We are excited to announce the official launch of HeyFlow.
HeyFlow is here to help businesses understand the female workforce better, equipping managers with the confidence, practical skills and knowledge that will reduce absenteeism and increase the retention and attraction of women, at all stages of their career.
It is widely recognised that women are leaving the workforce, absenteeism is increasing and there are significant skills shortages across multiple industries in the UK. The link between absenteeism, attraction and retention of women in the workplace directly links to the understanding the impact of female reproductive health in the workplace.
That’s where HeyFlow comes in. An insight-driven data surveying and L&D tool that empowers businesses to build a truly inclusive company by understanding the impact of female reproductive health in the workplace, identifying and implementing management development opportunities and policy advancement.
With the combined expertise of the Founder of not-for-profit MotherBoard, Sophie Creese, Nick Dean, CEO of ADLIB / B Corp Ambassador, and Sabrina Walls, Marketing Director of ADLIB / Marketing Lead of MotherBoard, the Co-Founders of HeyFlow have intricate knowledge of how purpose, understanding and knowledge can drive positive change for businesses, driving significantly improved retention, attraction and absenteeism levels.
HeyFlow has been created to provide a solution for all businesses. From a management introduction to the female reproductive cycle and its potential impact in the workplace, through detailed employee surveying and coaching on periods, pregnancy, maternity and menopause (amongst much more).
HeyFlow provides unrivalled insight into a company’s female workforce and provides understanding of the gap between feeling and policy. Through our insight surveying we provide clear actionable solutions and offer consultancy and training to upskill employees to better support their teams.
Our starting product focuses on cisgender females, our roadmap progresses into a much wider employee community where there is an essential need to understand underrepresented people.
We’re looking forward to being part of a solution that is much needed by businesses and women alike.
BrisTechTonic had the unique opportunity to sponsor the Walk for Winston’s Wish Black Tie Ball in March 2023, an event put on by family members to benefit the wonderful Winston’s Wish organisation.
10 years ago Olivia and Harvey lost their mum, and Russell his wife – Caroline.
For the past ten years in March, Olivia, Harvey, and Russell have planned a yearly walk in support of the organisation called Walk for Winston’s Wish. The family wanted to bring the neighbourhood together to recognise and celebrate Winston’s Wish while also wanting to collect some money for them. Winston’s Wish gave the family vital assistance after their loss.
A UK-based organisation called Winston’s Wish helps kids who have lost a loved one or are going through a similar situation. The nonprofit organisation was established in 1992 to support grieving children, teenagers, and their families.
Winston’s Wish is aware of how traumatising and challenging it may be for kids to lose a loved one. To assist kids and their families in overcoming their sorrow and accepting their loss, they provide a variety of programmes and support.
Bereavement support is one of the main services provided by Winston’s Wish. The nonprofit organisation has a group of specialised practitioners that work with kids and teenagers to better understand and cope with their sorrow. Individual counselling, group therapy, and family support are a few examples of this.
Winston’s Wish also provides families with practical assistance, such as suggestions on how to talk to kids about death, details on legal and financial issues, and instructions on how to organise a funeral or memorial ceremony.
In addition to these services, Winston’s Wish also undertakes a number of projects and programmes to help encourage good mourning practises and increase awareness of the needs of grieving kids. These include research on the effects of loss on children and young people, community outreach initiatives, and training for professionals who work with children.
Winston’s Wish understands that every child’s experience with sorrow is different, and they cater their support to each child’s and family’s specific needs. The organisation has a kid-centred approach, which means they prioritise putting the needs and desires of the child at the centre of their assistance.
In general, Winston’s Wish is an essential resource for kids and families mourning a loved one. Through the charity’s services and support, families and children can find a way to get through the tough process of grieving and move on with their lives.
To commemorate their fundraising for Winston’s Wish’s tenth anniversary, Olivia, Harvey, and Russell hosted a Black Tie event. Attendees had a great time dancing, seeing entertainment, and raising money at the event, which was a major success.
Olivia and her companion undertook an amazing journey from Amsterdam to London while running 10 marathons in 10 days as a way to mark the event. Their efforts demonstrated that anything is possible with tenacity and endurance and helped generate awareness and money for Winston’s Wish. Some of what they did is visible on their Instagram feed.
The wonderful venue Moor Park Golf Club put on a visually stunning show for the evening, and BrisTechTonic was happy to sponsor the event.
Through Olivia’s efforts, this event raises nearly £15,000, bringing the campaign’s overall fundraising total to £45,000 over a ten-year period.
A memorable evening was had at the Black Tie Ball. Delicious canapés were provided throughout the evening, and a live band entertained guests with a mix of timeless songs and modern favourites.
Additionally, some of the event’s organisers and Winston’s Wish representatives gave speeches during which they discussed the impact of their organisation and the value of helping kids who are grieving.
However, it wasn’t all serious; there was also a lot of joy, laughter, and dancing. The occasion provided attendees with a chance to mingle, commemorate the fundraising efforts’ tenth anniversary, and express their support for Winston’s Wish.
The legacy Olivia left behind during her 10-day trip from Amsterdam to London was one of the evening’s highlights. Her extraordinary adventure promoted Winston’s Wish, raised money for it, and demonstrated that anything is possible if you work hard and persist. Her trek will live on in the form of inspiration and motivation for others to donate to this vital cause.
The celebration of community, generosity, and the importance of giving back was fantastic.
By using the following link, https://justgiving.com/fundraising/10in10for10walk you can make a direct donation to Winston’s Wish and assist them in continuing their vital work.
At BrisTechTonic, we value giving back to the community and assisting worthwhile causes. We are honoured to have participated in this unique event and anticipate providing Winston’s Wish with further support in the future.
Armadillo Press Release published 12/04/23
Armadillo has opened the doors of its brand-new office in The Distillery, Bristol. The bespoke office space was carefully designed with Armadillo’s hybrid model in mind, creating an environment for flexibility and meeting the key drivers of collaboration, culture, and care.
After two years of carefully researching, consulting, and planning, Armadillo has created a space that is designed to suit different ways of working as well as the needs of employees. Walls have been kept to a minimum to allow Armadillo to evolve their use of the space over time as they test, learn and optimise their approach – but as there’s always a need for a video call, there are a few walls to create light, bright meeting rooms.
The vibrant office incorporates an open plan kitchen that converts easily into a social, event space with a pool table, the expected desks set up ready for use, increased collaborative project spaces, different seating types and configurations, and a wellbeing/prayer room. Plus, a library wing provides a dedicated quiet area for head-down work with no interruptions.
As part of bringing teams back to the office, complimentary lunch is provided three days a week and a variety of social activities are planned to bring the team together and continue to foster creative collaboration.
James Ray, Armadillo’s CEO, said “Our aim with this new space was to provide the best of both worlds, where people always have the best environment for the best work when in the office on some days at home on others. We started with a blank sheet of paper and, following extensive research within the team, industry and beyond, have designed a space that will work for the needs of the business now and in future.”
Hannah Waters, Executive Creative Director added “We chose the striking building for its bold, elegant features. We’ve balanced the beautiful internal concrete feature walls with our range of cool greys and warm vibrant oranges to ensure that, even on the rainiest day or after a challenging commute, our employees can be met with a positive palette and welcoming furniture.”
A launch event will be held at the new offices in April. Employees and guests are invited to explore the new space and learn how Armadillo will use it to continue to deliver exceptional, cutting-edge work for its clients.
The leadership team at Armadillo worked with employees to develop a hybrid space and policy that best fit them. As well as external research among agency peers, one-to-one interviews were held with every employee at Armadillo and feedback was used to create a strategy that can evolve and develop as it’s tested and evaluated over time.
Sustainability plays a key part in the design of The Distillery building, with features including rooftop mounted solar panels, intelligent LED lighting, water saving technology and an important emphasis on creating a healthy environment.
To demonstrate this, it has achieved a BREEAM Excellent accreditation, and an EPC Grade A rating and a Platinum and Gold Certified Wire Score, each of which is a globally-recognised symbol of sustainable achievement.
Mentor Digital has announced the appointment of Dan Watt as its new Digital Marketing Director.
Dan brings a wealth of experience to the Mentor Digital team, having previously worked as a Senior Strategist at Google and Managing Partner at McCann. In these roles, he was responsible for developing and implementing digital marketing strategies for some of the world’s largest brands.
At Mentor Digital, Dan will be responsible for leading digital marketing services and driving growth for new and existing clients. He will also play a key role in developing and executing the overall business strategy for Mentor moving forwards.
Under Dan’s leadership, the digital marketing services at Mentor Digital will increase in scope to become a holistic offering, encompassing all elements of paid digital media, SEO and analytics.
Dan’s team is equipped to provide consultancy across the entire spectrum of digital media: from initial auditing, planning and forecasting through to campaign delivery across paid search, social and display platforms, alongside technical SEO, content strategy and production. As well as paid media and SEO, the team also offers end-to-end analytics services, from auditing and scoping tracking requirements through to tag implementation, data visualisation and reporting.
Dan is a highly skilled and experienced digital marketing professional, and the team at Mentor is thrilled to have him on board. His expertise and leadership will be invaluable as they continue to expand and grow their business over the coming years.
If you would like to get in touch regarding any digital marketing projects, you can fill out a contact form here or call into their Bristol-based office on 0117 305 8900.
You can visit Mentor’s website here: https://www.mentordigital.co.uk/
Nine Tree Studios, a brand new 10,000sq ft film, television and commercial production studio, has opened in Bristol.
The studios are now Bristol’s largest independent film and television facility, with the venture being backed by JonesMillbank, Bristol-based video production company.
The studios will support Bristol’s creative industries as well as attracting talent and productions from further afield, fuelling Bristol’s existing draw for film, television and commercial productions.
The facility is being launched in phases. Phase one encompasses a versatile production space with attached offices, suitable for a range of dry hire and set build requirements, as well as events and photography, with significant parking for cars, vans and trailers.
Phase two will see the build and fit-out of a state-of-the-art production facility encompassing a 2,600sq ft primary soundstage, two smaller 300sq ft studios, grading suites, wardrobe, sound facilities, and expanded office and meeting space, all housed in a Class-A soundproofed facility.
Located in Brislington (BS4), the studios are perched near the centre of Bristol, servicing productions mixing studio and on-location filming in the region.
The facility will also become home to JonesMillbank, allowing productions to be supported by crew and creatives, whilst bolstering their own in-house production capabilities and resources.
“This is an incredibly exciting chapter in our history. We’ve been based in Bristol for 12 years, steadily growing our team, portfolio and clients, but this represents a huge leap forward and an incredibly exciting development for the region too” said Russell Jones, Co-Founder of Nine Tree Studios and JonesMillbank.
“We’ve already secured funding to develop and expand the space, helping to support not only our own productions but the wider creative community too”.
Adam Millbank, Co-Founder of Nine Tree Studios and JonesMillbank, added that “the continued growth in productions across our region is wonderful. I’ve been blown away by the diverse talent here. It feels fantastic to know we’ll be part of such a dynamic industry, celebrating all the region has to offer.”
The expansion will allow for the creation of numerous jobs, including technicians, crew, studio managers and marketeers, whilst allowing for the provision of work experience and placements.
Phase one has launched, with phase two aiming for 2023 Q3, pending existing bookings.
For booking and press enquiries please visit www.ninetreestudios.co.uk, call 0117 3706 372, or email [email protected].
Working with an SEO specialist can completely transform your company. You may forge a potent alliance that propels your online presence and boosts your exposure by fusing your understanding of the market with their expertise in search engine optimisation. Continue reading to learn more about how to manage this collaboration through effective communication, goal-setting, project management, and other techniques.
Understanding the extent of an SEO consultant’s or expert’s obligations is crucial for maximising your partnership and getting the most out of your collaboration. You can anticipate an SEO specialist to handle the following tasks:
To get the most out of your engagement with an SEO specialist, a solid base must be in place. You should collaborate to enhance a few SEO-related factors before implementing any new SEO methods. They consist of:
Effective communication will always be the foundation of any successful cooperation. There are various things you can do while working with an SEO specialist from Core Web Vitals to develop and maintain open communication and promote future success:
Setting up specific objectives from the beginning will guarantee that all sides are on the same page and pursuing the same aims. There are a few important factors to take into account before beginning to engage with an SEO expert for your business:
By ensuring that they have access to all the tools and data they require, you can help your SEO consultant or expert perform their task at its highest level. Offer these to them:
Mutual trust and respect should be the foundation of any successful relationship between your business and an SEO consultant, expert, or agency. You may promote a culture of cooperation and collaborate more effectively in a number of ways, including:
Your SEO approach will stay current and efficient if it is often evaluated. Any reputable SEO consultant will inform you that SEO is dynamic and constantly evolving, so it is important to check in frequently to make sure the techniques you have in place are still effective for your company. Think about the following:
As was already mentioned, SEO is a field that is always changing. It’s critical to keep up with the most recent business trends and best practises in addition to updating your strategies. As it is their job to stay current on SEO, your SEO specialist will be able to share the most recent information with you. Here is where the effective communication discussed earlier will come in handy. You can also:
Successful SEO usually involves a long-term commitment and strategy, which takes time. By performing the following, you may maximise the advantages of your collaboration with an SEO expert:
Partnering with an SEO specialist can help you and your company gain access to new contacts and prospects within the sector. You may take advantage of your SEO expert’s network in a number of ways, including:
For SEO to be successful, content is essential. In order to optimise your content strategy, work with your SEO professional by:
Your collaboration with an SEO specialist should always be ready to evolve as circumstances change. By working with an SEO consultant or specialist, you can embrace change in a variety of ways, including:
Working together to develop the best SEO techniques can help you and an SEO specialist ensure that your website is not only optimised for search engines but also stays on the cutting edge of SEO.
Want to learn more about SEO? Check out the services Bristechtonic Bristol SEO Company have to offer
Each year P+S hosts the South West Design + Digital Student Awards.
The Design Awards were launched by Roger Proctor MBE, Founder and Chairman of Proctor + Stevenson, as part of an ongoing campaign to tackle the way institutions approach design education. Roger wanted to give students the opportunity to stretch their creative talents beyond academia. He recognised the need for hands-on industry experience and commercial briefs. But he also noticed a frustrating lack of creative recognition outside of London, which is why he chose to celebrate talent specifically in the South West of England.
For final-year university students, the SWDDS Awards offer unparalleled opportunities – industry exposure, advice from an expert panel of judges, and valuable creative connections.
Last year Jessica Stiddard, a graphic design student from the University of Gloucestershire, was one of our top 10 finalists with 24 Karat Coffee – a sustainable and ethically sourced coffee branding project.
Jess has gone on to become Junior Creative at Dyson. We sat down with Jess to find out what she’s been up to since the South West Design + Digital Student Awards 2022.
So, how did you find out about the South West Design + Digital Student Awards?
As part of our course, one module included submitting our work to a design award. Our lecturer presented a selection of opportunities to choose from, and she had mentioned the South West Design + Digital Student Awards.
I had also heard about a previous graphic design student from the University of Gloucestershire who had won the SWDDS Awards and the opportunities that followed for her.
What project did you enter, and what category did that fall under?
I entered my third-year brand identity and packaging project for an ethical coffee brand 24 Karat Coffee, which was on a mission to make coffee better. The brief was set by Bulletproof – a design agency in London.
I entered it into the Graphic Design category, and the fact there is no brief meant I was able to enter work I had already completed, which made it a lot easier for me to enter the Design Awards alongside my university deadlines.
Since entering the Design Awards, what have you been up to?
After the awards, I graduated with a First Class Honours and had a one-month apprenticeship with Bristol agency Outlaw, where I worked alongside Emma Proven, winner of the 2019 South West Design + Digital Student Awards.
“…I have now been working at Dyson in Malmesbury for 4 months and I’m loving every minute…”
I then went on to work at Dyson as a Junior Creative. I had been in contact with Chris Roberts, Creative Director at Dyson and judge at the SWDDS Awards, who offered me the role. I have now been working at Dyson in Malmesbury for 4 months and I’m loving every minute.
That’s fantastic! Knowing what you know now, do you have any advice for people thinking about entering the South West Design + Digital Student Awards themselves?
My advice to someone entering the awards would be: just throw yourself into every opportunity you’re given. It can lead to amazing opportunities and achievements! If I hadn’t entered the awards, I wouldn’t be where I am today. It has opened many doors for me, including my internship with Outlaw and my full-time role at Dyson.
“…if I hadn’t entered the awards, I wouldn’t be where I am today…”
What was your overall experience with the Design Awards like?
My experience at the awards was great. I had an interview where I had to present my project and my portfolio to a judging panel, which meant my work was seen by some utterly amazing judges. Even though it could have been a nerve-wracking experience, they made me feel so comfortable.
The ceremony was also great. I got the opportunity to meet other creative students who had entered their work, as well as industry professionals that Proctor + Stevenson had invited. They gave me good advice for my first steps into the creative industry.
The South West Design + Digital Student Awards is back for 2023
Think you could be one of this year’s finalists?
If Jessica’s experience has inspired you to enter, what are you waiting for?
If you’re a third-year university student in the South West of England, get your best projects in Graphic Design, Digital Design and Motion and AR (Augmented Reality) ready.
Whether it is a bold new app, a dynamic branding campaign, or an artistic animation, we want to see it.
Find out more and enter now.
Catherine Frankpitt has a 20+ year career working in PR and communications. In 2020, she decided to launch her own business. Strike Communications works with organisations that are doing something positive in the world, such as delivering education, creating cultural opportunities and supporting disadvantaged communities.
Catherine launched her business just a few weeks before the start of the first coronavirus pandemic lockdown. A year into her entrepreneurial venture, she joined Bristol Creative Industries.
She tells Dan Martin about starting a business during the pandemic, how it has grown and the benefits of being part of the BCI community.
“I started out at the Mail on Sunday’s You Magazine as a 21-year-old. They had regular features called ‘My Last Good Read’ and ‘My Last Good Buy’. I phoned up celebrities to interview them. I spoke to Lloyd Grossman, Carol Smillie, Ulrika Jonnson and others
“I had a media degree and didn’t know exactly what I wanted to do although I knew it was on the editorial side of things. At the magazine most of the stories were coming from press releases and the copy was just rewritten. I decided that I wanted to go into PR because they were the ones actually having the fun writing the stories and coming up with the ideas.”
“While working at a big agency, the clients that I was really interested in were the likes of charities who had lean in house teams and were not able to maximise the opportunity to do bigger and better things, reach more people and get more funding etc because they hadn’t got the capacity and resources to do it. They need the support, but can’t afford the bigger agency fees.
“I’m motivated by working on communications that I think people need to know about. I work on a lot of causes, charities and culture where the comms plays more of a role than just selling. It’s not just a transactional thing. It’s reaching people that benefit from knowing about it.
“That’s why I decided to set up Strike Communications, to provide a full service agency offering but keep the costs leaner than a bigger agency.”
“I was director of communications at UWE. There are some brilliant people doing great things at the university, but while managing a big team, I missed being hands-on. I like to get stuck in and ask ‘what’s the problem?’, ‘what are the objectives?’, ‘let’s get creative’.
“I wanted to do my own thing so I went from running a department with 85 staff to running a business on my own during lockdown in my spare room!
“I’ve been a single parent with a single income for a while and I’ve always been careful with money. I took out a loan in advance of starting the business just in case something went wrong. That was the best decision I could have made. I very quickly needed it because I launched the business with two anchor clients but within a few weeks of lockdown, everybody went insular.
“It was scary to start with because I didn’t qualify for any of the support that the government introduced. All of my network was in Bristol and that’s where I had planned the work to come from but I had to rethink the plan and widen my reach.
“Eight weeks or so into the first lockdown people started realising that they needed to communicate more than ever. A previous boss once said to me that in a crisis, the first thing to go is the comms and marketing and the first thing to come back is the comms and marketing. She was absolutely right.
“Suddenly people were knocking on the door and saying they needed extra support. I worked with two London universities because their comms teams were so busy doing internal activities and keeping the students informed.
“My networks changed almost overnight and I teamed up with people in the same situation. My experience during lockdown shaped the business in a way that I didn’t expect. We were working with organisations in Devon, Basingstoke and London which we probably wouldn’t have done without the pandemic and everyone being online.”
“There are now three of us full time and two associates who work with us regularly plus a few others we bring in as required.
“In March, we celebrated our third birthday and appointed Scott Fletcher as our new creative director.
“I got some advice from a business coach who said in year one, you do anything for anybody. Year two, you start working out the things that you don’t want to do. Year three, you work out who you are. That’s absolutely what I’ve found.
“In terms of reasons for success, I’ve got a really good network because I’ve worked with a lot of organisations and that has been really helpful.
“Also, I very much operate on gut instinct and my idea for the sorts of organisations that I wanted to work with that I thought needed the help at a certain price point has proven to be true. Whether it’s dealing with COVID-19 or the cost of living crisis, there is always a need for support at a certain level and a certain price. While there are plenty of creative people in Bristol we have created our own niche.
“I find it very hard to do anything other than be honest and transparent. I have strong values and the people that work with us, whether it’s staff or clients, buy into those values. People look at how we talk about ourselves and see that we’re authentic. There’s an appeal to that. There are certain organisations that we just wouldn’t work with because it wouldn’t be right for us. There are others that we really care about and want to help.”
“It’s important to be part of an organisation that is championing your sector, listening and supporting you. It’s also very useful for learning, networking and meeting people.
“I love the Friday morning Wake Up Call webinars with bite-sized advice. The members’ lunches have also been very helpful and I’ve made interesting connections. You can’t underestimate the importance of peer-to-peer support and solidarity, particularly for the founders of smaller businesses like mine. By talking to others, it makes it feel less overwhelming and less of a lonely place.
“The Bristol Creative Industries jobs board has been really useful when recruiting.”
Watching Wake Up Call webinars, attending free member lunches and unlimited job postings are some of the benefits of Bristol Creative Industries membership. Find out more.
“You need to know what it is that you’re trying to achieve, who it is that’s going to help you get there, what they are going to be interested in hearing to help you get there and where you will find them. Your comms should frame around that.
“People get really bogged down by saying things like ‘we need to be on TikTok’ and ‘we need to be on Twitter’ but they are being led by the activity. You should take a strategic approach and know what you are trying to achieve and how the comms can support you to get there. It’s about working out who your audiences, stakeholders or customers are and where they are, whether that’s online, the media they read or where you can physically find them.”
Fancy joining Catherine Frankpitt as a Bristol Creative Industries member? Benefit from industry expertise, training, leads, curated news, kudos and more. Sign up here.
We all know that the shorter working week has had proven success in other countries. 86% of Iceland’s workforce, for example, have either moved to a shorter working week or have the right to request shorter hours. So as Bristol tentatively dips its toe into the sea of change with a pilot scheme rolling out across businesses in the city, here we are five years into our four-day working week with some (hopefully) helpful reflections.
Why did we do it?
Life is short and we want it to be excellent. Every bit of it. We’ve found that since allowing more space for our brains to process, stray, absorb and even rest (what a thought, we know) this has enabled better ideas to flow, calmer attitudes to influence the team and ultimately a higher level of productivity during the time spent at our desks. Don’t get us wrong, we believe in working hard to deliver excellent, refined work – the only difference is that we think it can be achieved successfully within four days. No extra hours, just four normal days.
How does it work for our clients?
From a client’s perspective, you wouldn’t know any different. At the start of every project we create a timeline that our clients are happy with and that’s the timeline that we work to. Emails are answered from Monday to Thursday and we’re here to chat over the phone on any of those days too!
How does it work for the team?
Every team member works the same four days which allows for collaboration and efficiency. What each team member does on Fridays is completely up to them. And then after a year of working for Studio Floc, all staff get paid the equivalent of a five-day working week for just four days. It’s our way of saying thank you for the hard work that everyone puts in.
A win-win
Excellence can be achieved in so many ways. For us, a four-day working week helps us accomplish this – and we don’t just mean in the workplace – but in every aspect of our lives. we would consider that a win-win.
Driven by purpose, we use creativity to enable the makers, equip the innovators and empower the world-changers. We specialise in branding, print and digital design.
Have questions about our four-day working week? Looking for help with branding, print or digital design work? Let’s chat! Get in touch at [email protected]
The iconic free family event of the summer, Bristol Harbour Festival returns from 14th – 16th July 2023, with newly imagined entertainment zones, Circus Playground moving to College Green and an inclusive water programme that celebrates the city’s harbour.
On Wednesday morning, organisers launched the return of the 2023 event with Mayor Marvin Rees and aspiring artists from Access Creative College.
For the launch, 18-year-old singer-songwriter and multi-instrumentalist Madara Plusa performed Massive Attack’s Teardrop, accompanied by 17-year-old guitarist, Jack Isgrove.
The performers were also joined by fellow students 21-year-old Shaye Stewart, a gospel musician, pianist, and producer currently studying Access’ Artist Development course, and 18-year-old DJ Fitz, a music producer and DJ studying Music Production.
Attracting over 250,000 visitors to enjoy over one mile of entertainment, the festival will feature a huge range of local talent, world-class circus, music acts and on the water activity from cardboard boat races to high octane jetpack stunts.
With five areas filled with music and entertainment, Bristol Harbour Festival fans can look forward to five performance platforms, bringing beats, boats and backflips to the summer extravaganza. Cirque Bijou will once again be bringing tricks and trapeze, children’s entertainment and pop-up performances at the Circus Playground which will now take pride of place at a brand-new city green space, College Green.
The Jelli Shack will take over Millenium Square, providing chill-out beach-bar vibes with an acoustic programme brought to you by the team at Jelli Records. Featuring an abundance of Bristol talent, the Jelli Shack will also have dodgems and refreshments, making this a ultimate spot to bask in the sunshine.
The Amphitheatre will become a great spot to enjoy a bite from the Food Court with music from Access Creative College, Ujima Radio and BCFM Radio as it becomes Harbour View. The perfect place to promenade alongside moored vessels and look out onto the stunning setting of Bristol’s floating harbour. It’s time to pull up a picnic bench and soak up the summer vibes.
On the Water entertainment will return to the Harbour Festival, bringing the water at the heart of our city to life with activities showcasing maritime magic from jet ski stunts to the iconic Pyrounaut showing off its skills.
Bristol’s Georgian Queen Square will transform into the Music Quarter; curated by Harbour Festival programming legend, Tony Benjamin. This space will kick start the festival on Friday night and will also feature the brightest talent from Access Creative College alongside established acts.
The festival has opened its annual Expression of Interest for those wanting to perform and get involved with the festival this year, hoping to attract the newest and coolest into the festival from all over corners of the city once again. With a large number of performers coming through the EOI form last year, applications are open to everyone and anyone looking to share their talent.
Access Ceative College has been providing creative education in Bristol for more than 20 years, offering full-time vocational courses in music, events, games design, computing, Esports, graphic design, film, and photography.
The college has a strong focus on diversity and inclusion, ensuring students, irrespective of background, successfully develop the knowledge, skills, and behaviours to thrive in the creative and sporting sectors.
Achievement rates are above national benchmarks and progression to higher education from socially disadvantaged backgrounds are double the nation average.
Bristol Harbour Festival’s new and reformed festival is brought to the city by Bristol City Council. The Circus Playground is supported and funded by the High Street Recovery Fund.
To keep up to date with all Harbour Festival news and updates, follow them on Facebook, Instagram and Twitter or visit the website.
ENDS
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