Clockwise from top left: The Forsytes (image:5/PBS), The Seven Dials Mystery (image: Netflix), Towards Zero (image: BBC), Boarders (image: BBC)
The economic impact of filming on location in Bristol and at The Bottle Yard Studios rose by 55% in 2024-25 to an estimated £46.6 million, according to the latest annual figures from the Bristol Film Office.
29 major productions were assisted by Bristol Film Office and The Bottle Yard Studios throughout the 2024-25 financial year (including three feature films and 26 High-End TV productions) with a total of 736 filming days supported in the studio and on location. The economic impact of this production activity is valued at an estimated £46,645,000, an increase of £16.6 million (55%) on the previous year. In total, 689 filming permits were processed by the Film Office in 2024–25, permitting filming to take place on council-owned streets, properties and green spaces.
The year also saw more of Bristol’s best-loved visitor destinations directly benefitting from income brought in by filming, after being connected to productions by Bristol Film Office. Historic boatyard Underfall Yard – which has been fundraising since 2023 to complete recovery and reinstatement works following a devastating arson attack – and inner-city community hub St Werburghs City Farm, are two examples of local charities that hosted extensive filming last year.
Councillor Tony Dyer, Leader of Bristol City Council, said: “Bristol’s film industry plays a significant role in the growing strength of our local and regional economy. The substantial growth in economic impact these latest figures demonstrate underlines just how important this sector is to our city, not just in terms of jobs but also exposure to a global audience. This impact, combined with that of other culture and creative sectors in the city, is driving an economic impact worth £892 million a year to Bristol and makes us a city that investors have increasing confidence in with an estimated £88 leveraged by arts organisations for every £1 invested.” *
Laura Aviles, Head of Film, Bristol City Council, says: “A 55% increase in the economic contribution generated by film and TV productions hosted by The Bottle Yard Studios and supported by Bristol Film Office, in just one year, is outstanding. Not only are we seeing the number of productions opting to film in Bristol remain strong, we’re also seeing the size and length of those shoots increase. Thanks to the outstanding service from The Bottle Yard team and the gold standard of logistical liaison provided by the Film Office on location, productions are spending more time prepping and filming bigger, more ambitious shoots here. This is leading to more employment for regional scripted freelancers and companies, and more local spend in the economy.
“It’s so rewarding to also see more of Bristol’s charities and community groups benefit from valuable new income streams by hiring their unique spaces out as locations, which we hope will in turn lead to further screen tourism benefits in future. With new releases like Young Sherlock, The Seven Dials Mystery, The Dream Lands, Inheritance and The Forsytes on the horizon – as well as others still under wraps – it’s clear that our studio, locations, crew and companies are keeping Bristol at the top of its game, as one of the most successful regional cities for scripted filming in the UK today.”
A total of 17 major productions were filmed at The Bottle Yard Studios throughout the year, eight of which had the biggest presence in the city by also filming on location with assistance from Bristol Film Office. These eight were: upcoming Sky Original thriller Inheritance starring Gugu Mbatha Raw and Jonny Lee Miller; upcoming Channel 5/PBS period drama The Forsytes starring Millie Gibson and Joshua Orpin; upcoming Netflix Agatha Christie thriller The Seven Dials Mystery starring Mia McKenna-Bruce, Helena Bonham Carter and Martin Freeman; upcoming BBC coming-of-age relationship drama The Dream Lands starring Pascale Kann and Anna Friel; upcoming feature film Bad Apples starring Saoirse Ronan; series two of BBC comedy thriller Am I Being Unreasonable written by and starring Daisy May Cooper; and series two of BBC comedy drama Boarders.
It was a particularly busy year for Bristol Film Office, which assisted 19 major productions on location throughout the year. In addition to those listed above, titles included: Guy Ritchie’s upcoming Prime Video series Young Sherlock starring Hero Fiennes Tiffin and Colin Firth; upcoming BBC/Disney+ Doctor Who spin off The War Between Land and Sea starring Russell Tovey and Gugu Mbatha Raw; upcoming second series of Channel 4 cyber thriller The Undeclared War starring Hannah Khalique-Brown and Simon Pegg; upcoming feature Mother’s Pride starring Martin Clunes (in cinemas 26th September 2025); upcoming feature film H is for Hawk starring Clare Foy and Brendan Gleeson; Paramount+ thriller The Crow Girl starring Eve Myles and Doug-ray Scott; and BBC Agatha Christie thriller Towards Zero starring Anjelica Huston.
Major productions filmed at The Bottle Yard Studios only (without city locations) included: upcoming BBC comedy Can You Keep a Secret? starring Dawn French and Mark Heap; Enid Blyton CBBC series Malory Towers and The Famous Five, CBeebies series Andy’s Global Adventures: Baby Animal Missions and upcoming Sky Kids series Jaime’s Treetop Tales.
How are the figures calculated?
Figures are calculated using the Average Local Production Spend Rate Card launched by Creative England’s Filming in England team in 2023. The Rate Card is part of a Local Economic Impact Toolkit, designed to help local authorities in England more accurately calculate and report on the average local economic impact of location filming activity in their region. It analyses total production expenditure based on where it was spent and the classification of a local authority’s location.
A significant number of resources are required to create a film or TV production. Every film crew that works in Bristol needs accommodation, food, transportation, security and other services. A single feature or high-end TV series can spend hundreds of thousands of pounds locally, boosting the revenue of local businesses including hotels, guesthouses, cafes and restaurants, taxi and car rental services and retail stores. Securing part or all of a shoot in Bristol results in varied levels of expenditure flowing into the local economy, with the range of spend depending on the type of project, what services and resources the project needs to access, and the budget range.
The Rate Card takes all these different types of spend into consideration, including Screen-Production Specific (e.g. crew’s wages and specialist suppliers of local film/TV equipment and services) as well as other categories of Business Support, Construction, Digital Services, Fashion & Beauty, Hospitality & Catering and Local Labour. It provides a frame of reference to gauge the average amount of daily expenditure that can be expected from a specific type of production, depending on the designated classification of the location and the budget range into which the project falls. This is then applied to data of all productions supported by Bristol Film Office and Bottle Yard Studios, to calculate the overall estimated economic impact. For more information, visit www.filminginengland.co.uk/local-economic-impact-of-filming
Boosting screen tourism
As well as creating short term opportunities for local crew and specialist companies and knock-on spending in wider business sectors, films and TV shows made in a city have been proven to have a positive longer-term impact on tourism and the visitor economy. Iconic locations featured in popular productions become screen tourism attractions, drawing visitors from around the world. Rising numbers of Bristol venues, charities and businesses are working with Bristol Film Office to be introduced to productions as potential filming locations. Being hired for filming helps venues, businesses and community spaces create valuable new revenue streams, and in the longer term can lead to increased footfall after a TV show or film’s release. Past examples include Aerospace Bristol (featured in Disney+ hit Rivals), St Werburghs Farm (featured in BBC/ Prime Video comedy thriller The Outlaws) and The Georgian House Museum (featured in ITVX period drama Sanditon).
* For more information about the wider economic impact of culture and creative sectors in Bristol, see: ‘Culture in Bristol bringing major benefits to our city’ (Bristol City Council, 3 July 2025)
Brand new Agatha Christie adaptation Towards Zero arrived on BBC One and BBC iPlayer on Sunday 2nd March, after filming in and around Bristol with support from the city’s Film Office, and on the Devon coast.
Based on the classic mystery by the best-selling author of all time, the series has been adapted for screen by BAFTA-nominated Rachel Bennette (NW) and directed by the Olivier Award-winning Sam Yates (Magpie). It follows 2023’s hit Christie adaptation Murder is Easy, which was one of the UK’s most watched new dramas of the year across all channels and streamers, averaging 7 million viewers across both parts. It is produced by Mammoth Screen and Agatha Christie Limited for BBC iPlayer and BBC One, in a co-commission with BritBox International.
Bristol Film Office supported filming last Summer at locations including Frog Lane and the nearby Masonic Hall near Park Street, Deanery Lane and Bristol Cathedral, the University of Bristol’s Goldney Hall and Tyntesfield House on the outskirts of the city. The fictional Gull’s Point and Easterhead Bay Hotel locations were shot on the scenic Devon coast.
Filming outside Bristol Cathedral and City Hall (images: BBC/Mammoth Screen)Producer Rebecca Durbin, Mammoth Screen, says: “We were excellently served by our Bristol and South West locations when bringing the world of Towards Zero to life. We had some particular challenges – recreating the Royal Courts of Justice, 1930’s Wimbledon Centre Court and a sparkling modern Art Deco hotel geographically opposing an old country pile on a Devon cliffside. The Devonian landscape is so central to Christie’s Towards Zero, so it was really special to be able to film at Burgh Island Hotel and beaches in the Kingsbridge area, just down the coastal path from Christie’s home, Greenways.
“Filming in Central Bristol during a busy working day is always a logistical challenge – traffic management, working with the public, the challenges of period vehicles! – but Bristol Film Office were instrumental in providing welcome practical support and making sure everything ran as smoothly as possible, arranging recces, providing assistance when liaising with locations and councils and offering invaluable local advice and guidance.”
Bristol & South West locations
The nave of Bristol Cathedral acted as a double for the exterior for Westminster’s Royal Courts Of Justice in Towards Zero. Conveniently for the producers, gothic revivalist architect George Edmund Street who masterminded the Law Courts on The Strand in London, also designed the nave of Bristol Cathedral. Sessions House in Usk, South Wales, served as the interior for the Courts, paired with corridors and walkways at Grittleton House in Chippenham (which also served as Sylvia’s boarding school).
Frog Lane in Bristol City Centre served as a busy 1930’s London street. The producers felt that the pale grey architecture of the street had a slightly 1930’s art deco feel that complimented the interiors of Nevile Strange’s fashion-forward apartment, which were shot at Goldney Hall, one of the University of Bristol’s buildings. Despite Goldney Hall being 18th Century, Production Designer Lucienne Suren worked to create a bold, art deco look – the shapes of the murals and art work on the walls echoing the architecture of Frog Lane.
To recreate 1930’s Wimbledon, producers worked with a VFX company to enhance a full-scale replica court built at the Bath & West Showground in Shepton Mallet. A room in The Province of Bristol Masonic Hall on Park Street served as the Wimbledon changing room.
A private home in Wiltshire served as the perfect country house to become Gulls Point, the family seat where matriarch Lady Tressilian rules the roost. The property’s portico overlooked an expansive sweeping green vista that made it easily “transferable” to a cliffside in Devon, with the help of VFX. The private home was paired with the imposing Tyntesfield House, a National Trust property on Bristol’s outskirts. Despite its Gothic exteriors, the “below stairs” kitchen and servants quarters worked very well as a match to the Wiltshire stately home.
The long straight ‘Towards Zero’ vanishing point road was filmed on a tree-lined road on the Badminton Estate.
Devon locations
Easterhead Bay Hotel exteriors were filmed at Burgh Island Hotel near Kingsbridge. The hotel’s sea water swimming pool doubled for the hotel in Nice, South of France, where Nevile and Kay meet. The Forum Bath provided the space for the art department to create the ultra-modern interiors to match with the Art Deco exterior of Burgh Island Hotel.
The beaches at Bantham, where the Avon meets the sea, and the more sheltered cove at Thurlestone, served as the fictional beaches around Saltcreek and Gulls Point. The production team worked closely with local film offices, the council and National Trust to ensure filming activity didn’t impact on local residents, including wildlife and nesting birds.
About Towards Zero
Towards Zero stars Anjelica Huston as Lady Tressilian, Matthew Rhys as Inspector Leach, Clarke Peters as family lawyer Mr Treves, Oliver Jackson-Cohen as British tennis star Nevile Strange who has two ladies in his life: Ella Lily Hyland plays his ex-wife Audrey and Mimi Keene is his new wife Kay. Anjana Vasan is the lady’s companion Mary Aldin, Jack Farthing plays the estranged Thomas Royde, Adam Hugill is Nevile’s mysterious valet Mac, and Grace Doherty is Mr Treves’ ward Sylvia.
England, 1936. After a scandalous celebrity divorce, Nevile Strange and his ex-wife Audrey make the unthinkable decision to spend a summer together at Gull’s Point, their childhood home and the coastal estate of Nevile’s aunt, Lady Tressilian.
With unfinished business between the former childhood sweethearts, plus the presence of Nevile’s new wife Kay, tensions are running high. Add to this a long-suffering lady’s companion, a mysterious gentleman’s valet, an exiled cousin with a grudge, a venerable family lawyer, an inquisitive orphan and a French con man, and soon there will be murder. A troubled detective must rediscover his purpose to untangle a toxic web of jealousy, deceit and dysfunction. Can he solve the crime before another victim meets their death?
An explosive love triangle, a formidable matriarch and a house party of enemies. All compelled… Towards Zero.
Agatha Christie’s Towards Zero (3×60’) is produced by Agatha Christie Limited and Mammoth Screen (part of ITV Studios), and is a co-commission between the BBC and BritBox International. It is adapted by Rachel Bennette, directed by Sam Yates and produced by Rebecca Durbin. Executive producers are James Prichard for Agatha Christie Limited, Sheena Bucktowonsing and Damien Timmer for Mammoth Screen, Danielle Scott-Haughton for the BBC and Jon Farrar, Stephen Nye and Robert Schildhouse for BritBox International.
Agatha Christie’s Towards Zero is available in full on BBC iPlayer from 6am on Sunday 2 March, with episodes airing weekly on BBC One from 9pm that night.
Hit shows Rivals, The Outlaws and A Good Girl’s Guide to Murder and upcoming releases The Crow Girl, The Road Trip and The Forsyte Saga were among the titles fuelling Bristol’s production boon last year
Film and TV productions shot on location in Bristol or at The Bottle Yard Studios generated an estimated £30 million towards Bristol’s economy in the 2023-24 financial year, according to the latest annual figures from the city’s Film Office.
A total of 32 major productions were assisted by Bristol Film Office and/or The Bottle Yard Studios throughout the reporting period, of which nine were feature films and 23 were high-end TV productions. Altogether 730 filming days were supported in the studio and on location. The economic impact of this production activity was worth £30,038,739 to the Bristol economy. 582 licenses were issued by Bristol Film Office, permitting filming to take place on council-owned streets, properties and green spaces.
Councillor Tony Dyer, Leader of Bristol City Council, says: “These latest figures demonstrate the vital role that Bristol Film Office, The Bottle Yard Studios and our flourishing film and TV sector continues to play in supporting our city’s local economy. We know that since the pandemic some areas of the film industry have struggled, however it’s fantastic to see that the latest television and film hits are attracted to and supported in Bristol. A huge congratulations to all those who contribute to making our local sector such a huge global hit. These figures truly demonstrate the value of their continued dedication and hard work.”
Head of Film Laura Aviles (Bristol City Council) says: “We are pleased to announce these impressive figures, our first to be calculated using Creative England’s improved methodology. Having access to the most up-to-date estimation of the annual economic impact of the productions we support is central to our ability to leverage investment and stimulate further growth for Bristol’s film industry. These new figures show that not only is the city’s film sector continuing to perform well, it is also worth more to Bristol’s economy than previously thought.
“The fact that filming supported by the Studio and Film Office generated an estimated £30 million for Bristol’s economy in 2023-24, a strike year, is an incredible achievement. We know it has been tough for many freelancers working in different parts of the film and TV industry, particularly unscripted. But these figures underline how Bristol has continued to push forward its reputation as a trusted home for high calibre scripted productions, such as Rivals, The Outlaws and A Good Girl’s Guide to Murder. By supporting filming, we are creating direct benefits for the local economy and with our studio hub, supportive Film Office and skilled crew and companies, we hope to continue that momentum in the year ahead.”
Hayley Armstrong, Head of Production Services at Creative England says: “We’re thrilled to see Bristol making the most of the Local Economic Impact Toolkit – a first of its kind resource supporting the accurate measuring and reporting of local economic impacts to demonstrate the true value of the Film and TV sector in local communities across England. The work that Bristol Film Office and The Bottle Yard Studios do is essential in ensuring Bristol continues to attract high-profile productions again and again, and we are proud that the updated Average Local Production Spend Rate Card has evidenced just how successful they have been this past year. We encourage all local authorities to embrace the Toolkit, enabling them to effectively measure and communicate the sector’s benefits, and unlock the full potential of what Film and TV can bring to their communities.”
Titles that were active in pre-production or filming during the reporting period at The Bottle Yard Studios and on location with Film Office assistance included: upcoming romantic comedy The Road Trip (streaming from 26th December on Paramount+); upcoming feature film Bad Apples starring Saoirse Ronan; upcoming period drama adaptation The Forsyte Saga (Masterpiece PBS); upcoming Agatha Christie adaptation The Seven Dials Mystery (Netflix); Jilly Cooper’s Rivals (Disney+); series three of teen spy thriller Alex Rider (Amazon FreeVee); series four of detective drama McDonald & Dodds (ITVX); series three of Stephen Merchant’s comedy-thriller The Outlaws (BBC One/Amazon Prime Video); twisty thriller TrueLove (Channel 4); teen comedy-drama Boarders (BBC Three); and hit young adult mystery thriller A Good Girl’s Guide to Murder (BBC Three).
Daisy May Cooper and Selin Hizli’s BBC One comedy thriller Am I Being Unreasonable and series 5 of CBBC Enid Blyton drama Malory Towers were also filmed at the Studios (and locations outside of Bristol). Wolf Hall: The Mirror and the Light (BBC One/Masterpiece PBS) based production at the Studios whilst filming on location in England and Wales.
Additional titles filmed during the reporting period at Bristol locations with Film Office assistance included: upcoming contemporary psychological thriller The Crow Girl (Paramount+); upcoming feature film The Salt Path starring Gillian Anderson and Jason Isaacs and directed by Marianne Elliot; upcoming feature film Surviving Earth directed by Thea Gajić; Pollywood blockbuster Jatt & Juliet 3; series three of finance drama Industry (BBC One/HBO Max); and action thriller Paris Has Fallen (Amazon Prime Video).
—
About the figures
Why the rise?
The 2023-24 economic impact figure of £30m is almost 50% higher than the £20.1m recorded in 2022-23. The reason behind this increase is that this is the first time Bristol’s figures have been calculated using the new Average Local Production Spend Rate Card recently launched by Creative England’s Filming in England team.
Previously, local authorities calculated the economic impact of their film production sectors using national average ‘spend-per-day’ figures compiled by Creative England with contribution from all national Film Offices’ data. However in 2023, Creative England launched a new Local Economic Impact Toolkit devised by global film industry consultants Olsberg•SPI, “to help local authorities in England more accurately calculate and report on the average local economic impact of location filming activity in their region.”
The Toolkit’s Average Local Production Spend Rate Card offers an improved level of precision as to how productions of certain sizes spend their budget in a location. Previous average spend figures focused primarily on location budgets. This new approach analyses total production expenditure based on where it was spent and the classification of a local authority’s location. This can be whether the production is London-adjacent, shooting in a ‘production hub’ or a ‘developing production location’. Combined with the updated methodology, this accounts for the significant increase in spend per-day figures compared to those which were used prior to 2023.
How are the figures calculated?
A significant number of resources are required to create a film or TV production. Every film crew that works in Bristol needs accommodation, food, transportation, security and other services. A single feature or high-end TV series can spend hundreds of thousands of pounds locally, boosting the revenue of local businesses including hotels, guesthouses, cafes and restaurants, taxi and car rental services and retail stores. Securing part, or all of a shoot in Bristol results in varied levels of expenditure flowing into the local economy, with the range of spend depending on the type of project, what services and resources the project needs to access, and the budget range.
The Average Local Production Spend Rate Card takes all these different types of spend into consideration, including Screen-Production Specific (e.g. crew’s wages and specialist suppliers of local film and TV equipment and services) as well as other categories of Business Support, Construction, Digital Services, Fashion & Beauty, Hospitality & Catering and Local Labour. It provides a frame of reference to gauge the average amount of daily expenditure that can be expected from a specific type of production, depending on the designated classification of the location and the budget range into which the project falls. This is then applied to the data of all productions supported by the Film Office and Studios teams, to calculate an overall estimated economic impact.
Boosting screen tourism
As well as creating short term opportunities for local crew and specialist companies, plus knock on spending in wider business sectors, film and TV shows made in a city have been proven to have a positive longer-term impact on tourism and the visitor economy. Iconic locations featured in popular productions become film tourism attractions, drawing visitors from around the world. Rising numbers of Bristol venues, charities and businesses are working with Bristol Film Office to be introduced to productions as potential filming locations. Being hired for filming helps venues, businesses and community spaces create valuable new revenue streams, whilst in the longer term it leads to an increase in footfall after a TV show or film’s release. Recent examples include Aerospace Bristol which featured in Rivals (Disney+), St Werburgh’s Farm which featured in series three of The Outlaws (BBC One/Amazon Prime Video) and The Georgian House, featured in Sanditon (ITVX).
Boarders, the brand-new comedy drama created by Bafta-nominated Daniel Lawrence Taylor (Timewasters), is now available on BBC Three and BBC iPlayer after filming entirely in Bristol and the South West with support from Bristol Film Office last year.
The six-part high energy series, produced by Studio Lambert (The Nest, Three Girls) in association with All3Media International, follows the lives of five talented black inner-city teenagers navigating their way through an alien world – the British public school system.
The main filming site for the series was in Clifton, and Bristol Film Office worked closely with Studio Lambert to provide nearby production offices and parking for the crew during the five-month shoot. Other Bristol locations that feature include Ashton Court, Carolina House on Dove Street, Redcliff Hill, Stokes Croft and St Nicholas Market. Filming for interiors also took place on sets built at The Bottle Yard Studios. Further afield in the region, filming took place at Chavenage House near Tetbury and in Weston-Super-Mare.
As well as assisting with locations, Bristol Film Office liaised closely with the production team to connect it with local crew talent including Bristol company Latent Pictures which runs a paid development programme for underrepresented filmmakers. Around 90 crew members worked on the production per day, 70% of which were regional crew, with more than 55% from Bristol and the South West.
Line Producer, Carleen Beadle-Larcombe, says “Bristol Film Office were exemplary in helping source locations. There were last minute location changes needed because of weather or cast availability – alternatives options were quickly suggested and things like parking suspensions and road closures were issued quickly and efficiently. In addition Bristol Film Office helped Boarders source last minute Graffiti artists which were needed in order for us to complete filming at a new location.”
Madeleine Sinclair, Executive Producer for Studio Lambert adds: “The premise of the show is about access to opportunity and that was important to reflect in the production and crew. With the help of the Bristol Film Office, we aimed to attract local talent and give opportunities to those from underrepresented backgrounds across the crew. In addition to this, we brought on Latent Pictures, a Bristol-based company working with underrepresented filmmakers, to produce all our ‘behind the scenes’ footage.
“We had a number of ScreenSkills trainees in our HMU, Sound and Assistant Director departments and shadow directors joining us regularly on set. I think it was hugely valuable to the production because we had some really fantastic people and it made for a really interesting and buzzy set with crew from a whole range of backgrounds, who each brought their own different experiences.”
Prince Taylor, Executive Producer at Latent Pictures, says: “Collaborating with All3Media and Studio Lambert to create an engaging EPK (electronic press kit) was a great experience not only for the team, but for all of the Latent Talent we were able to provide paid training for. We could see how representation and authenticity were priorities for all involved and this helped create a learning environment that meant our trainees could really thrive, connecting with what they were learning and the wider teams involved.”
23-year-old Jojo Bossman (they/them) from Bedminster in South Bristol, was a Camera Trainee on Boarders. They say: “Boarders was definitely the most diverse show or feature I’ve ever worked on, which was wonderful. It was a really significant milestone for me in that it was the first long form job created by and starring Black people I’ve worked on.” Read a Q&A with Jojo about their experience working on Boarders here.
Following a problematic viral video involving a student, Jaheim (Josh Tedeku), Leah (Jodie Campbell), Omar (Myles Kamwendo), Toby (Sekou Diaby) and Femi (Aruna Jalloh) are offered sixth form scholarships to St Gilbert’s, one of the country’s oldest and most prestigious schools, in an attempt to rehabilitate its image. They soon find themselves in a world they can only describe as something out of Harry Potter, surrounded by lush playing fields, cloistered grandeur and complex social rules which they must decipher quickly in order to survive. They will go on a journey as they learn about themselves, their identity and what it’s like to live alongside the one percent – which they discover is nothing like life as they knew it.
Boarders is created and written by Daniel Lawrence Taylor, with episodes written by Emma Dennis-Edwards, Yemi Oyefuwa and Ryan Calais Cameron, and script edited by Missy Howard. It is directed by Ethosheia Hylton and Sarmad Masud and produced by Ali MacPhail. Executive producers are Daniel Lawrence Taylor, with Susan Hogg and Madeleine Sinclair for Studio Lambert and Nawfal Faizullah and Ayela Butt for the BBC.
Boarders is now available as a boxset on BBC iPlayer. Episode one aired on BBC Three on Tuesday 20th February and further episodes will air weekly.
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