Working closely with agencies every day, we’ve had a front-row seat to the start of one of the most significant transformations our industry has ever experienced – the transition to a world with AI. Through our recent research holding detailed interviews with 30 creative agency leaders, and working alongside more than 20 agencies in their AI journey in 2024, we’ve seen firsthand how AI is reshaping not just how we work, but what’s creatively possible.
Let’s be honest – when generative AI first emerged as a serious tool for creative work 2 years ago, many of us had concerns. Would it diminish the value of human creativity? Could it compromise the quality of our work? Will it make our hard won skills redundant? These were natural reactions. But what we’ve discovered through our research and hands-on experience is something far more nuanced: while the potential for semi-automating some tasks is there, the more impactful use of AI is as a powerful creative amplifier.
The most inspiring moments in our research came from agencies that have moved past the experimental phase. These AI Pioneers – about 20% of the agencies we studied – are building new ways of working that combine human creativity with AI’s ability to condense and recombine huge amounts of information to deliver more impactful results for their clients.
One agency leader put it perfectly when they described how AI allows creatives to “more easily access their creativity.” We’re seeing teams explore more creative directions, push boundaries further, and deliver higher quality work – not because AI is doing the creative thinking, but because it’s removing barriers to expression and expanding what’s possible.
The efficiency gains for certain tasks are real (think content localisation, for example). But the real win for agencies is using AI to help them what they do best – strategic thinking and creative innovation. When creatives can quickly explore multiple directions and “get all of their crap ideas out quickly,” as one leader put it, they have more time and mental space for the kind of deep creative thinking that leads to breakthrough ideas.
From our conversations we’ve learned that successful AI integration isn’t just about having the right tools – it’s about having the right approach. Here’s what’s working:
The agencies seeing the best results are those investing heavily in their people. They’re equipping their teams not just with AI tools, but with the skills and confidence to work with AI as it evolves.
Rather than making AI a point solution for doing a handful of identified tasks, the AI Pioneers are weaving it throughout their core processes. They’re rethinking workflows, team structures, and even their business models to leverage AI’s strengths.
The most forward-thinking agencies are bringing their clients along on the journey, having open conversations about how AI enhances their creative options and encouraging their clients to take advantage of them.
We are at the beginning of the AI transition. The agencies that will thrive aren’t those using AI to simply work faster – they’re the ones using it to push creative boundaries and deliver ideas that were previously too complex, too expensive, or too time consuming to be possible.
The future we’re seeing emerge is one where:
To our fellow agency leaders: this is our moment. The technology is ready and the opportunity is clear. Yes, there are challenges to navigate – from skill development and agency growth, to client education to data privacy. But the rewards for those who get this right are many.
As the creative industry embraces AI, we’re constantly finding new ways to augment creativity and increase the value we can add to brands. But it’s not enough to just give people the tools – it’s about equipping people with the skills and confidence to work with AI as it evolves.
The question isn’t whether AI will transform our industry – it’s already happening. The real question is how will you integrate AI in a way that augments the value to bring to your clients, and aligns with your agency’s creative vision? Every agency’s journey will be unique, shaped by their particular strengths.
For those ready to embrace this change, the path forward is about building teams that are confident with AI, developing processes that leverage its strengths, and creating work that shows clients the enhanced value we can deliver.
The future of creativity is human + AI, and for those of us willing to embrace this change, the creative possibilities are exciting..
To dive deeper into how creative agencies are successfully navigating the AI transition, download our full report. Drawing on conversations with 30 creative agency leaders and our experience helping over 20 agencies embrace AI throughout 2024, it offers practical insights on everything from building AI-confident teams to developing new client service models. Whether you’re just starting your AI journey or looking to accelerate your adoption, you’ll find actionable strategies and real-world examples to guide your next steps.
Visit wearespark.ai to access the complete research and join the conversation about the future of creative work.
Is there a creative resurgence in the low carbon, green sector in Bristol and Bath? Or has it been ticking away, quietly waiting, during recent years?
Bristol and Bath have always been key cities in driving forward the UK’s green and sustainability sectors – it’s part of the region’s DNA. Yet other UK hotspots seem to have taken more of a lead in developing this most vital of economic industries. Delightfully, we have recently seen multiple announcements about Bristol and Bath businesses with insightful, clever green products and inventions. Hopefully they will go beyond Bristol PR coverage and Bristol marketing to gain awareness across the UK, and potentially further.
For OggaDoon, highlighting innovative companies like the ones mentioned here is more than just showcasing future success stories; it’s about championing the bold ideas shaping a more sustainable future. Sharing their progress and getting excited about their work can be a way to inspire others to think creatively about solutions to common issues and encourage broader support for green advancements that extend beyond Bristol and Bath.
So what has caught our eyes in the low carbon market place?
We know that sustainable businesses can come from any sector, as long as they care about helping the environment and saving our planet through innovative products and services that change the way society behaves. At OggaDoon, we’re committed to amplifying voices like these and driving awareness of sustainable innovation. You can learn more about our experience in green PR and low carbon marketing on our website – or head over to our blog to read more of our takes on what’s important in the PR and marketing landscape right now.
Chancellor Rachel Reeves delivered the 2024 Autumn Budget 30 October, the first from the UK’s new Labour government. Here’s a round-up of measures and announcements relevant to businesses in the creative industries.
Describing it as a Budget “to fix the foundations”, the Treasury said “difficult decisions” had to be made “on tax, spending and welfare to restore economic and fiscal stability” to deal with a “£22bn black hole” in the public finances left by the previous government.
The announcements included £40bn in tax rises, with the big headline the increase in employer National Insurance which will add significant costs to many businesses.
We’ve listed the measures relevant to most businesses at the end of this article. Firstly, here are the announcements specific to the creative industries in the West of England region.
The Budget confirmed that the government will continue to fund the following creative industries programme:
The government said it will provide £3m in funding to expand the Creative Careers Programme, which raises awareness of career routes and tackles skills gaps in the key sector.
The Creative Industries Clusters programme, which has supported creative businesses in nine regional hubs, will continue to provide support over the next six years, with more clusters to be announced. Bristol and Bath was one of the regions supported between 2018 and 2024 through Bristol and Bath Creative R+D.
The Autumn Budget confirmed that the creatives industries is one of eight sectors of focus in the government’s vision for its new industrial strategy.
It has published a green paper and launched a public consultation. Read more details here.
The government said it is providing tax reliefs for the creative sector worth £15 billion over the next five years, and confirmed announcements from the previous government’s Spring 2024 Budget:
From 1 April 2025, film and high-end TV productions will be able to claim an enhanced 39% rate on their UK visual effects costs. UK visual effects costs will be exempt from the credit’s 80% cap on qualifying expenditure, with costs incurred from 1 January 2025 eligible.
The previous government proposed that generative AI would not qualify for the additional tax relief for visual effects, but the new government has dropped that measure.
UK Screen Alliance said the move means that the UK is now set to attract an additional £175m per year of spending on VFX for film and TV, an increase of over 45%, and to create 2,800 new jobs.
Adrian Wootton OBE, chief executive of the British Film Commission, said:
“UK film and TV is globally admired, and a key sector driving economic growth. Our VFX sector is one of the jewels in the UK industry’s crown, with a depth of creative and technical expertise. But these are competitive times. Productions are looking globally for the best talent and incentives to guide their investment decisions.
“Any new measures must address intensifying global competition and help us put our best foot forward. Confirmation of the VFX tax credit increase doubles down on UK strengths and will drive up investment. It is not only welcome, but essential to support our sector and wider UK growth.
“We’re delighted that HM Treasury has listened to industry feedback on generative AI, and included these costs in the overall VFX tax credit enhancement. The BFC pressed for this in our consultation response and we believe this will play an important part in keeping our VFX sector future-proofed and globally competitive.”
From 1 April 2025, UK films with budgets under £15m and a UK lead writer or director will be able to claim an enhanced 53% rate of audio-visual expenditure credit. Expenditure incurred from after 1 April 2024 on films that began principal photography on or after 1 April 2024 is eligible.
From 1 April 2025, the rates will be set at 40% for non-touring productions and 45% for touring productions and all orchestra productions.
Culture Secretary Lisa Nandy said:
“The creative industries will play a critical role in helping us turn the corner and deliver on the national missions of this government – driving economic growth into our towns and cities; drawing on the wealth of talent that exists everywhere; and flying the flag for British culture and values on the world stage.
“The chancellor’s Budget underscored just how important these sectors are going to be with funding extended for vital programmes and tax reliefs, an expansion of the Creative Careers Programme and a £25m investment in the CrownWorks Studio in Sunderland that will make the city one of the centres of our TV and film industry for years to come.
“This government recognises that for millions of people, geography has become destiny. That while talent is everywhere, opportunity is not. This Budget has put the creative industries front and centre of how we write those people back into our national story and drive opportunity, jobs and prosperity into every community, in every region.”
The following are announcements not specific to the creative industries but are of interest to businesses in the sector.
To fund public services, including the NHS and education, the government will increase employer National Insurance.
The rate will increase by 1.2 percentage points to 15% from 6 April 2025. The secondary threshold, the level at which employers become liable to pay National Insurance on each employee’s salary, will reduce from £9,100 per year to £5,000 per year.
To protest the smallest businesses from the National Insurance rise, the employment allowance will increase to £10,500 from £5,000 and be extended to all eligible employers by removing the £100,000 cap.
The government said this will allow firms to employ up to four National Living Wage workers full time without paying employer National Insurance.
The government will increase the lower and higher main rates of Capital Gains Tax (CGT) to 18% and 24% respectively for disposals made on or after 30 October 2024.
Business Asset Disposal Relief, which entrepreneurs pay when they sell all or part of their business, and Investors’ Relief, which reduces CGT on a disposal of shares in a trading company that is not listed on a stock exchange, will increase to 14% from 6 April 2025, and to 18% from 6 April 2026.
The National Living Wage for employees over 21 will increase by 6.7% to £12.21 an hour from April 2025. The government said this represents an increase of £1,400 in the annual earnings of a full-time worker
The National Minimum Wage for 18-20 year olds will rise by 16.3% to £10 an hour, the largest ever increase in both cash and percentage terms.
The government said that intends to create a single adult wage rate over time.
The cap on bus fares in England, due to end on 31 December 2024, will be retained until 31 December 2025, but with a 50% increase from £2 to £3.
From 2026-27, “permanently lower” business rates rates for retail, hospitality and leisure properties in England will be introduced. The government said “this will be funded sustainably by introducing a higher multiplier for the most valuable properties, including distribution warehouses used by online giants”.
Business rates relief for retail, hospitality and leisure businesses in England, up to a cap of £110,000 per business, due to end in April 2025, will be retained for 2025-26. However, it will be cut from 75% to 40%.
The small business multiplier will be frozen in 2025-26.
The government confirmed continued funding for small business finance schemes provided by the British Business Bank including £250m in 2024-25 and 2025-26 for Start Up Loans and the Growth Guarantee Scheme. To boost access to finance for women entrepreneurs, the bank will also invest £50m into female-led funds.
The Budget confirmed that the UK Shared Prosperity Fund, the government’s replacement for EU funding which was due to end in April 2025, will be extended for another year but with reduced funding of £900m.
The government will also continue to fund the Help to Grow: Management course and Growth Hubs in England in 2025-26.
A “Small Business Strategy Command Paper” will be published in 2025 that will “set out the government’s vision for supporting small businesses, from boosting scale-ups to growing the cooperative economy, across key policy areas such as creating thriving high streets, making it easier to access finance, opening up overseas and domestic markets, building business capabilities, and providing a strong business environment”.
By Tracie Leahy, Assistant Principal for Apprenticeships, Weston College
In the evolving landscape of workforce development within the creative industries, businesses are constantly seeking innovative ways to attract, develop, and retain top talent. Degree apprenticeships have emerged as a powerful solution, offering a unique blend of practical experience and academic learning. At Weston College and University Centre Weston, we have witnessed firsthand the transformative impact that degree apprentices can have on businesses. Here’s why integrating degree apprenticeships into your talent strategy is a game-changer for the creative industries.
Secure the Best New Talent
In a competitive job market, securing top talent is more challenging than ever. Degree apprenticeships provide an opportunity to attract high-calibre candidates who are eager to learn and grow within your organisation. These individuals bring fresh perspectives and are equipped with cutting-edge knowledge from their academic studies, combined with practical skills honed through on-the-job training. By investing in degree apprentices, you are investing in the future leaders of your industry.
Upskill Existing Employees
Degree apprenticeships are not just for new hires. They offer a valuable pathway for upskilling your existing workforce. Many employees have untapped potential that can be unlocked through further education and training. By supporting your employees in pursuing a degree apprenticeship, you are fostering a culture of continuous learning and development. This not only enhances their skills and job satisfaction but also improves overall organisational performance.
Build a Culture of Learning and Development
A learning-oriented culture is a cornerstone of innovative and resilient organizations. Degree apprenticeships instil a commitment to personal and professional growth within your team. Apprentices bring new ideas and approaches, inspired by their academic learning, and share this knowledge with their colleagues. This creates a dynamic environment where learning is valued, leading to increased engagement and retention.
Reduce Recruitment Costs
The traditional recruitment process can be costly and time-consuming. Degree apprenticeships provide a cost-effective alternative by allowing you to train and develop talent tailored to your specific business needs. Apprentices are often more loyal to the organizations that invest in their development, reducing turnover and the associated recruitment costs. Furthermore, you can evaluate an apprentice’s fit within your company culture and operations throughout their apprenticeship, ensuring a smoother transition to a permanent role. Also, we do all the advertising, shortlisting, and recruitment support for your vacancies – saving you time and expense.
Maximise Government Funding
One of the significant advantages of degree apprenticeships is the availability of government funding. This financial support can substantially offset the costs of training and development. By leveraging these funds,
you can invest in your workforce without straining your budget. It’s a smart financial decision that benefits both your business and your employees.
Meeting the Demand
Weston College and University Centre Weston offer a diverse range of degree apprenticeships tailored to meet the needs of modern businesses, including those in the creative industries. Our programs include:
Attracting the Best: The Appeal of Degree Apprenticeships
There is a growing trend among students to choose degree apprenticeships over traditional degrees. This pathway allows them to avoid substantial tuition fees and student debt while gaining practical experience and earning a salary. As a result, employers have the opportunity to access ambitious, motivated individuals who are eager to start their careers sooner. By offering degree apprenticeships, you can attract the cream of the crop—talented individuals who are ready to contribute to your business from day one.
A Proven Pathway: From T Levels to Degree Apprenticeships
We are seeing a growing trend where employers begin by offering T Level student placements, which involve 315 hours of work experience annually, before progressing these students to degree apprenticeships. This approach allows employers to identify and nurture talent early, providing a seamless transition from education to full-time employment. It’s a strategy that not only ensures a steady pipeline of skilled workers but also strengthens the bond between the employer and the apprentice.
Speak to Us
Investing in degree apprenticeships is a strategic move that delivers long-term benefits for businesses. By securing new talent, upskilling existing employees, fostering a culture of learning, reducing recruitment costs, and making the most of government funding, you position your business for sustained success. We are committed to supporting businesses in unlocking their potential through our comprehensive T Level and Apprenticeship programs.
Discover how degree apprenticeships can transform your business. Learn more about our offerings here or give us a call at 01934 411594 or email apprenticeships@weston.ac.uk.
The creatives industries is one of eight sectors of focus in the government’s vision for its new industrial strategy.
Publishing a green paper and launching a public consultation, the government said the strategy’s aim is to “drive long-term growth in key sectors that is sustainable, resilient and distributed across the country”.
In their foreward, chancellor Rachel Reeves and business secretary Jonathan Reynolds say:
“There is rapid change in the global economy, and the case for governments to roll up their sleeves and shape markets rather than step back in the face of these challenges is stronger than ever. To capture the growth the UK so desperately needs, we need a modern industrial strategy to share in the next decade’s growth opportunities.
“This industrial strategy will provide a launchpad for businesses. It provides the firm foundation for investment that businesses have told us they need. This government believes it is our role to provide the certainty that inspires confidence, allowing businesses to plan not just for the next year, but for the next 10 years and beyond.”
The eight sectors the government will focus on are:
Summarising the UK’s creative industries, the green paper says:
“The UK’s creative industries are world-leading, showcasing the best of its creativity and culture to the world. According to UN Trade and Development, the UK is the third largest creative services exporter behind the US and Ireland, worth $87 billion in 2022. Globally, 1 in 10 songs streamed are from the UK.
“The UK is a global centre for screen production, with £4.23 billion in production spend in 2023, of which 78% was from inward investment. According to the Creative Industries Policy and Evidence Centre, the creative industries accounted for 67% of the UK’s digital exports in 2021.
“The sector is expected to grow worldwide, creating further growth opportunities. The sector is highly innovative, attracting significant inward investment and producing goods and services that are world renowned. PwC estimates that the global entertainment and media sector will grow to $3.4 trillion by 2028. Half of global trade is expected to be digital by 2050.
“To enable growth in the sector, the government will leverage UK creative industries’ global comparative advantages by unlocking private investment, boosting exports, and developing its highly skilled workforce. The government needs to ensure that the UK sector remains globally competitive as a home for world class talent while maximising access to important markets to tour and collaborate.
“The sector plays an important role in driving growth across regions and nations, through creative clusters and corridors across the country that spread opportunity and prosperity in communities, as well as driving growth by enhancing access to skills, spillovers, and knowledge sharing.”
Skills is a key area of focus for the government, with the green paper saying “the UK has a skills mismatch greater than many peer economies, with 10% of businesses reporting at least one skill shortage vacancy”.
It said the skills needs of employers vary according to their sector and geography, with one example given being the creative industries sector needing workers with skills in digital, design and data.
A key focus at Bristol Creative Industries is boosting workforce diversity in creative businesses and helping to grow the talent pipeline for our members through initiatives such as our groundbreaking Bristol Creative Industries Internship Programme with social enterprise Babbasa and Bristol-based agencies.
A core objective of the government’s industrial strategy is “unleashing the full potential of our cities and regions by attracting investment and creating the best environment for businesses in them to thrive”.
The green paper highlights areas where focused clusters already exist and have potential for growth. One of those mentioned is digital industries in Bristol.
The government is running a public consultation on the industrial strategy until 24 November.
We are interested to hear ideas for how the Bristol Creative Industries community think the creative sector should feature in the final industrial strategy. Send your ideas to Dan Martin.
Ahead of the 2024 general election, several BCI members told us how they would like to see the new government supporting creative businesses. Here are some of the responses:
“The creative industry faces two significant challenges: attracting and retaining skilled talent and securing financial support to facilitate investment and growth in a challenging economic environment.
“Many creative businesses are small and agile, enabling them to deliver results with minimal resources. However, for these businesses to reach their full potential, the next government must acknowledge the creative sector’s value and contribution to the UK economy and provide tangible support.
“That means offering tax incentives to small businesses and startups, increasing access to loans and grants – and not just for R&D – expanding and supporting creative apprenticeship programmes, and providing business support programmes specifically tailored for small and creative businesses.
“Finally, we need greater market visibility and opportunities to access national and international trade.”
Catherine Frankpitt, Strike Communications
“To continue building the creative sector, further focus needs to be placed on education, advocacy, and innovation, ensuring the sector not only survives but thrives in a rapidly changing world.
“Education is where it begins. The government must recruit and keep inspirational teachers who can inspire and cultivate the future generation of creative individuals. Quality educators play a crucial role in motivating students and equipping them with the necessary skills to excel in creative industries.
“It’s also crucial to advocate for the creative industry and change outdated perspectives to promote diverse career paths. Traditional career guidance often emphasises professions like policing or accounting, while overlooking the numerous opportunities available in creative industries. It’s important to shift this discussion in educational institutions, as well as with parents and the community, whilst showcasing success stories and the economic potential of creative careers.
“Innovation is at the heart of the UK’s creative accomplishments. For instance, consider Sir Tim Berners-Lee’s creation of the World Wide Web or the iconic design of the Mini car. These examples illustrate the UK’s leadership in problem-solving and generating new ideas. To continue this momentum, the government needs to provide support to creative start-ups, allocate funds for arts research and development, and promote collaborations between businesses and creative professionals.
“So, let’s remember what we’re good at as a nation, continue to nurture it, and constantly innovative, to remain at the global forefront of creativity.”
Ryan Wills, Taxi Studio
“The UK represents vast untapped potential for creative businesses. For young people, entry into the industry remains something of a closed shop, achieved via well-trodden paths. Any efforts to broaden these pathways are largely driven by charities or pro bono work by smaller businesses. So we’re undoubtedly missing out on millions of incredibly talented people, and they’re missing out on what could be exceptional careers.
“The incoming government should invest meaningfully in giving the next generation more exposure to what our industry can offer, and easier access to financial and professional support that would make a creative career a viable option for all, regardless of background. Then let’s see what we could achieve!”
Ailsa Billington, Proctor + Stevenson
“We are strong advocates that the next government must focus on digital skills education to help prepare our future creative industry workforce. We see investment in digital and AI education, skills, initiatives and training will be crucial for businesses like ours, so we can recruit exceptional talent for the future.
“We believe the next government must also foster collaborations between educational institutions and industry, to help bridge skills gaps and by investing in these, the government can empower and future proof the creative sector to help drive economic growth.”
Tom Vaughton, Varn
Distortion Creative Group, the parent company of Studio Giggle, has announced the appointment of Rob King as its new CEO and investor. King’s arrival comes as the company embarks on a rebrand and ambitious expansion strategy, targeting growth in Bristol and the South West, with a vision to become a global creative leader.
With a background in senior roles at renowned organisations such as Abbey Road Studios, Zinc Media owned The Edge Picture Company and a number of award-winning creative agencies. King brings a wealth of experience in sales, marketing, and creative strategy. His focus will be on scaling Studio Giggle’s operations in live events, film, animation, and content production, while transforming Distortion Studios into a world-class virtual production hub.
King sees his new role as an opportunity to take Distortion Creative Group to the next stage of its growth and development. “Studio Giggle is entering its 18th year, and this ‘coming of age’ marks the start of an exciting new chapter for the company. We’ve been a maverick creative force in Bristol, but now we’re set on becoming the go-to agency for creative content in the South West as well as for our clients nationwide and beyond,” he said.
Despite a well-documented downturn in the film world, Distortion Creative Group has seen growth over the past year, expanding its staff by 20% following new work for clients and producing events in locations as far-flung as Singapore and the Middle East. “The vision that directors Jonathan Brigden and Steve Garratt have shown crafting the region’s go-to creative agency is phenomenal. I look forward to collaborating with them on the next steps, as well as working with the talented staff base that has made Distortion Creative Group what it is today.”
While Studio Giggle has traditionally worked with clients in London and internationally, its plans include a focus on Bristol’s burgeoning tech and fintech industries, offering creative and technical production solutions that align with the region’s growing reputation as a global hub for creativity.
“Bristol has been our home for 18 years and it’s a great opportunity to now give back and help businesses in the area excel creatively,” King emphasised.
As part of the expansion plan, King will also oversee the development of Bristol’s first permanent virtual production facility, positioning Distortion Studios as a pioneer in sustainable and cutting-edge production technologies. “We have an incredible mix of creativity, technology, and storytelling that puts us in an advantageous position as the world enters a new era of production possibilities. In particular, our early adoption of AI and software, including Unreal Engine, has revolutionised the creative potential for clients of all sizes,” he added
Looking ahead, Distortion Creative Group is preparing to expand its portfolio. “Our rebrand positions us as pioneers in exciting new areas of creative technologies, so expansion is certainly front of mind,” King noted. “We’re keen, however, to stay true to our values of true collaboration with our clients, technical innovation and award-winning creativity.
Distortion Creative Group is preparing to unveil the details of its growth plans, including the addition of new companies to the Distortion Creative Group. “This isn’t just about a rebrand or staying the same size,” King noted. “We’re on a growth trajectory, and in the next few years , we’ll look back at this moment as the time when we transitioned from a boutique agency to a larger creative group.
Steve Garratt, Distortion Creative Group’s Founder and Creative Director, added: “Rob’s addition marks a pivotal point in our on-going plan to grow a world class creative agency and Virtual Production studio in Bristol. Both Jonathan Brigden and I are excited to welcome Rob to the team and draw on his unique expertise.”
Rob King’s move to Bristol further underscores the company’s commitment to investing in the city’s creative future. His appointment marks a pivotal moment as the company positions itself for sustained growth and global reach.
For further information or to arrange an interview with Rob King, please contact:
Tom Hall: tom@newwordorder.co.uk (07545980782)
Amy Hunter: amy@studiogiggle.co.uk (0117 972 0081)
About Distortion Creative Group:
Distortion Creative Group is a leading creative agency based in Bristol, UK, offering a full range of services across live events, film, animation, and content production. Its flagship company, Studio Giggle, is known for its innovative approach to storytelling and creative production, with clients including Sky and British Airways. Distortion Studios is at the forefront of virtual production technology, delivering sustainable solutions for clients worldwide.
Content is king… and video is the king of content.
Through great video content, brands and businesses have a huge opportunity to engage with their audiences and build brand loyalty.
But how can you make video work for you?
Authenticity is the foundation of great video content. In an age of digital distrust, audiences want genuine brand experiences. So before you start production, consider:
Knowing the ins and outs of each platform is key to getting engagement:
There’s a lot of heat on AI production at the moment. The AI-created end product often comes under fire. But that doesn’t mean there isn’t a place for AI in your pre-production.
Use AI to speed up your video production in the following ways:
Example: if you’re looking for examples, inspiration or source material. You could spend mindless hours in Google, or the right prompts in a site like Perplexity could yield faster answers to your questions. Freeing up much more time to commit to the creative process.
Example: A travel agency creates a virtual tour where viewers can choose their path through a destination and the content they see next.
Example: A furniture retailer creates an AR app where customers can see products in their own homes through their phone.
Example: A B2B software company creates a weekly 60-second tip series, each one focusing on a different feature of their product.
Example: A tech startup documents its journey from idea to product launch, posting weekly updates on social media.
Example: A fitness app asks users to share their transformation stories and compiles the best into a video series.
Making content is one thing. But putting it to good use is another thing entirely.
You could spend so much time and effort in production, only to let your efforts fall at the final hurdle, by failing to effectively activate your content. So consider the following implementation and activation tactics:
Multi-Form Content: Create different versions of each video for different platforms and purposes. Not all content is made equal, different ideas and different themes will perform better, or worse, on different channels.
Live Streaming: Where applicable, you can seek to create a regular cadence of live content to engage with your audience in real time.
Video SEO: as video content becomes increasingly more present in search, it’s important that your online assets are properly optimised. This means optimised video titles, descriptions and tags to be discoverable on search engines and video platforms.
Localisation: consider how you can adapt content for different regions through subtitles, dubbing or culturally relevant versions.
Accessibility: consider how you can also use subtitling and dubbing to increase the overall accessibility of your content.
Ultimately, you’ll want your content to yield results. Use advanced analytics to track:
But note that not every piece of content needs to result in a sale or a conversion. Building brand loyalty and engaging with your audiences in a way that isn’t overly commercial or transactional is the way to go here.
That means pulling back on the amount of sales-driven content and publishing more content that engages, entertains and informs.
So when you do hit your audiences with a CTA, they’re far more likely to convert, because they’re more bought into your brand and your ethos.
The creative sector is rapidly evolving, with new talents and innovative minds shaping industries such as graphic design, media production, games and animation, art, photography, performance, theatre, fashion, and design. To ensure this sector remains vibrant and continues to thrive, it’s crucial that we support the next generation of creatives, offering them the resources and connections to jump-start their careers.
At Weston College and University Centre Weston, we’re dedicated to nurturing the talent of tomorrow through a wide range of creative pathways. Whether learners dream of becoming graphic designers, media producers, animators, or fashion designers, our courses equip them with the skills, experience, and knowledge necessary to succeed in today’s competitive job market. But there’s a vital element that makes this journey complete: real-world engagement from creative businesses.
Looking to the future, and as Sir Peter Bazalgette said:
In every scenario the Creative Industries are set to be of central importance to the UK’s future success. We have two great assets: the English language and our creativity, but the skills and business models of this sector are of increasing importance.
Source: https://www.gov.uk/government/news/bazalgette-review-sets-recommendations-for-continued-growth-of-uks-creative-industries
Employers supporting FE and HE providers offer crucial curriculum overviews which is needed for all learners. Without this, we are unable to prepare them for their future career and, simply put; they will not be industry ready. We value the support from employers who can be involved from a curriculum perspective, who offer projects, workplace experiences and more so we can provide robust, ready and industry savvy individuals. The Creative Sector businesses can inspire learners during their study through this engagement. We have found that this is especially vital for learners unable (or not looking) to go to university; or that want to stay local and contribute to their local economy. They can hear, experience and look to local employers for their next steps into industry.
How Creative Industries Can Get Involved
If you’re a local business in the creative sector, now is the time to step forward and engage with emerging talent. There are countless opportunities to connect with learners and help shape their future careers. We’re calling on creative companies to work with us by offering guest lectures, work experience placements, project work or attending our career events. Your involvement can make all the difference, providing learners with invaluable industry insights and hands-on experience that will give them the edge they need to flourish post-education.
This November, Weston College is hosting its annual careers event, which will bring together over 1,000 FE and HE students. This is a fantastic opportunity for creative businesses to meet fresh, enthusiastic talent and discover how they can contribute to the growth of local industry. Whether you’re looking to exhibit, scout new recruits, or simply share your experiences, we encourage you to take part. The event will be held in Weston-super-Mare on the 19th of November.
Why Partner with Weston College?
Weston College is passionate about supporting learners who want to stay local and contribute to the creative economy in the region. With Bristol 30 minutes away by train, learners are keen to look at exploring careers on offer. By partnering with us, you’re not only supporting the career aspirations of young creatives but also fostering a robust local workforce that can fuel innovation in your own business. Our creative pathways provide a pipeline of skilled professionals ready to make their mark in graphic design, media production, games and animation, art, photography, theatre, and more.
We believe that by building strong connections between education and industry, we can create a thriving creative community in Weston-super-Mare and beyond. We are here to support our learners but we also support business and want to listen, act and implement skills needed.
Let’s Connect
If you’re a creative business eager to inspire and work with emerging talent, we’d love to hear from you. Whether you’re interested in delivering a guest lecture, offering work experience, or promoting career opportunities, there are many ways to get involved. Your support can open doors for our learners and help develop the future of the creative industries.
For businesses interested in exhibiting at our annual careers event or partnering with Weston College in any capacity, please email us at employers@weston.ac.uk to register your expression of interest. Our passion is to support learner and industry so please do get in touch.
Bristol based music sync agency Sync & Shiver has launched – representing some of the most exquisite singer-songwriters and contemporary piano works in the UK.
Founder and Managing Director Charlotte Eve explains, ” we’re the sync agency designed to give you the shivers. We’ve curated a catalogue brimming with spine tingling talent. Established names you already know and love, and rising stars on the brink of the ‘next big thing’. We only work with the very finest songwriters and composers. Quality, not quantity, is paramount.”
Artists on the roster include well known platinum selling artists such as Michele Stodart from the Magic Numbers and quirky new talent such as Dominie Hooper who played in Bristol just last week on her first UK tour.
Sync & Shiver offer bespoke compositions as well as the exceptional music in their perfectly formed catalogue.
Sync & Shiver are expert at keep the licensing side of things short, sweet and smooth. So you can get on with the important bit…discovering the perfect music for your project.
Founded early 2024 by Bristol based songwriter-composer and advertising creative Charlotte Eve, they come from the creative end of the business. This has helped them forge closer relations with artists and an extra special roster you won’t find anywhere else.
If you have a TV ad, video, film that’s crying out for a spine tingling sync, get in touch with charlotte@syncandshiver.com to discuss your brief.
Bristol Creative Industries is delighted to be sponsoring Creative Day at Bristol Technology Festival 2024 alongside BCI members Aer Studios and MyWorld.
Now in its sixth year and organised by techSPARK, Bristol Technology Festival is the UK’s largest regional technology festival.
It celebrates the awesome people, innovation, community and thriving tech scene in the city. We are excited to be involved and representing Bristol’s brilliant creative industries.
Each day of the festival from 7-11 October is themed. Thursday 10 October is Creative Day.
Here the brilliant free events to attend on Creative Day:
SXSW UK is being hosted WHERE?
MyWorld, 9.30 – 11am
…we all know it should have been here, right? Join us as we unlock the untapped potential of creative tech in the region and realise what it takes to position ourselves as rightful global leaders.
Fuelled by barista coffee and brunch, this interactive workshop invites participants to collaborate with key community figures and industry bodies to define what creative technology means to our community and chart a path forward.
Panel: Setting the future vision of creative technology in the South West
Motion, 12.45 – 2pm
Join us for an engaging and interactive panel discussion that will dive into the future of creative technology in our region. Building on the insights from our morning workshop, our panel of industry experts will discuss the untapped potential of our sector and work together to define a shared vision for the future.
Meet the panel:
MyWorld Creative Tech Showcase
Motion, 2 – 5pm
Join us and immerse yourself as we explore emerging technology innovations and trends, such as AI, immersive, gaming, sound and how they are going to continue to transform creative industries. The event showcases the technology that has been researched and developed through MyWorld.
The Sheds studio tours
MyWorld, 9am – 5pm
Book a tour to look around MyWorld’s state of the art facilities at The Sheds and experience some of the innovative technical research being developed in the spaces.
Tom Harber, Bristol Creative Industries board director and Aer Studios managing director, said:
“We see our involvement in Bristol Technology Festival as a meaningful step towards driving deeper collaboration with the tech sector and a stronger relationship with key organisation including techSPARK and MyWorld.
“Creative Day at Bristol Technology Festival provides a platform for Bristol Creative Industries to discuss the creative industries’ role in driving innovation in the region and will bring valuable insight for our members, as well as opportunities for cross-sector collaboration.”
If you’re new to Bristol Creative Industries, here’s a bit about us.
Founded in 2005 as Bristol Media, we’re a community interest company that supports the creative sector to learn, grow and connect.
Driven by the common belief that we can do more collectively that alone, we’re about prosperity for creative businesses and that means attracting new talent and new customers.
In Bristol and across the region we:
We are supporting Bristol Technology Festival to foster greater collaboration across the sectors and create opportunities for insight and connections for our members.
To maximise the benefits of tthe Bristol Creative Industries network, support our work and help the region’s creative sector thrive, you can join as a member.
Look out for representatives of Bristol Creative Industries at Bristol Technology Festival events.
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