*DEADLINE EXTENDED – We’ve had some fantastic applications, and are now looking for freelancers who specialise in Copywriting, Animation or Video production*
We’ve had several requests from our membership community to bring back our famous Portfolio Review Nights. Well, there’s good news! We’ve secured the date and the venue, and the next Portfolio Review night will be held on Wednesday 13th November at Origin Workspace, Berkeley Square.
If you’re a Bristol Media Freelance Member working in the creative sector, this is a fantastic opportunity to have your portfolio work reviewed by top creative directors from several of the most successful agencies in the region. We’ve got 15 creative directors signed up from agencies including Mr B & Friends, Oakwood, Epoch, Armadillo, Proctor + Stevenson, Zone, saintnicks, Great State, Bray Leino CX, The Way, Halo, Home , Six and Prophecy who are all eager to meet local talent.
Freelancers will have up to 8 minutes with each director who will offer their advice and constructive feedback in a speed networking environment. In the past, Freelancers have often secured a project or been invited for a further interview with the agency team, and we hear that the creative directors have a great time, too!
We’re now looking for freelancers working in the fields of digital, graphic design, branding, web development, video production, animation/motion graphics, VFX, photography, illustration and copywriting.
This is a very popular event which is for Bristol Media members only. We only have 15 places available.
Please email [email protected] saying why this is the perfect opportunity for you right now, along with a link to your portfolio or website. Applications close at 5pm on Friday 25th October.
This article originally appeared in Brand Packaging
Remembering Margo Chase
Margo Chase got her start creating iconic graphics for some of the world’s most celebrated musicians, including Bonnie Raitt, Madonna, Cher and Prince. Just like the legends she collaborated with, Chase mastered her craft, challenged convention and learned how to work with any client without sacrificing vision or quality. A year after her untimely death, those who knew her best reflect on Chase’s approach to creating one-of-a-kind designs that continues to inspire.
Master your craft
In 1991, Capitol Records approached Chase to design the album art for Bonnie Raitt’s classic record, “Luck of the Draw.” The songwriting legend spent years honing her distinctive guitar style. Like Raitt, Chase spent tireless hours mastering her craft. In the age of Adobe Illustrator, it is easy to overlook the intricacy involved in creating the handdrawn typography Chase made for “Luck of the Draw.”
She applied the same skills years later to ensure the women’s footwear brand Chinese Laundry stood out with consumers and at retail. Chase took a muralist approach, handcrafting a collage of intricate illustrations and typography that ultimately helped the brand achieve its goal.
Break the rules
In true Rock ‘n’ Roll fashion, Chase broke rules in design. In 1992, she was approached by Victory Records to design the album art for Ten Inch Men’s “Pretty Vultures.” Prior to digital photography, designs involving photography started with a series of Polaroids that were used to refine the art direction for the project. Once the composition was chosen, a pristine photograph was taken and the negatives would be scanned for the final printed piece. But for this project, Chase felt the lo-fi aesthetic of the Polaroid added an edge that a cleaner image simply could not create. She scanned it into Photoshop where it was symmetrically duplicated and colourised—creating the shadowy, distorted image we recognise today.
While working with Califia years later, Chase convinced the brand to step away from conventional cues in the non-dairy milk category to stand out at shelf. At the time, almost all brands used the same gable-top structure, the colour blue, splashing milk and scattered almonds. Similar to how the anarchy of punk rock shifted the culture away from mainstream rock aesthetics in the mid-70s, Chase’s persistent exploration of the unconventional paved new roads in design. Califia’s adoption of an iconic new structure and a design without traditional flavour visualisation marked a significant departure from convention and positioned the brand for success in a market of larger established brands.
Sing in harmony
The idiosyncratic tendencies of Prince, Madonna and Cher are, by now, legendary. Chase’s experience working around the nuanced and changing demands of her celebrity clients aptly prepared her to navigate the complexities of working with larger brands. Working on Gain detergent, Chase had to collaborate with an extensive P&G team, and her skill at keeping true to the brand’s vision and goals ultimately helped everyone sing in harmony.
There is no doubt that Chase’s beginnings in music informed her approach to later work in packaging. By mastering her craft, breaking the rules and learning to sing in harmony, Chase was able to create packaging that really rocked!
Clark Goolsby, Chief Creative Officer, Chase Design Group
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Good SEO is critical for any commercial website and the business which owns it. All site owners can understand the benefit of improving a site’s SERP ranking. As well as the knock-on effect of boosting its traffic. Getting more traffic to a site is obviously something to shoot for. Those site owner’s, then, can appreciate the worth of SEO.
That worth, however, has traditionally proved tough to quantify. On this very blog, we’ve talked at length about the cost of SEO. SEO services are provided according to different types of payment structure. There’s always an ultimate figure, though, to put on how much a business spends on the services.
What there often hasn’t been is a monetary figure to explain the value delivered by improving a site’s SEO. That’s where this guide to the ROI of SEO comes in. We’re going to talk you through a way that you can assess the ROI you might expect from improvements made to your SEO
https://www.accelerate-agency.com/roi-of-seo/
Bristol Media’s new Visualiser apprenticeship programme has its first recruit! Congratulations to Kheamah Powell, who has recently joined animation company A Productions as a Production Management Apprentice.
Launched in May this year, Visualiser is a partnership between Bristol Media, Babbasa, Ujima Radio and the City Council, and this new apprenticeship is a perfect fit for the team at A Productions.
Melissa Lipscombe, A Productions, says “The team wanted to take the opportunity to reach out to a more diverse range of candidates to be part of our production crew, alongside promoting the profile of the studio within the wider local Bristol community.
Working closely with Jo Sunderland from Diverse Insights, we ran two events, one with Babbasa, based at Wilder Street and one with Ujima Radio based at St Pauls Learning Centre. We advertised through our own website but also through Creative Access.
There was a fantastic response and Kheamah was one of 33 applicants who applied. The competition was tough, but Kheamah really stood out and we are delighted that she has accepted a job as part of our Production team.
Cirencester College have been great to work with, they advised on, and coordinated the recruitment process and will continue to support Kheamah and A Productions throughout her contract on the production. We couldn’t recommend the whole process enough!”
Kheamah says: “The apprenticeship has given me real hands on experience – I’m really enjoying working and learning every day!”
If you’d like to widen the diversity of your team or would like to speak to someone about the Visualiser apprentice programme, get in touch with Paul Appleby ([email protected]). For more info on Visualiser visit: https://www.bristolmedia.co.uk/news/4685/visualiser-new-talent-in-your-business
The transatlantic partnership of Bray Leino Limited and The Mx Group (Mx + Bray Leino) beat competition from global B2B agency giants to win the pitch for Cummins’ global strategy and communications agency of record. Cummins, a Fortune 500 company, is a leading manufacturer and distributor of engines, filtration and power generation products, generating over $22 billion in revenue each year.
“Mx + Bray Leino has the capabilities, agility and experience necessary to help us drive sales, elevate our brand and expand our creativity,” said Carole Casto, Cummins, Vice President of Communications. “They have demonstrated they know how to work effectively with business-to-business clients and help companies like ours achieve their objectives. We are pleased to begin this partnership.”
Bray Leino will manage the work across the U.K., Europe and Asia — all of which represent significant growth markets for Cummins; The Mx Group will be responsible for all North America work, with Bray Leino’s media department covering all markets.
“Cummins has an incredible history, whilst being at the forefront of engineering, leading the charge in power solutions and breaking new ground in technical innovation. We’re incredibly excited to work for such a respected and forward-thinking client, at a time of huge industry change, said Kate Cox,” CEO of Bray Leino.
“We knew we shared Cummins’ passion and industry expertise, but what’s really made this appointment is the way Cummins and Mx + Bray Leino ‘just clicked!’ There are very exciting times ahead,” said Peter Wroblewski, Principal & Co-Founder of The Mx Group.
The Cummins appointment is the latest in a series of high-profile, global wins for the super-agency collaboration of Mx + Bray Leino.
Both top-5-ranking B2B agencies within their territories, the Mx + Bray Leino transatlantic partnership was formed to provide B2B marketers with a world-class global agency option outside of the holding company model. The two partner agencies select clients they view as a great fit and form custom teams that are bound by their mutual desire to work for a common client. “Our agency teams aren’t made to work together; we want to. We share ideals, great chemistry and a passion for marketing,” said Cox.
The powerful partnership of Mx + Bray Leino provides clients with a combined offering of over 450 full-time employees, 75 years of B2B experience, and capabilities ranging from strategy and creative to demand generation and digital development.
“From a pure B2B marketing expertise standpoint, the strength of our two agencies combined is unmatched. Our custom client teams pull from a deep set of resources to meet a client’s specific challenges. And we’re seeing how much our clients prosper from our shared interest in their success,” said Wroblewski.
For more information on this partnership and the Cummins appointment, please contact Adam Holder, Managing Partner, Bray Leino: [email protected]
DDI +44 (0)7974 668929
[1]. B2B Marketing Magazine benchmarking report, 2019
‘You’re selling the vision and delivering the minimum feature set to visionaries, not everyone.’
— Steve Blank
Sports fans reading this might hear ‘MVP’ and think Steph Curry or Tom Brady, but this isn’t an article about superstar American athletes. In this case, we’re talking about Minimum Viable Product.
In a nutshell, the MVP is a product with just enough features to satisfy early customers, and provide adequate feedback for future product development.
Coined by Frank Robinson in 2001 — and popularised by Eric Ries and Steve Blank — the SyncDev co-founder described it as such:
‘The MVP is the right-sized product for your company and your customer. It is big enough to cause adoption, satisfaction and sales, but not so big as to be bloated and risky. Technically, it is the product with maximum ROI divided by risk. The MVP is determined by revenue-weighting major features across your most relevant customers, not aggregating all requests for all features from all customers.’
Some of the biggest success stories in digital business start out with an MVP of sorts. Take, for example, Instagram. The photo and video-sharing social media platform currently boasts a staggering 1 billion monthly active users — but this has been 10 years in the making.
Conceived in 2009 by Kevin Systrom, Instagram was originally called Burbn, an HTML5 mobile web app which primarily featured location check-in and friendship reward points, as well as photo sharing. The vision was an open network of photo sharing and discovery, an antidote to the typical closed friend models prevalent at the time.
After a successful seeding round 6 months later, Instagram — as we know it — launched in October 2010, with the hope of facilitating communication through images. What’s important to consider is that this early product was a fraction of the app it is today. Hashtags weren’t added until 2011, photo tagging and video-sharing until 2013, global advertising until 2015 — the list goes on. The vision was there, and the MVP which nabbed 100K users in its first week paved the way for that vision to be truly realised.
So you know what the MVP is, but what are the benefits? There are plenty…
Earlier this year, Bristol Media’s Marketing, Events & Operations Manager, Kirsty Phillips, headed off to the beautiful Backwell House for the one-day workshop ‘LeadershipiD’. Read on to discover Kirsty’s experience of the day.
“Leadership iD is an immersive, one-day experience that promises to help discover and define your personal leadership brand and action plan. The interactive workshop is set in the peaceful location of Backwell House and facilitated by Bristol Media Member Coaches, Mette Davis and Katie Scotland.
Surrounded by beautiful countryside, Backwell House is an escape from the everyday and certainly a welcome location to take time out to focus on your personal leadership style.
Katie and Mette introduced the overall concept of LeadershipiD and set expectations from the beginning by providing each person in our intimate group with a blueprint template to input into over the course of the day. The structure was based around a combination of working in pairs and group work, with self-reflection nestled in at the appropriate times.
I found the whole experience equally as rewarding as it was challenging. Participants delve into a spot of emotional soul searching and draw on previous experiences to help distinguish the key behaviours and traits that drive you as an individual. The end goal and final product – your unique, personal, tailored leadership iD to take away and put into action.
Moving through activities centred around topics such as: goal setting (from a personal, team and business perspective); challenges; enablers; and identifying developmental needs, Katie & Mette provide crucial guidance and framed questions in order to complete the sections of the blueprint.
Several weeks on I’ve started to put my learnings into practise. Having identified the key themes and behaviours I value as a leader which (reassuringly!) align with the values of Bristol Media, the blueprint is a useful prompt when discussing objectives with your team. One of my key leadership values was collectively celebrating achievements – so I now encourage my direct report to share the experiences that have gone particularly well in her working week. I’m looking forward to implementing the other elements of my action plan over the next 6 months.
LeadershipiD is not your typical leadership day – devoid of stuffiness, Katie and Mette ensure the whole experience is highly relatable, personal and all in all it’s thoroughly enjoyable. I’d recommend to anyone who is looking to discover and define their personal leadership brand and action plan.”
Katie and Mette are running another LeadershipiD workshop in September where Bristol Media members can attend for a reduced rate. Contact Katie Scotland or Mette Davies or details.
Reinventing Work: Bristol turns one in a few weeks time. We’ve grown and evolved considerably since our first meetup in July 2018. So almost a year into our journey I thought I’d introduce what we’ve evolved into as of July 2019. Also to share how you can get involved and contribute to our growing movement as we continue to take shape and adapt.
Reinventing Work is a global grassroots movement of ‘reinventers’ who want to learn and practice new, more human-centred ways of working. There are a number of monthly meetups around the world where we get together to share practical advice, explore ideas, and look at the patterns found in existing self-organising teams / self-managing workplaces.
Why? Because, globally, 85% of us are disengaged at work.
With your help, we want to help put this stat right. Reinventers participation is valued and you don’t need anyone’s permission to get involved with or to start working on whatever you are interested in. If it floats your boat and meets our purpose—making work better, one place at a time – then go for it!
That’s right, Reinventing Work has spread from Bristol to Melbourne, Adelaide, London, Bath and Lisbon. More and more people are reaching out and we’re chatting with and supporting others who are interested to start chapters in their cities. If you would reinventers who might like to start your own please get in touch—we would love to help them. Here’s a Trello board with some ideas on how to start your own chapter.
If you are new to this world but have a sense that work just isn’t working then watch this excellent 45 minute Google Talk by Aaron Dignan, Author of Brave New Work. It’s the perfect place to start—I can’t recommend both the talk and the book highly enough.
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A few excellent next stops include:
A great first action in your workplace would be to:
Discussion between reinventers tends to take place over on Slack. You can join in here: http://bit.ly/ReinventingWorkJoinSlack. Hit ‘Channels’ on the left and join the discussions that sound interesting to you. If you have any questions or would like to seek advice on any aspect of new ways of working then ask away—we’re a friendly and supportive bunch.
Come along to Reinventing Work: Bristol to hang out with and learn from others who are passionate about new ways of working. We tend to do a lot of meetup organising on Slack and Zoom (or similar). If you would like to get involved then head over to Slack and hit ‘Channels’ to find #admin-bristol. In the spirit of transparency we encourage working out loud in these channels, rather than sending direct messages between co-organisers.
In between meetups, proposals can be made and decisions taken on Loomio http://bit.ly/ReinventingWorkLoomio. Everyone has permission to be involved in decision-making, to start a proposal and to ask reinventers to make a decision.
You can read articles from fellow reinventers about new ways of working and you can write them too! Let me know if you’d like to write and I’ll add you as an editor of https://medium.com/reinventing-work.
We know better than to try to predict and control this. We hope that there will be more meetups in more cities helping more people to reinvent work. But we don’t want to grow for growths sake, rather to make a meaningful impact in our workplaces—to make work better, one place at a time. It’s been a fun ride so far and it feels like we just got going!
Last year we bought reinventing.work and this year we want to make good use of it. I wonder what it will look like in July 2020? Your suggestions are very welcome, and you are very welcome to get involved and shape our future. We hope to see you soon at a Reinventing Work: Bristol!
Did you know The Professional Contractors Group estimates that there are 1.4 million freelancers working across industry sectors in the UK?
The South West’s freelancer economy is booming, so we’re pleased to offer this workshop with Sarah Williamson, Partner, and Jenny Marley, Associate, from Ashfords LLP.
Who’s it for?
Specifically for freelancers, self-employed individuals, and agencies/organisations who employ individuals on a temporary or contract basis, attendees will get a true understanding of the statutory employment rights involved when working as, or with, a freelancer.
About the workshop:
There are enormous benefits in employing freelancers in the creative industries. Freelancers regularly provide a flexible and diverse pool of talent, offering benefits over the traditional employment model. Similarly, it’s becoming an increasingly popular way for individuals to work enabling them to choose when and where they work.
Engaging freelancers and working as a freelancer is not without risks. Simply labelling an individual as self-employed, is not enough to remove an individual’s statutory employment rights. The status of an individual is a question of fact. Following the much publicised Deliveroo and Uber rulings and the rise in the number of individuals working as freelancers, we look at the so called ‘gig economy’ and some of the key employment law and commercial issues to take into consideration:
Tickets & Entry:
The freelancer economy workshop will take place at The Square Club from 3.00-5.00pm on Thursday 11th July. Tickets are £15+VAT for Bristol Media and Square Club members, or £25+VAT for non-members.
About Ashfords
Ashfords is a national provider of legal, professional and regulatory services. They help many different kinds of clients make the most of their opportunities, whilst effectively managing risk by providing legal advice that is not just technically sound but rooted in a wider appreciation of the real world in which we all exist. They aim to always provide straightforward, timely advice, delivered in clear and simple language.
Sarah Williamson is a Partner in the Commercial Team and Technology Sector. She handles complex technology and digital media work and has specific digital media experience in marketing and advertising, adtech, the licensing and monetisation of data and converged technology and media.
Jenny Marley is an Associate in the Employment Team. Jenny advises employers on a wide range of employment law issues including the gig economy and the impact on employees and employers.
Social Media Week – a global conference held in over 25 cities worldwide – returned to Bristol in June for the third year running. Our content apprentice, Izzy, had an access-all-areas pass as part of the digital squad to capture content from the week. It was a packed schedule of over 40 sessions, and Izzy has listed the four highlight events from her week…
1. Social Media Trends 2020
“To kick off day 1 of Social Media Week, I attended the sold-out ‘Social Media Trends 2020’ with Drew Benvie from Battenhall. What I found particularly interesting about this talk was trend 2, ‘Insta reality’.
Insta reality is when Instagram users step away from the fake, idealised, seemingly perfect post and instead show a more real and authentic perspective; for example, a ‘woke-up-like-this’ selfie with yesterday’s makeup and bed hair. I for one am exhausted of cherry picking through my camera roll, so I’m excited to see if Insta reality will really take off.
2. Sketchnoting for social
One my favourite events from the conference was Liam Williams’ workshop. I’m a huge fan of doodling, so learning that it’s actually a more effective way of making notes than plain words was great news to me.
In the session, Liam talked us through the different aspects of sketchnoting: shapes, lines, text, icons and faces. At the end we were put the test to create our own sketchnote, and while I’m not an expert just yet, it did teach me that it’s not about drawing ability, it’s about listening and that we should all ditch the lined paper! Look out for some Vision keynote sketchnotes in the coming months…
3. Harnessing the Power of Play
A more niche event, Fat Media’s ‘Harnessing the power of play’ was all about gamification. I was quite shocked to learn that using game-based content creates much more engagement than standard images and videos as users can stay for 30 seconds plus on a game but might spend just a second on a photo. It definitely got me thinking about some ways Bristol Media could implement gamification into our marketing operations.
4. The Social Detail – Closing Party
At the closing party on Thursday night, SMW Bristol ambassadors talked through their highlights. Almost all of them made the connection that the most engaging events were the ones that inspired change. Joyann Boyce from The Social Detail gave an amazing talk about inclusive marketing and then went on to talk on the ‘Activism in the social and digital age’ panel alongside Pussy Riot last minute!
There was so much to take away from both these sessions, but the one key thing is this: ‘Being inclusive in your content should be standard. Being representative of the people around us and the community we live in should be the norm’ – Joyann Boyce.
While I’m glad I won’t be running from venue to venue in the rain again anytime soon, I am so grateful to have been part of the experience. I’ve taken away new skills and knowledge that I can put into practise moving forward in my career. I’ll definitely be signing up to take part again next year and would 100% recommend that everyone in our industry get involved in some way, shape or form as a speaker, sponsor, digital squad member, or just attendee. Bring on Social Media Week Bristol 2020!”
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