Design Archives | Bristol Creative Industries

The initiative combines a structured business accelerator with a unique creative placement scheme, providing practical tools and structured support to drive sustainable growth across the city’s thriving music scene.

Why Two Step Matters

The Two Step Programme addresses two significant challenges in the city’s creative sector. Currently, 60% of UK startups fold within their first five years (Forbes, 2024), while only 1 in 10 UK workers in the creative industry come from working-class backgrounds (The Guardian, 2024). By providing targeted resources for music businesses and opportunities for early-career creatives, the initiative seeks to help participants overcome these barriers, equipping them with the skills and connections needed for long-term success.

For Rhombus Studio, this project was more than just a branding opportunity, it was a chance to give back to the creative community that helped shape the studio’s journey. With the founders’ deep roots in Bristol’s music scene and a passion for supporting grassroots initiatives, the collaboration felt like a natural fit.

The studio aimed to create a visual identity that not only captured the essence of Noods Levels’ DIY spirit but also provided a professional, flexible design suited to the programme’s potential growth beyond the music sector.

Crafting the Visual Identity

The brief called for a bold, simple, and flexible brand that could resonate with both businesses and individuals. The design needed to reflect Two Step’s dual mission: supporting local businesses while fostering creativity among young talent.

Colour was key in shaping the visual identity, crafting a vibrant palette with limes and oranges to symbolise creativity and optimism for young creatives, while blue and purple represent collaboration and innovation for businesses. This energetic palette was paired with bold, chunky typography that delivers a clear, impactful message while maintaining a friendly tone.

At the heart of the visual identity is the ‘two-step’ frame, which became the focal point of the brand. It symbolises the programme’s twofold mission: supporting local music businesses while creating pathways for new creative voices from diverse backgrounds. The frame serves as a flexible design element, adaptable across various formats from digital assets to printed materials.

A Bold Identity for a Promising Future

The final visual identity is bold, clean, and perfectly aligned with Two Step’s mission. It speaks to both businesses and creatives while leaving space for the programme to grow into new areas. Rhombus Studio is honoured to have played a role in an initiative that strengthens Bristol’s music community and creates meaningful opportunities for the next generation.

She shares her journey into accessibility, the role inclusion plays in her work, and how small design changes can make a big impact. Samantha also offers practical advice for designers looking to create more accessible experiences and highlights key resources to stay ahead in inclusive design.

Can you please introduce yourself, what you do and tell us about your experience?

Hi there, my name is Samantha Merrett, and I am a Senior Accessibility Specialist working at the Ministry of Justice (MoJ). I have been at the MoJ for nearly a year now and I have worked in the Civil Service for more than 8 years.

Before joining the team at the MoJ, I was Accessibility Lead at the Food Standards Agency and GOV.UK Managing Editor at the Ministry of Defence (MoD). Whilst working at the MoD, I managed a small team of editors editing and publishing content on GOV.UK. The introduction of the Public Sector Bodies Accessibility Regulations (PSBAR) in 2018 required us to upskill quickly to understand how to ensure our content was accessible.

However, there was one specific moment that made me realise that accessibility was the career for me! I spent time working on the Armed Forces Pension forms to try and make them more user-friendly and accessible. We ran focus groups with users to understand the problem areas and then worked to fix the issues. We then presented the improved forms back to the focus group and the attendees was so thankful that they could now independently claim for their pension.

It was that moment for me that made me realise how important accessibility is. I might have only helped one person in that room but that was enough for me! What we do matters and it can have a profound impact on the users that we serve.

How important is accessibility and inclusion to your work?

For me accessibility and inclusion go hand in hand, if we make things more accessible, they should be more inclusive for all. In my current role, we encourage all colleagues to consider accessibility from the start, whether you work in design creating digital products or write emails and documents, accessibility should be front and centre.

Adding accessibility in at the beginning makes it much easier to ensure the final product or design is accessible. Addressing accessibility early in the design process is more cost-effective than retrofitting a product later.

Designing for accessibility can lead to innovative solutions that benefit all users. For example, adding captions to videos benefits not only those with hearing impairments but also for users in noisy environments.

Fundamentally, accessible design can enhance usability for everyone not just those with disabilities. This promotes equal access and prevents exclusion.

How are you promoting inclusive design through your work and what are some of the challenges you’ve faced?

Promoting inclusive design is a core aspect of my work. I strive to ensure that the information and tools I provide are accessible to everyone. This involves using clear and concise language, offering alternative text for images and ensuring all interactive elements are keyboard accessible. I also never stop learning; I continuously keep up to date with standards and best practices to provide the most relevant and effective support to my colleagues.

One of the main challenges I face is designing visually engaging content whilst making it accessible. I like to ensure that complex topics are explained in an understandable way. Infographics and visuals are often avoided when it comes to accessibility, but this overlooks the benefit they can provide for those who are visual learners or neurodivergent. If graphics are designed using the appropriate colour contrast, accessible font types and use clear and consistent layouts they should be accessible to users. Of course, to make the content accessible you must also provide an appropriate, equivalent text version of the content so users can read through the text if they prefer.

What are 2 tips you’d share to other designers trying to design in a more accessible way?

First, you need to understand your users. Take the time to learn about the different ways people with disabilities interact with digital products. This might include using screen readers, keyboard navigation or using voice commands. Talk to people with access needs about their experiences, specifically in the area that you are working in. It is important to truly understand your users and acknowledge that not everyone’s experience is the same. We are all individuals with our own needs and preferences, and we all deserve to have these needs considered.

Never stop learning and make sure you invest time and energy into your own self-development. Continuous learning helps you to stay up to date with the latest news, technologies and best practices making them more effective in your role. Accessibility is an ever-evolving topic, and it can sometimes feel difficult to keep on top of all the latest trends. If you can prioritise your own development, you not only advance your career but also help to contribute to the overall success and adaptability of your team and organisation.

What are some of the resources you’ve found helpful to develop your understanding of accessibility and inclusion when it comes to your design work?

There are so many amazing resources that I could share but these are a couple that I refer to time and time again.

Accessible Design Resources
Following the insightful recommendations from our Design For All participants, we’ve curated an extensive collection of tools, guides, articles, books, blogs, and videos. This resource is specifically designed to support accessibility and inclusion specialists at every stage of their journey.

Proud to share the incredible work of our amazingly talented Graphics students (Level 3 & HND) from the Digital and Creative department at City of Bristol College 🎨✨

Working on a brief set by Halo Studio , they designed a limited-edition can for Batiste Dry Shampoo, inspired by 2025 design trends. The results? Absolutely stunning – showcasing creativity, technical skills, and future-ready design thinking. Well done to the creative team who supported this.🌻

Kirsty discusses balancing family life with running her own business, her passion for meaningful design, and the challenges she’s overcome as a female designer.

Could you please introduce yourself as well as your Background?

I’m Kirsty Grafton, I’ve been working for myself as Graft Creative for the last three years. Before working for myself, I worked at design agencies around Sheffield and Leeds for a decade, and also as an in-house designer for a university for a couple of years.

I initially wanted a career in design because it seemed like a perfect balance of creativity and logic. At school, my favourite subjects were always maths and art – it might seem like an unlikely combination, but I love how design uses creativity to solve problems and create clarity.

I’m a married mum of one, enjoying the challenge of balancing family life with running my business, as well as fitting in as much travel and socialising as possible!

Since going freelance a few years ago I have gradually specialised more and more in working for the charity sector. Typically, I work with medium-sized charities that have limited design capacity in-house. Particularly, I love working collaboratively on their campaign designs, brand development, and bringing to life often quite hefty documents like impact reports. I love working with organisations with heart, making positive change in the world.

In your opinion, what unique perspectives or contributions do you think women bring to the design industry?

I think every woman is a unique being and brings her own experience and knowledge to the table. Some of the most inspiring women I’ve worked with have the attitude of getting cracking with work, being proactive and always pushing things forward. I also really respect any person who is straight-talking but without an ounce of ego or bravado. Someone who can empathise with everyone’s perspective, acting as a true team player by giving everyone in the room a platform to speak.

What is the 1 thing that you’d like to pass on to your peers as well as the future generation of talent within your sector?

Your style, preferences and opinions are as valid as anyone else’s. Just because your designs don’t fit into the ‘cool’ box, aren’t the latest ‘trend’, or look a certain way, doesn’t mean they should be discounted. It’s important to stay inspired by external influences, but also to be true to yourself. Keep pushing what you’re doing and trust your gut and opinions.

Have you encountered any specific challenges as a female designer, and how did you overcome them?

I found the transition to being a parent in the design industry a particular challenge. I really loved my previous agency role, particularly how sociable it was, but I just couldn’t see how the two worlds of parenting and agency life could comfortably co-exist.

Agency life often means being very responsive to clients’ needs, meaning that work can often land at the last minute, or jobs can take longer than planned. At the agency, my role was full-time – and I was concerned that if I returned part-time to the agency then I might miss out on the meatier projects because of being less responsive. I wanted to ensure I still got to work on creative, rewarding jobs, but respecting my boundaries and parenting balance.

Unfortunately, agencies were not designed to work alongside flexible working when I needed it, and I hope that this is now starting to change with the flexible working bill coming into place.

I would say to anyone in a similar position – remember that you don’t have to stick with the same setup forever. You can go back to work part-time, and then increase your days as your children grow or your situation develops. Don’t worry that your work-life decisions will define you forever. In reality, the period of having a young child or children is relatively short compared to your long working life.

However! Having said that… I think stepping out on my own was one of the best decisions I’ve ever made. I am naturally risk-averse so wouldn’t have made that step unless circumstances forced my hand, but I love the feeling of working with the clients I want to, planning my own time, and being in control of my own business and output.

What is your take on the importance of role models?

I’m sure the quote ‘If you can’t see it, you can’t be it’ has been brought up in this series before?! I think having women at all levels in the design industry is important for the next generation of designers to feel it is the right industry for them and that they can make valuable and meaningful contributions.

It’s a shame that over my experience in the design industry, I’ve not worked directly with many women who’ve progressed past management to leadership positions.

Personally, I don’t envision management as being part of my future, but I still think I would have benefitted from being around more women at the entry-level of my career. Agencies would benefit from having more women steering the ship, signalling to young women who are just starting out in the design industry that they will be taken seriously and can aspire to the senior levels in the future.

If you’re inspired by the stories and wisdom shared in our ‘Women In Design’ series and would like to contribute your own experiences, we’d love to hear from you. Creatives at all levels, please email us and your story could be the next we feature.

The photo above shows the Bristol WordPress team at WordCamp Bristol in 2019 – a moment when the community was thriving. By less than a year later the World had changed and, despite best efforts, Bristol WordPress People had ceased to operate. There has been a void in the city’s WordPress community since.

It’s time to reignite the spark

The exciting news is that a small group of us have been meeting to discuss how we can reignite this once-thriving group. I’m happy to announce that Janice Tye, one of the original organisers of Bristol WordPress People has re-instated the official Meetup and scheduled some networking events at the King William Alehouse, 20 King St, Bristol BS1 4EF. Whether you’re an old friend or a new face, you’re invited to join us:

At its peak, Bristol WordPress People was a hub of inspiration – hosting expert talks, lively networking sessions, and delicious food thanks to sponsors like Atomic Smash and 34SP. This was more than just a meetup; it was a friendly, creative community where people shared knowledge, learned new skills, and helped each other thrive.

Now, we need your help to bring it back to life.

Whether you’re a seasoned WordPress pro, someone curious to learn, a website owner in search of advice, or someone with tips and stories to share, we need your help to revive our once-loved group.

Let’s rebuild this community together. Join us at the King William Alehouse and help shape the future of Bristol WordPress People.

Stuff, the Bristol based creative studio, played a key role in the official launch of Brabazon at a prestigious event in London, officiated by Malaysian Prime Minister Datuk Seri Anwar Ibrahim.

Stuff has been working with YTL Developments (UK) Limited for the past 5 years, looking after the advertising, marketing, branding and design needs for Brabazon – the exciting redevelopment of the former Filton Airfield.

For the launch event, we were responsible for creating and producing an impressive array of marketing materials to fill the Royal Lancaster Hotel’s Westbourne Suite, highlighting the scale and ambition of the project to the 250 plus guests.

Alongside this, we produced a dramatic 90 second film that captured the rich history of the site and showcased all of the exciting developments coming over the horizon at Brabazon. The film was played on stage as the climax of the afternoon’s proceedings, marking the signing of the investment agreement between the UK and Malaysian governments.

Joe Baker, Managing Director of Stuff said “We’re very proud of all the great creative work we produce for Brabazon and to be part of such an incredible project and historic moment.”

Fiasco is excited to announce that Gabby Luciani has joined the team as Account Director. Gabby brings over 10 years of experience working as a creative producer and account handler at some of the finest small and mid-sized agencies across London and the South West. With past clients that include YouTube, Activision, Nike and WWF, Gabby’s breadth of commercial experience, combined with her passion for creative collaboration, makes her a fantastic addition to their growing team.

“Gabby’s varied experiences have given her the perfect mix of commercial experience and know-how. I have no doubt she’ll play a key role in driving the agency forward as we approach our 15th year in the business.” – Ben Steers, Co-founder and Executive Creative Director.

Gabby adds: “Joining Fiasco feels like the perfect opportunity to contribute to a team that’s not only brimming with creativity and ambition, but also deeply committed to delivering meaningful, impactful work for their clients. I’m thrilled to be part of an agency that’s constantly pushing boundaries and focused on thoughtful growth. ” – Gabriella Luciani, Account Director.

Fiasco is a design agency that works at the sweet spot of brand and digital. People are at the heart of everything they do. At Fiasco, each and every team member brings a unique perspective and every voice is heard. You can read more about Fiasco and Gabby, over on their site here.

Why be a square when you can be a Rhombus?

Bristol-based strategic design agency Rhombus have launched their refreshed brand to better align their visual language with their evolving purpose. Known for their work in crafting transformative brands, websites, and campaigns, the studio has repositioned itself to emphasise collaboration, creativity and strategic problem-solving.

For Rhombus, design is about finding the right balance between strategy and creativity to solve problems, inspire audiences, and drive meaningful change. As their work has grown, so has their purpose – partnering with progressive organisations and people who are on a mission to do things differently.

What’s stayed the same?

Despite the visual overhaul, Rhombus maintains its strategic approach to projects, which the studio describes as a balance between insight-driven strategy and creative execution. This involves viewing each project through a lens of problem-solving and potential, whether in the context of branding, web development, or campaign creation. From crafting distinctive visual identities to building engaging websites and powerful campaigns, their work is designed to spark change, grow audiences and connect brands with the people who matter most.

While the studio’s external identity has evolved, its core values and processes remain the same, providing clients with the same thoughtful, collaborative approach they have come to expect.

What’s new?

The Rampersand: The new logo integrates an ‘R’ with an ampersand, symbolising the studio’s focus on people and process. It’s about collaboration between their team and partners, and the transformation that creates for organisations and individuals alike.

Basel Grotesk: The introduction of Basel Grotesk as the primary typeface reflects a blend of modern aesthetics and historical design influences. Inspired by modernist typography, it is bold, flexible and designed to elevate the studio’s visual language.

A new colour palette: The updated palette features a range of colour, each with a specific purpose: Process, Optimism, Transformation, Play, and Rigour. This deliberate selection reflects both the diversity of Rhombus’ work and the intentionality they bring to every project.

From raves to rebrands, Rhombus’ journey to becoming an agency has been anything but traditional. It began in Bristol’s vibrant DIY music scene, where they learned to build brands through a hands-on approach. Designing rave posters provided their first design experience, with their signature brand colours paying homage to the day-glo stock they once plastered across the city.

An evolution with purpose

This transformation is not about change for the sake of it, but a deliberate step forward to align who Rhombus is with what they stand for. Their work is about finding the perfect balance – creativity and process, imagination and rigour, people and purpose.

They remain the same studio, but with a renewed purpose to shape brands that don’t just look great but move all of us forward.

Following a competitive pitch, SIM7 has been selected by SNG (Sovereign Network Homes) as a key agency on its framework to supply property branding services over the next four years.SIM7 will work in partnership with SNG’s marketing teams, providing creative, branding and design services to drive the off-plan sales of Shared Ownership and private sale homes. This work will involve branding SNG’s schemes, developing high-profile digital and OOH campaigns, and creating assets across all channels.

SIM7 will join a handful of leading UK agencies, selected to support SNG’s ambitious growth plans.

One of the UK’s largest Housing Associations, SNG will invest £9.2bn in the next decade, building 25,000 new homes – as well as regenerating estates and improving the sustainability and quality of existing homes.

Says SIM7’s Simeon de la Torre, “As an agency with extensive property sector experience, not to mention specific knowledge of the Shared Ownership market, this is a perfect partnership for us. We’re excited about working on some of the biggest schemes in the UK, and empowering property branding by delivering the effective, messaging-driven creative that we’re known for. From property CGIs and video to scheme-specific branding, we’re looking forward to capturing and conveying the essence of the new communities that SNG is building.

“SNG is one of the best names in the industry for sustainability and social value, and the SIM7 team are all keen to help SNG deliver good, affordable homes for all.”

SIM7 is an award-winning creative agency that uses language to empower design. We drive growth by creating brands, campaigns and strategy – for marketing teams around the world. Our experience in the property sector extends to estate agents, national associations, Registered Providers, mortgage brokers and more.

For more information, contact Simeon de la Torre [email protected]

My name is Michael James, I am a driven postgraduate part of the Bristol UWE Alumni. I am known for:

Thriving in social environments and building strong professional relationships.
Demonstrating an unwavering work ethic and relentless pursuit of goals.
Embracing challenges as opportunities for growth and learning.
Balancing academic rigor with a love for sports and active lifestyle.

My current area of work is UX/UI design and digital marketing, with a passion for enhancing brand images in the digital space. Currently exploring opportunities to collaborate on projects that push the boundaries of digital design and marketing. Keen to contribute my skills to forward-thinking teams and exciting initiatives in this dynamic field.

Bristol-based design studio Rhombus is proud to have supported the launch of Noods Levels CIC’s Two Step Programme, a unique initiative aimed at empowering local music businesses and emerging creatives.

Why Two Step Matters

Crafting the Visual Identity

A Bold Identity for a Promising Future

Can you please introduce yourself, what you do and tell us about your experience?

How important is accessibility and inclusion to your work?

How are you promoting inclusive design through your work and what are some of the challenges you’ve faced?

What are 2 tips you’d share to other designers trying to design in a more accessible way?

What are some of the resources you’ve found helpful to develop your understanding of accessibility and inclusion when it comes to your design work?

Could you please introduce yourself as well as your Background?

In your opinion, what unique perspectives or contributions do you think women bring to the design industry?

What is the 1 thing that you’d like to pass on to your peers as well as the future generation of talent within your sector?

Have you encountered any specific challenges as a female designer, and how did you overcome them?

What is your take on the importance of role models?

It’s time to reignite the spark

Now, we need your help to bring it back to life.

Why be a square when you can be a Rhombus?

What’s stayed the same?

What’s new?

An evolution with purpose