2022 is going to be a hugely interesting year for marketing growth and development. The lasting effects of the pandemic have altered many consumer patterns, creating new challenges as well as opportunities.
Here, we gaze into the crystal ball of 2022 trends and look at five opportunities you can take to develop your brand in the New Year.
Influencer marketing is set to reach $13.8 billion in 2021 and many anticipate this will only grow in 2022.
This was a huge growth market in 2021, the industry even saw the formation of more than 200 dedicated influencer marketing agencies. So, in 2022 and beyond, the space is only going to get more competitive and vying for positions. Attention will become much more strategic and partnerships must be much more considered and personalised.
What is intriguing is that engagement rates have proved to be better for micro-influencers than for the stars of social media. Brands will do well to factor this into their marketing strategies moving forward.
The digital fatigue experienced by the general public during the lockdowns of 2021 will likely shift into 2022.
A combination of furlough, work from home and overall online overload led to a massive digital fatigue in the later parts of 2020 and into 2021, with people actively moving away from digital platforms for rest and respite.
What is intriguing is that, for so long, industry individuals have been predicting the demise of offline marketing. But, if digital fatigue continues to grow, then there is an argument to be made that the offline space is there for those who seize the opportunity.
As Instagram continues to prioritise video content as well as the continued growth of YouTube shorts, it won’t be long before video content begins to shape social media metrics and algorithms.
To stay ahead of this curve, brands need to adapt their content strategies to focus more on the creation and delivery of high quality, short videos.
Brands have been finding huge success with TikTok and there’s no surprise to see the likes of Calvin Klein and the NBA as two of the year’s most popular accounts. However, it’s refreshing to see the likes of the Washington Post and the World Health Organisation finding huge success through this medium.
So, there’s an opportunity here for non-traditional TikTok brands to start carving out a niche for themselves.
Gen Z: content marketing
Marketers have been obsessively focussed on Millennials for the last 20 years, but now we’ve reached a point where the Millennial population has capped out, as the first wave are now approaching their 40th birthday.
Gen Z audiences now present a much more diverse and much more digitally native audience than their millennial predecessors. From a content marketing perspective, this can be an absolute dream as it potentially opens a brand to more opportunities and a more diverse crowd.
The new ‘Intro to Game Art’ short course will give you an insight into the world of game art, exploring the range of roles and essential skills needed to get you started when exploring a potential future career in game art. There is a host of exciting modules that your tutor will guide you through, including:
Planning and producing work to a design brief.
Working in the games industry
Concept art for computer games
Modelling for computer games
This new and exciting programme is designed to equip individuals (aged 19+) with the technical skills, knowledge and understanding needed to produce digital content across several platforms, ensuring you can use social media most effectively for your small business, sports team or trade.
This course will provide a great opportunity for you to develop media production techniques, such as camera operating (on mobile devices, DSLR cameras and broadcast cameras), video editing, graphics and motion graphics to produce content for Instagram, TikTok, Facebook and more. There is a host of exciting modules that your tutor will guide you through, including:
Planning your Project
Camera Production Techniques
Sound Recording Techniques
Editing Techniques
This new and exciting programme is designed to equip individuals (aged 19+) with the technical skills, knowledge and understanding needed to produce digital content across several platforms, ensuring you can use social media most effectively for your small business, sports team or trade.
This course will provide a great opportunity for you to develop graphic design techniques, such as designing and producing a brand identity and branded graphics for Instagram, TikTok, Facebook and more. There is a host of exciting modules that your tutor will guide you through, including:
Planning your Project
Typography and Layouts
Working with Illustrator and Photoshop
Creating a Brand
Independent brand consultancy, Mr B & Friends, has unveiled a bold new brand strategy and design identity for global serviced accommodation booking agent, Situ.
Situ combines industry leading technology with first-class customer experience to provide an impeccable and effortless service for a range of client companies, from large corporates to film production companies, to clients in the construction industry. Having continually proven its credentials since its inception in 2006, Situ needed a brand that reflected the organisation’s unique positioning – while delivering a visual and verbal identity that stood out in an increasingly homogenised and predictable sector.
Situ’s point of difference was clear from the outset – they emphasise the value of the relationship between their team and the client. Every Situ listing is subject to stringent quality checks to make sure it’s perfect; criteria that ensures Situ continually achieve excellent service ratings ensuring that in a world of faceless booking agents and platforms, Situ’s approach has always been, and will continue to be, people-first.
Mr B & Friends worked collaboratively with CEO Phil Stapleton, Head of Communications Jo Redman and Senior Marketing Manager Tamara Edgar. The brand idea took its lead from the company ethos and created the organising thought ‘Connected by people’. A perfect encapsulation of the way Situ empowers their team to deliver unforgettable service, sources quality serviced accommodation options and creates unique tech which supports their clients.
The visual identity was transformed, capturing the energetic, upbeat personalities of the team behind Situ. A warm, charming tone of voice adds to the appeal, while the three brand pillars (technology, people and product) are brought to life through three powerful propositions: Search with ease, Service with heart and Stays with soul.
Liam Smith, Associate Planning Director at Mr B & Friends said: “From the first meeting we felt the warmth and positivity of the Situ team and could see their dedication to making booking effortless for their clients. Following category research, we identified this space as the narrative that Situ could own and make distinctive. It was clear that we had to translate this into a powerful brand idea.”
Situ Founder and CEO, Phil Stapleton says, “The new brand strategy and identity is perfect. Our ambitions meant that we needed a brand and cultural platform that would unite our company and take us all to the next level. The work that Mr B & Friends have created epitomises what we’re all about as a company, but also importantly enables us the Situ brand to really stand out in the business travel, global mobility, and relocation sectors.”
Tamara Edgar, Senior Marketing Manager at Situ says, “What I loved about working with the team at Mr B was their ability to really tease out our personality, our ethos, our aspirations and our culture and make that shine through in the new brand which now just feels so us, so Situ!”
The project was awarded to Mr B & Friends following a competitive, but non-creative pitch process. The agency has now helped Situ to implement the new idenity across internal communications, digital estate and customer facing marketing.
Client team
Phil Stapleton, CEO
Tamara Edgar, Senior Marketing Manager
Jo Redman, Head of Communications
Agency team
Liam Smith, Associate Planning Director
Harriet Whitehorne, Head of Copy and Content
Sara Foley, Middleweight Designer
Chris Tozer, Associate Creative Director
Andy Kaye, Account Director
Steve Richardson, Executive Creative Director
Simon Barbato, CEO
Digital is the status quo
We’re all doing our best to meet the ever-growing demand for organisations to ‘go digital’.
Whether we’re trying to reach more customers, more effectively market our products and services, minimise our carbon footprint or deliver more cost-effective business solutions, finding a digital – and in many ways more accessible – solution is pretty much today’s standard course of action.
The opportunities when we meet a new audience in a new space are obvious. But what about the pitfalls?
The potential for being misunderstood, taken out of context, or having your brand diluted across multiple platforms becomes more likely – especially when considering the speed at which online content is delivered.
And it’s for this reason that our brand identity becomes even more important.
What are brand guidelines?
Your brand guidelines are the rules which determine how your brand is presented to the world. It usually contains information about your brand name and how it’s used, your corporate logo, brand colours, fonts, tone of voice etc.
Your brand guidelines should clearly illustrate how your brand identity is portrayed and communicated to consumers, providing a reference point for employees and clients alike.
And we need them, because when your brand remains consistent, it remains recognisable.
Research has shown 86% of consumers say that authenticity is a key factor when deciding what brands they like and support. And when we think about it, it makes complete sense.
Imagine you nip into your local corner shop to buy a bottle of Coca Cola. Only, the label on the bottle looks strange. In fact, it’s not the typical Coca Cola red at all – it’s bright orange.
And, come to think of it, the font looks different too: It’s narrower than you remember. And not as cursive. Plus, the bottle’s neck is slightly longer. But the drink is still claiming to be authentic, traditional Coca Cola – what’s the likelihood this is a fake?
Maybe you risk it. Or maybe you pick the more familiar-looking bottle of Pepsi, instead.
According to PwC’s consumer insights survey, customers selected trust as their number one reason for choosing a retailer. And how can you expect customers to trust your brand if you don’t remain consistent?
The need for maintaining brand consistency across platforms is critical, because it promotes authenticity and trust. In fact, ensuring a consistent representation of your brand can increase revenue by as much as 33%.
With 80% of consumers agreeing that a signature colour increases brand association and recognition, the importance of sticking to your guidelines – is hard to overstate.
What about having a refresh?
There’s nothing wrong with intentionally refreshing your brand. In fact, updating your branding every few years ensures you stay modern, and reflects your company’s ability to evolve with the times.
But with any brand refresh, your guidelines need to be refreshed too.
Many organisations keep their brand guidelines in a PDF or printed format, meaning you’ll need to factor in time-consuming tasks: updating your documents, checking and proofing them, making amends, artworking them and having them signed off – all this on top of your rebranding process.
But there is a better way.
Digitising your brand guidelines allows for quick and resource-light updates to guidelines, that are quick to roll out and distribute to all relevant stakeholders.
Creating digital brand guidelines
A digital brand guideline ‘book’ can be accessed from anywhere, at any time, and on any device – without the trouble of having to locate a physical copy, or share a long-lost PDF that’s buried on your desktop. Simply share the link, and go.
At Proctors, we use Webflow to create and update our clients’ digital brand guidelines. Whether they’re used by your colleagues, your customers, media or external business partners, making your guidelines accessible on Webflow gives everyone clear direction on presenting your brand consistently.
Even better, with Webflow, elements such as your logos, fonts and colours can be downloaded by anyone you share the link with. So in today’s digital first world, your media partners or social media managers can remain responsive when it comes to pushing out branded content.
Plus, with digital-first increasingly the norm, companies who use motion graphics in their brand elements can demonstrate real, live examples in their digital brand guidelines book too – something which isn’t possible in other formats.
Even large organisations with lots of different sub-brands can benefit from Webflow’s flexibility. It’s a quick and efficient process to create and update your guidelines, whether you need to edit just one page or to build and deploy several branding ‘chapters’. Plus, any changes or updates can be highlighted on the landing page, so all employees are made aware of them.
With Webflow’s no-code format, any brand refresh updates can be easily executed by your marketing team, meaning you’ll save masses of time on updates. Not to mention avoiding the need to print – and that’s one big environmental benefit.
Scaling up with Webflow
If you want your brand to remain trusted in the digital era, you need to practice consistency.
With easily accessible guidelines, you’ll be able to ensure you’re presenting an authentic brand. So you can reach more customers, and more effectively market your businesses.
If you’d like to find out more about our digital brand guideline services, or any of the other services we offer, talk to us today at [email protected].
Andy Nairn, who has been named the UK’s number one brand strategist for the past three years, joined us for a fascinating and entertaining event to share insights from his new book, Go Luck Yourself: 40 ways to stack the odds in your brand’s favour.
In the book, Andy explains how the history of marketing and advertising is full of brands that stumbled across great ideas by accident or turned misfortunes into huge successes. During the event, the co-founder of advertising agency Lucky Generals highlighted some examples and outlined the lessons for creative companies. Dan Martin summarises his insights.
Opening his talk, Andy Nairn explained that we have a strange relationship with luck in the UK. “Other parts of the world find it completely natural to talk about luck and it’s a perfectly acceptable part of business conversation,” he said, “In the West, we’re a bit snooty about the whole thing. We think of it as a bit primitive and not to be trifled with.”
The negativity around luck was cemented in Victorian times, Andy said. The Industrial Revolution and the Protestant work ethic created the belief that if you were rich, you were successful because you had worked really hard for your money and God had smiled upon you, but if you were poor, it meant you hadn’t tried hard enough, you were work-shy and you should try harder.
That attitude around only hard work can generate good results still prevails, shown by the blurring of work and personal lives during the pandemic, Andy said.
“We can all think of situations where working an extra hour hasn’t given us a creative breakthrough and it can actually sometimes make it worse. Working hard means we’re stuck in the middle of it and what we really need is to get some fresh air and space around us.
“The book says yes, hard work is a good thing but you also need a bit of luck. The more you think about luck and the more you’re conscious of it, the more you can do to increase the chance of it coming your way. If you just deny that luck exists, it’s very hard for you to do that.”
There are 40 tips in Andy’s book that fit under the following four themes:
You might not realise it but you are highly likely to have assets in your business that you are not taking full advantage of. Andy used three non-business examples to illustrate his point:
Many businesses are guilty of not appreciating what they’ve got, Andy said. Brand history, heritage and provenance are often neglected by brands but talking about the history of your business, where it’s from and why it’s called what it is could be a valuable benefit to your marketing and other business activities.
Other examples include the data your business holds and the window display in your business’ offices.
And what about your logo? Could that be used in a different way?
Andy’s business, Lucky Generals, was asked to come up with an advertising campaign for Amazon that worked in multiple countries. The answer turned out to be a simple but very powerful one that was inspired by the company’s existing smile-shaped logo. As the Lucky Generals website says: “We hit upon the simple idea of heroing Amazon’s iconic packages and the epic journeys they make, to put a smile on the faces of people around the world.”
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To illustrate this point, Andy highlighted a 10-year study into the nature of luck by Professor Richard Wiseman. As part of it, he gave a group of people a newspaper and asked them to count the number of photographs. The unlucky people took around two minutes whereas the lucky people took just three seconds. The reason was that on the second page of the newspaper was the message: “Stop counting. There are 43 photographs in this newspaper.”
The study concluded that lucky people are good at constantly looking for opportunities beyond what they’re working on or the thing they’ve been told to do.
This can also be illustrated by the world of science, Andy said. Several important discoveries have been made accidentally and of the most famous is Alexander Fleming who discovered penicillin after spotting some mould that had accidentally developed on a plate.
Diversity of teams is important here too. It’s easy to recruit people who are the same as you but that can mean you’ll just come up with the same ideas. However, if you take on people from different cultures, backgrounds and experiences, “it gives you a much better chance of striking it lucky” and spotting opportunities you might never have discovered.
There are many examples of businesses converting a bad experience into a good one. One brilliant one is Oswald the Lucky Rabbit, an early character created by Walt Disney in 1927. It was popular but a contract dispute with his producer led to Disney quitting work on the cartoons. On the train home from a meeting, he came up with a new idea. It developed into Mickey Mouse, the most successful cartoon character of all time.
“We’ve all experienced our ideas being pulled, budgets being cut, timings being changed and clients changing their minds, but what we have to do is go again and come up with something that is even better, like Walt Disney did,” Andy said.
“The best companies don’t just deal with a bit of bad luck, it’s almost like they go running towards the bad luck. There’s a good energy that comes out of that.”
Steve Jobs was known for killing off his own products (the iMac killed the Macintosh and the iPhone killed the iPod) because, as Andy said, “his attitude was, if I don’t kill them off, someone else will.”
There are also some brands that take on taboos and talk about them directly. Bodyform and periods is an example.
Others take what could be seen as an annoying product flaw and turn it into a positive. Think of Guinness and “good things come to those who wait”.
When working with a big brand, Andy said he goes to the “darkest corners of social media” to find the negative conversation about that brand. “The jokes and nasty comments often have a truth and by acknowledging them, you can own the joke, turn it on its head and turn against those people.”
Andy’s last point is about deliberately building luck into your processes. He illustrated it with examples from music.
What similar techniques can you build into your business processes so you constantly generate ideas?
Be lucky!
The next Bristol Creative Industries online keynote is with Anne Thistleton, marketing veteran and former strategy lead for The Coca-Cola Company in South Africa. She will share easy and practical lessons from mind science to make sure your audience really hears you. BCI members get £15 off tickets. Book your place here for the event on 21 October.
Mr B & Friends has created a vibrant brand transformation for two South West hospital charities as they merge into one.
The agency developed a brand positioning to strengthen the appeal of two charities as they combine under the new name of Bristol & Weston Hospitals Charity. Formerly separated as Above & Beyond and Weston Area Charitable Trust, the charity will now support all 10 sites within University Hospitals Bristol and Weston NHS Foundation Trust (UHBW) beyond what the NHS is able to provide.
The distinctive new identity will provide a platform to launch the unified charity, engaging both new and existing supporters. Built from an organising thought of ‘Do great things’, the new brand shows the huge potential of the merger. The logo’s sunburst acts as a visual metaphor for the work the charity does. It’s the joy they deliver, the mark they make and the spark they ignite. It radiates the positivity synonymous with the team’s approach to fundraising, creating a truly single-minded beacon for their brand. A playful, punchy tone of voice instils a dynamic sense of personality, resulting in an identity that’s hard to ignore.
In addition to the strategy and identity work, full brand guidelines have been provided for ongoing consistency, while Mr B & Friends has worked with the charity team to develop a range of assets, from on-site shop posters to website visuals.
The charity funds the little things that make a big difference and work with the Trust to provide healing environments and spaces which provide dignity, privacy and empathy. They also fund world-class technology, treatments, knowledge and medical research and champion equitable access for all patients.
Simon Barbato, CEO of Mr B & Friends said: “From the first conversation we had with the team at Bristol & Weston Hospitals Charity we could see the passion and dedication they brought to the organisation. We’re delighted that we’ve been able to use our brand expertise to translate their vision into a striking new identity that will raise awareness of the charity and enable them to further its fundraising abilities.”
Paul Kearney, chief executive of Bristol & Weston Hospitals Charity, said: “This is a really exciting opportunity and we wanted a new identity that radiates positivity and has a clear name to represent and reflect this partnership as we move forward.
“Mr B & Friends has really embraced our cause and this new look and we’re looking forward to being a bold, positive and energetic force across Bristol and Weston.”
For more information about Bristol & Weston Hospitals Charity, visit bwhospitalscharity.org.uk
The internet should be accessible for everyone. Sadly, this is not the case.
Globally, around 500,000 new websites are built every day. However, a huge 70% of all these websites do not meet the basic WCAG (Web Content Accessibility Guidelines).
Today, there are one billion disabled people around the world – 15% of the global population.
This means that a huge proportion of the world wide web is inaccessible to millions of users who have visual, hearing, motor and/or cognitive impairments.
When in the production stage, website designers and agencies might also have to start considering another growing demographic – the aging population.
Loss of sight, fine motor skills and cognitive function can all greatly impact how well the older generation can interact with a website.
It can be incredibly tempting to create websites with unique layouts, personalised fonts and flashy graphics, but doing so means excluding thousands of potential customers.
Taking ethics out of the equation, there are two major benefits to creating an accessible website.
First, creating an accessible website will shine a positive light on your brand’s identity and firmly position yourself as a trustworthy company.
From an economic standpoint, brands that take the time to create accessible websites are the ones that are profiting.
Take the U.S, for example. Around 54 million people are living with some form of disability according to the U.S. Census Bureau.
This community alone represents approximately $1 trillion in aggregate income, which translates into more than $220 billion in discretionary consumer spending power!
There’s a great deal of misconception around the difficulty of designing an accessible website.
With a few alterations, creating a disability-friendly website can be simple. Here are 6 tips for designing a website that’s accessible to all.
This is often overlooked by designers, but it’s so important to ask people with disabilities to try out your website. If you understand your users’ needs, you can design a functional website with minimal issues.
You should also include people with disabilities on your marketing team, as they will be able to tell you first-hand what hurdles they run into when navigating websites. With this information, you can eliminate these obstacles before it goes live.
Siteimprove is a great online tool that allows you to check the accessibility of your website.
At Adapt, we have used it to locate and rework website features that are deemed inaccessible. Websites are scored with an A, AA, or AAA ratings, with AAA being the highest score. Most digital marketers aspire to have an AA rating.
Using Serif fonts or your own branded fonts can cause a lot of problems for people with dyslexia or visual impairments.
You should try to use Sans Serif fonts where you can as these fonts are much clearer and stand out on most images and coloured backgrounds.
The size of the font is also incredibly important. You should opt for a minimum size of 16 pixels for a Serif font and 14 for a Sans Serif font for easy readability.
To check if your choice of font is meeting the mark, try downloading the WhatFont browser extension.
Most websites that include pictures will use alt tags.
Alt tags are the words you see when you hover your mouse over a picture. They are extremely helpful to those using screen readers.
These tags would be a great addition to your website as you can add detailed descriptions to all your pictures. However, when writing these descriptions, you need to keep them concise.
Adding subtitles to your videos is essential, as they are extremely helpful for people with hearing disabilities or those with ADHD.
Some online platforms like YouTube are programmed with software that adds subtitles automatically. However, if you are producing your own videos, it’s important to take the time to create subtitles.
You should also consider writing transcripts and captioning for your videos, which covers all bases.
On most websites, you’ll notice a great proportion of them use the “click here” button to help you navigate to other pages. While this seems like an effective navigation system, this short description makes life incredibly difficult for those using screen readers.
For those who may not have used screen readers before, these programs scan your website for links to help users with visual impairments navigate around your website.
Short, generalised navigation links are difficult for screen readers to process. So, your users may get stuck on one page of your website, which is not good!
Instead of opting for the standardised “click here” link button, it’s worth writing a descriptive link. This will allow the screen reader to process what you’ve written and will allow the user to understand the content of your pages with ease.
For example, it’s better to write “to learn more about our job opportunities, check out Adapt’s careers page”, instead of “to learn about our job opportunities, click here”.
To help your web links stand out for those with visual impairments, underline them and add colour contrast.
The size and range of your links are incredibly important. Ensure the font of the link is a larger size and has a wide range, as this will be helpful for those with mobility difficulties.
Many people are unable to use a keyboard or mouse to trawl through the web, and instead use speech recognition software, screen readers, head wands, adaptive keyboards and trackball mouses.
These inventions are a great resource to those with visual, hearing or mobility impairments, but they will not work if your website fails to support them.
To ensure your website is easy to navigate for all, program your website to be keyboard-friendly. Adding visual indicators on tabs allows users to know their location on each landing page.
If you have a page that has a lot of content, it’s best to divide it into smaller sections, and the easiest way to do this is to create jump lists.
Another design aspect you need to think about is video. For those of you who already have or are considering adding videos to your website, you need to ensure they don’t play automatically as this can make life difficult for your people using screen readers.
Everyone deserves an easy user experience, and right now we are not doing enough to ensure our websites are accessible.
Taking the steps towards reworking the design of your website can seem challenging at first. But by following these 6 easy steps, you’ll have an accessible website up and running in no time.
The workplace is rapidly changing, but workplace practices, norms, infrastructure and management is struggling to catch up. Digital transformation is estimated to be worth over $400 bn in 2021 and is projected to continue to grow by 25% year-on-year.
This rapid change has left businesses in disarray. Is their digital infrastructure prepared? Which employees are struggling to work digitally? Whose remit does this transformation fall under – the CHRO’s, the CIO’s, or the CEO’s?
Enter Actual Experience.
Luckily for all of us, the Actual Experience (AE) team saw this digital mega trend approaching a decade ago. Having built their business on 10 years’ worth of academic research, they’ve engineered a comprehensive patented algorithm which, minute-by-minute, captures and analyses the real-world, human perception of digital applications and services.
In other words, they help businesses ensure that the digital tools, systems and platforms they’ve invested millions in are actually making work easier for employees, and providing a better experience for their customers.
Currently, many businesses use tools such as employee and customer surveys to find out the answers to those questions. But there’s a problem: employee and customer surveys are subjective and are often inaccurate or inconclusive. But when used in conjunction with Actual Experience’s algorithm, it is possible to glean objective, actionable insights from survey data.
ActualExperience’s Human Experience score provides businesses with an objective analysis showing which specific employees are struggling, and with which specific aspects of their digital infrastructure, so they can focus their time and resources on these issues – and keep up with the ever-shifting digital curve.
So, following on from a successful Account-Based Marketing (ABM) campaign and digital brochure, AE were keen to put their money where their mouth is, and upgrade their own digital offering to reflect their progressive business.
The AE team approached us to upgrade their website from Hubspot to Webflow: a no-code flexible website solution that doesn’t require complicated set-ups.
Our first step was for Actual Experience to take us through a thorough wish list. Here, we put together a full feature list, created high-fidelity wireframes and new digital design styles using their updated brand guidelines.
This process meant that when we transitioned the website over to Webflow, both parties had a very clear picture of what it would look like and how it would function. So we could push for tight deadlines in line with AE’s objectives without having to go back and forth to check small details at every stage.
One of the highlights of the website is the design-led navigation that adapts seamlessly to different screen sizes including phone, tablet and various desktop sizes. This was quick and easy to build with Webflow’s online visual editor. This platform is the perfect application for creating visually stunning, easy to use designs that don’t require massive amounts of coding, which AE in this instance, didn’t.
The navigation is not only designed to draw the user in, but allows different audiences to access different content that suits them. For instance, a HR professional will seek different information to IT professionals.
In the end, we created a future-proofed, design-led website under a demanding timescale, migrating 200+ content types seamlessly from Hubspot to Webflow. Check out the full AE case study here, along with the all-important, client feedback.
To find out more about Webflow, and our other digital design services, get in touch with us today at [email protected].
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