity, community, culture, character, kindness and integrity. – Jason Smith, Co-Founder of Gather Round.
The Georgian terrace has been carefully considered to work for the diverse needs of the creative community. It boasts flexible areas with fixed and casual desks, a private 5-6 person studio, meeting rooms, hang-out areas, communal kitchen tables and quiet areas for thinking. It also has a dedicated public event space with room for 50-60 person events.
Membership options are flexible and transparent, with no hidden extras or nasty surprises. Whilst none of the memberships have lengthy tie ins, signing up to a co-working space can feel daunting. This is why – for a limited time only, they’re offering the chance to check out the new space for yourself with a free day pass. Click here to get your free pass.
JonesMillbank, Bristol-based video production company, have been appointed by VisitBritain/VisitEngland to their marketing production services framework.
The multi-supplier framework is made of 190 creatives across 8 lots spanning disciplines such as research, photography, editing, casting, styling, illustration and copywriting.
JonesMillbank are one of 15 suppliers appointed as video production professionals, requiring a proven experience of managing small to large scale video briefs that require a detailed level of planning, casting, producing and production.
The framework will be an enabler of VisitBritain/VisitEngland’s strategy to “make tourism one of the most successful and productive sectors for the UK economy.”
“Like many video production companies we’re passionate about travel and tourism, not just because it’s a privilege to travel with our work, but because of the real impact and influence our films can have on destinations and their audiences” said Russell Jones, Co-Founder at JonesMillbank.
“We already travel across the UK with our work – we’ve literally filmed in all four corners – and so to be appointed by VisitBritain/VisitEngland as one of a select few video production companies is a fantastic opportunity to show off what the UK has to offer to a global audience, particularly as a rebound following COVID-19.”
Running for an initial period of 1-4 years, the framework will be accessed by VisitBritain/VisitEngland staff and partners, and follows JonesMillbank’s work with VisitBristol and other independent travel brands.
***
JonesMillbank are a passionate full-service video production company
They work exclusively in-house with a talented team of multi-disciplined creatives, all the while telling authentic stories long before it was cool for a range of clients such as University of Bristol, Battersea, The Royal Mint and IDLES.
jonesmillbank.com
01173706372
[email protected]
Partnerships with TVPlayer and NetGem build momentum for Go See TV innovative interactive tech for content creators, streaming platforms and ad networks
LOS ANGELES – SEPTEMBER 1 – Go See TV’s mission to revolutionise the way consumers engage with and view content on television and mobile devices has taken leaps forward through recent partnerships with global platform providers including major connected TV platforms such as TVPlayer and NetGem, the company announced today.
Content creators, streaming platforms and advertising networks are using GSTV’s interactive technology to increase viewer engagement and accelerate revenue over streaming devices. In an increasingly mobile-first world, GSTV makes it easy for partners to have multi-screen e-commerce interactivity across platforms including Free Ad Supported Television, IPTV, OTT, streaming networks and social content platforms.
“We are lifelong content creators, so we’re sensitive to the challenges of maintaining creative integrity while leveraging modern monetisation and content consumption opportunities,” said CEO David Greener. “GSTV and our proprietary iCON technology transforms how brand, platform and syndication partners distribute and monetise content.”
Greener noted that GSTV has closed recent deals with major platforms including TVPlayer and NetGem reaching more than 20 million active devices. GSTV has also inked agreements with a growing list of content creators and brands such as The Film Detective, Lonestar and Sportsgrid.
Go See TV is in discussions with dozens of content creators and additional global platforms and anticipates launching 10-plus channels by Q3 2021 and expects to surpass 50 million active devices by the end of 2021.
Greener says the company’s growth and momentum comes from the growing market interest in the iCON platform, which provides a one-stop-shop to manage, distribute and monetise your content.
ENDS
About Go See TV
Go See TV (GSTV) is revolutionising the ways in which audiences engage with and consume content. Harnessing the power of storytelling in more ways than one, Go See TV offers creators, brands, platforms and agencies new revenue and monetisation opportunities while delivering a seamless and highly interactive experience for viewers across multiple devices. Our interactive platform is built for today and tomorrow’s streaming universe and multiscreen consumers. We transform traditional TV advertising into engaging content and mobile-ready e-commerce activity across Free Ad Supported Television, IPTV, OTT, streaming networks and social content platforms.
Join us on Thursday 21st October for a lunchtime Keynote with marketing veteran Anne Thistleton.
We all know that our mind governs the way we see, understand and interact with the world. But until recently we didn’t know how we actually processed all of the incoming data to make sense of the world. Instead, we learned to accept the fact that sometimes we made useful connections and sometimes not.
With the invention of brain scanners in the 1980s and their extensive use for that past several decades, experts have now gained insight into how our mind truly works, how we process information and how we make decisions. Consequently, new marketing concepts from Neuroscience, Behavioural Economics, Neuromarketing, etc. are becoming plentiful. And books, articles, videos, talks, blogs, even neuromarketing consulting and research companies abound. But very few are explaining the basics in simple terms, and very few are clear on the implications for us. What should I do tomorrow to apply this new knowledge to deliver better impact and results for my clients?
Tickets are priced at £30+VAT for BCI members and £45+VAT for non-members.
Anne Thistleton is the Founding Partner of LIGHT Consulting and has spent over twenty years as a Marketing Practitioner in the field of Mind Science. While leading strategy for The Coca-Cola Company in South Africa, she pioneered this work to first re-vitalise relationships (and the business) in the South Africa townships then to provide the foundation to the Open Happiness campaign. Since then, she has worked across the world and across industries, developing specific marketing-focused Mind Science applications, and then testing and improving them with multi-national companies, advertising agencies, foundations, even political parties.
Over the years, Anne has worked with many of the world’s leading cognitive psychologists, neuroscientists and behavioural economists all focused on what does it mean to marketers and creatives, and how can we apply it now. By using her expansive marketing experience, she has been able to identify and make practical the most relevant and valuable aspects of Mind Science for consumer and B2B marketers.